I Survived the Great Molasses Flood, 1919 by Lauren Tarshis

I Survived the Great Molasses Flood, 1919

By Lauren Tarshis

Reviewed by Hank Bitten

I was intrigued by the title because I was not familiar with this event. The opening sentences described the experiences of a pre-teen, Carmen Grasso:

“Twelve-year old Carmen Grasso was drowning.  She was caught in one of the deadliest disasters in the history of Boston.  A gigantic wave had crashed in to the streets – a swirling, raging monster moving faster than a train. It turned buildings to rubble.  It smashed wagons and motorcars and tossed trucks into the harbor.”

A few pages later, I discovered that the story was much larger than the rupture of a 2.3 million gallon molasses storage tank used to make explosives for World War 1. The headline on page 6, “DEADLY FLU HITS BOSTON!” will engage students in multiple questions about 1919. The history in I Survived the Great Molasses Flood, 1919 is also about returning soldiers from World War I, medical care, care for children whose parents died from the flu, immigration, the Messina earthquake in southern Italy, the popularity of The Wizard of Oz (book), poverty, rabies, and living in Boston’s North End.

The narrative of Carmen is compelling as she contrasts her hopes in the American Dream with the reality of her hope in the American Dream.

“Anything is possible in America,” Papa always said. “If you work hard, a person can be anything they want to be.”

You couldn’t be anything you wanted to be in southern Italy, though.  Not unless you were already very rich.  Papa had barely earned money as a farmer.  All the men were farmers or fishermen; there were no other jobs. And girls? They got married and had babies.” (pp. 47-48)

The story of how the explosion injured Carmen leads to an opportunity for inquiry about the causes of the disaster, who should be liable for the deaths, injuries, and damage, and the quality of hospital care. In the tragedy, Carmen received a serious leg injury requiring stitches. Carmen likely received care at Massachusetts General Hospital, one of the first hospitals in New England dating back to 1818. The narrative in I Survived the Great Molasses Flood, 1919 should lead to questions about the ethnicity of her nurse, the management of pain, physical therapy, and hospital wards. Some of these initial questions could lead to scaffolded questions about the changing immigrant population of the North End and proliferation of hospitals in America after the Civil War. This discussion should link to the demographics and hospital care in their communities a century ago and what their communities and medical care might be like in the future. The I Survived series might be relabeled as the I Discovered Series!

The molasses tank looms over Boston’s Commercial Street

What struck me as a fascinating were the next 30 pages at the end of the book, about one-third of the book!  On these insightful pages, Lauren Tarshis, author, reflects on how one young reader informed her about the molasses explosion, how she researched this event, and the importance of historical fiction accounts.

In this section she also raises questions about the responsibility of companies, workers, and government leaders.  The Triangle Shirtwaist fire, fire drills in schools, emergency evacuation procedures, preparation to prevent the spread of disease, are curriculum relevant issues for children studying civics, economics, financial literacy, and history. This book also provides opportunities for learning about science (molecular structure of molasses), economics (using molasses as a substitute for more expensive sugar), literature (Joshua’s Song, Dark Tide), civics (liability and court cases) and history, (World War I and the Spanish flu epidemic).

There are also video resources and news articles available which were published for the centennial anniversary of this disaster.






https://www.youtube.com/watch?v=4iDK9dk2AEI (Video)

I Survived the American Revolution, 1776 by Lauren Tarshis

I Survived the American Revolution, 1776

Reviewed by Hank Bitten

I was introduced to the I Survived series by Lauren Tarshis through my ten-year old granddaughter. She had visited the battlefields of Gettysburg with her family and discovered the I Survived the Battle of Gettysburg, 1863 book in her classroom. Through the characters in this historical fiction book, she began asking probing questions about slavery, the way people lived, freedom, sickness, and President Lincoln. In fact, she wrote her own 16-page book reflecting her perspective about a family who lived in southern Pennsylvania!

This led me to read the I Survived the American Revolution, 1776 and I Survived the Great Molasses Flood of 1919 books. It also motivated me to suggest to the Board of Directors of the New Jersey Council for the Social Studies to invite Lauren Tarshis to our Fall Conference for K-12 teachers on October 16, 2020 at Rutgers University. These books and the message of Ms. Tarshis is that history is a story and the I Survived books are the stories of ordinary people in the context of significant historical events. The books are recommended for young readers in Grades 3-5 but the story engaged me as a grandfather with a reading age level many years past elementary school.

“There’s so much to be said for sparking interest in history at an early age. Of course, you set the groundwork of facts that students will recall later on as they study American history more deeply, and you begin developing the skills.” https://americanhistory.si.edu/blog/2010/11/teaching-history-by-telling-stories.html  

It is essential for teachers of young children to introduce their students to history through biographies, fictional characters, and monuments.  Children are fascinated about the stories, photographs, and videos of their family.  They enjoy seeing their parents as young children, learning about vacations, artifacts from their high school years, and the stories of great and greater grandparents.  Through stories, children connect the facts and develop an appetite for exploring the story deeper.

This is also the way many adults are learning. The content available on streaming networks are presented to us in episodes. Adults are learning about the history of kings and queens, heroes in wars, and documentaries relating to biographies and events.  Although some identify following the story through several episodes as binge watching, it is also engagement in history.

The core ideas in social studies education support learning how facts are connected through the concept of continuity and change, the validity of historical information, the perspectives of different people, and developing an argument or thesis.  Social Studies education is also about maps, populations, environments. sickness, battles, medical care, (geography) freedom, liberty, equality, tolerance, justice, human rights, taking a stand, (civics), and food, scarcity, trade, taxes, and the quality of life (economics).

The story of I Survived the American Revolution, 1776 is directly related to several Performance Expectations in the New Jersey Learning Outcomes for Grades 3-5.

6.1.5.HistoryCC.1 Analyze key historical events from the past to explain how they led to the creation of the state of New Jersey and the United States.

6.1.5.HistoryCC.2 Use a variety of sources to illustrate how the American identity has evolved over time.

6.1.5.HistoryCC.3     Use multiple sources to describe how George Washington, Thomas Jefferson, Benjamin Franklin, and Governor William Livingston have impacted state and national governments over time.

6.1.5.HistoryUP.5     Compare and contrast historians’ interpretations of important historical ideas, resources and   events.

6.1.5.HistoryUP.6   Evaluate the impact of different interpretations of experiences and events by people with different cultural or individual perspectives.

6.1.5.HistoryCC.14   Compare and contrast the practice of slavery and indentured servitude in Colonial labor  systems.

6.1.5.GeoHE.1      Use a variety of sources from multiple perspectives, including aerial photographs or satellite images to describe how human activity has impacted the physical environment during different periods of time in New Jersey and the United States.

6.1.5.GeoHE.3      Analyze the effects of catastrophic environmental and technological events on human settlements and migration.

The story begins on August 29, 1776, with the battle of Brooklyn Heights but is narrated through events that began seven weeks earlier in Norwalk, Connecticut.  Nate’s mother died when he was only four and he traveled with his father who was captain of a sailing ship. Nate’s father was the victim of an unexpected storm, likely a hurricane or a nor’easter. Nate was orphaned and under the care of his Loyalist uncle and aunt in Connecticut.

Nate (Nathaniel Fox) is introduced to the house slave and son who were the property of his aunt and uncle. Students are introduced to colonial labor systems and the difficult situations that slaves endured.  When an unfortunate incident occurred between Nate and his uncle, he decided to run away.  This is a time for students to explore structured inquiry regarding the choices that young boys had in the 1770s. Although Nate, at age 11, decided to be a stowaway on the Valerie, could he have pursued work on a farm, learned a skill, or attended a school?  Although students should explore a range of choices for a young boy, they will conclude that the life of an orphan was very limited.  Most orphans lacked food, nurturing, and guidance. Students might explore the early life of Alexander Hamilton who was an orphan, the reasons for the untimely death of parents, and the number of children without parents at the time of the American Revolution.

Although Nate’s father had docked his ship in one of the slips along the wharf of Manhattan before, this was several years ago.  Students reading the book will discover a descriptive landscape of hills and trees and the twisting and narrow streets of Old New York. Through the experiences of Nate, they will also experience the difficult and frightening human environment of living in the area of the South Street Seaport in 1776. This is an opportunity to explore paintings and photographs illustrating how communities change over time, the impact of human activities on the environment, and how the occupation of soldiers and war change perspective.

In Chapters 8-11, students are introduced to the preparations for war in a city under siege and the sounds of military weapons. A cognitive understanding of muskets, canons, powder, drummers and Hessians are part of lessons on the Boston Massacre, Boston Tea Party, and Battle of Bunker Hill. The narrative of Nate’s experience in I Survived the American Revolution, 1776 provides an emotional understanding of warfare and the dangers of the new military technology in New York City.

My teaching about the desire for liberty and independence, the importance of equality and the pursuit of happiness, was primarily through the documents of Lexington and Concord, Tom Paine’s Common Sense, and the Declaration of Independence. These primary sources, and others, led to a discussion with students about our identity as Americans. I was satisfied and taught the next lessons on the battles of the Revolution.

The narrative of Nate’s experience in hearing the Declaration of Independence read for the first time gave me a different idea for teaching this important document.

     “And then came the most shocking news: America wasn’t part of England anymore.  Not really.  Just last week, on July 4, 1776, leaders of the American colonies signed a letter to King George.  It had an important-sounding name: the Declaration of independence.

     Our captain read it to us a few nights ago.  I can’t remember the fancy words, but basically it said that the American colonies are joining together to make a brand-new country, a free country: the United States of America.

     That’s what this war is about. We are fighting for our new country.” (p. 59)

This quote captures the essence of the famous quote by Patrick Henry in 1775, “Give me liberty or give me death!” and the words of Nathaniel Hale, “I only regret that I have but one life to give for my country.” It moved me to think of what young Nate was thinking and what he was willing to die for.

The topic sentence in the middle of Chapter 12 forced me to stop and pause in my reading. “But there was something even more dangerous than Hessians, and it was lurking right in the camp. Nate discovered it on a boiling afternoon.” (p. 74) In addition to enabling students to connect a sequence of factual events and analyze different perspectives, stories nurture empathy, build long-term memory and create context in young minds. The visual images of mosquitoes, latrine pits, polluted water, lightning strikes and cloudbursts are vividly described with printed words. Teachers might direct their students to the investigate the decision General Washington made in Morristown, New Jersey in February 1771 to inoculate the soldiers in the Continental Army to stop the spread of this deadly epidemic and win the war.

See the source image

Providing opportunities for students to read historical fiction leads to student inquiry on a variety of topics.  We learn by exploring through internet search engines, visiting museums, interviewing directors at local historical sites, talking with a reference librarian, studying a monument, and analyzing images. For example, in New York City I have taken my students to Clinton Castle, Brooklyn Heights, Fort Greene, Alexander Hamilton’s house, West Point, and Federal Hall.  In New Jersey, I have taken my students to Fort Lee, New Bridge, Princeton Battlefield, Washington’s Crossing, Jockey Hollow, Morristown Museum, and the Old Barracks Museum. There are other places for students to explore but these educational trips allowed my students to experience history in their backyards.

By Beyond My Ken – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=24702440

Chapters 13-17 describe the battle of Brooklyn! It is carefully researched with a rich bibliography of resources by David McCulloch, Joy Hakim, Ron Chernow and others. What a story!

About the Authors – Teaching Social Studies, Vol. 20, No. 1, Winter-Spring 2020

About the Authors
Jessica Acee is the Student Leadership Coordinator at St. Mary’s Academy in Portland, Oregon.

Georgia Belesis is a teacher and adjunct lecturer at Forest Hills High School and Queens College in Queens, NY.

Andy Beutel has been teaching middle school social studies for 13 years. He presents and writes about the challenges and possibilities of critical teaching and learning in an affluent public school.

Mitchell Bickman is the social studies K-12 director in the Oceanside, New York school district.

Hank Bitten is the Executive Director of the New Jersey Council for the Social Studies.

Michael Catelli is the K-12 Supervisor of Social Studies, World Language, and ESL at the Somerset Hills School District in Bernardsville, NJ having been in education for over ten years. Michael works with staff at all grade levels to design instructional strategies and programs.

Sean Demarest is a preservice educator at Rider University.

Scott Eckers is the chair of the social studies department at The Wheatley School in East Williston, NY.

Julianna Ezzo is a preservice educator at Rider University.

Nora Flanagan is anEnglish teacher at Northside College Preparatory High School in Chicago.

Dr. Russell Hammack is an Assistant Professor of Secondary Education at Jacksonville State University.

Dr. Lisa H. Matherson is a Clinical Assistant Professor in the College of Education at The University of Alabama.

Dawn McShane is an award-winning social studies teacher at the ABGS Middle School in Hempstead, NY.

Jamie Megee is a preservice educator at Rider University.

John O’Leary is an eighth grade Social Studies teacher and has been teaching in the Flemington-Raritan School District for seven years, focusing on building active citizenship skills with his students.

LynnAnn Perlin is a social studies teacher at Sayville (NY) High School.

Ryan Pierson is a student at Hillsborough High School in Hillsborough, New Jersey.

Taina Santiago is a preservice educator at Rider University. 

Lindsay Schubiner is the Program Director at the Western States Center, Portland, Oregon.

Alan Singer is the director of social studies education at Hofstra University, Hempstead, New York.

Stephanie Skier is a social studies teacher atDemocracy Prep/Harlem Prep High School.

Kyle Stapinski is a preservice educator at Rider University.

Ben Szczepanik is a preservice educator at Rider University. 

April Francis Taylor is a middle school teacher and the Director of Student Life in the Mamaroneck (NY) School District. 

Dr. Elizabeth K. Wilson serves as Senior Associate Dean and Professor of Social Studies and Literacy Education in the College of Education at The University of Alabama.

Confronting White Nationalism in Schools

Review by Nora Flanagan, Jessica Acee, and Lindsay Schubiner

Americans across the country report a rise in white nationalism and other bigoted extremism. Because schools are hubs of our communities, they have become battlegrounds for extremist organizing. There is evidence that white nationalist groups are specifically targeting young people with their messaging. These groups test market slang on Twitter, rewrite popular songs with white nationalist lyrics, and join mainstream video game platforms, all to reach a young audience.

In this toolkit, we’ll share strategies to counter white nationalist organizing in schools through sample scenarios that schools frequently encounter. Whether a student has been found passing out white nationalist flyers or buttons on school property, or more actively advocating for a “white pride” student group, the following pages offer advice for parents, students, teachers, school administrators, and the wider community. Many resources currently exist that address diversity, inclusion, and bullying in schools; a few of them are listed in the resources section. This toolkit is specifically focused on responding to white nationalist targeting and recruitment of students.

It’s easy to miss an unfamiliar white nationalist symbol, or feel unsure about how to respond to a student citing a white nationalist source in the classroom. There’s a lot to keep track of when working with young people; we want to make it easier to recognize these behaviors (and those responsible), and to take action.

Everyone who engages in the life of a school is in a unique position to isolate and push back against the growing white nationalist movement and the hateful narratives they tout. It’s time to own that power. Our job is to build schools where everyone feels valued, and where our students can grow to be engaged citizens of an inclusive democracy.

What Are We Talking About When We Say “White Nationalism”?

White nationalism is a term that originated among white supremacists in the post-1960s Civil Rights era. While initially used as a euphemism for white supremacy, by the late 1990s, white nationalism emerged as its own distinct ideology with an emphasis on anti-Semitism and the creation of all-white ethno-states through violence and policies that increase the vulnerability, criminalization and removal of minorities and other targeted communities.

White nationalism is implicitly violent, as its goal of an entirely white nation state can only be realized through violent means. Short of achieving its end goal, white nationalism directly and indirectly influences a myriad of policies ranging from immigration enforcement, voter disenfranchisement and suppression, and state disinvestments that continue to marginalize and repress communities of color.

Today white nationalism operates as a bigoted social movement that aims to build political power toward its goal of a white nation. It is distinct from white supremacy, which is a system of oppression designed to maintain control over people of color and the rights of all women.

White nationalists often mask their ideology using positive statements of love for white people rather than overt hate, and they seek to recruit supporters based on disingenuous arguments that white people are victims. They argue that racial diversity and demographic changes are equal to white genocide. “Identity Evropa,” a white nationalist group now rebranded as the American Identity Movement, has disseminated flyers that say “Protect Your Heritage,” or “Our Future Belongs to Us,” for example. White nationalists also use anti-immigrant, anti-Black, and anti-Muslim rhetoric focused on crime or terrorism to appeal to fear and prejudice among their audience. Misogyny, which describes hatred or prejudice against women, is similarly a key recruitment tool for white nationalist groups. These groups also mobilize homophobia and trans-phobia (bigotry directed at lesbian, gay, bisexual, and transgender people) for similar purposes.

Why This Matters

All teenagers seek a sense of identity and belonging. White nationalist organizations know this and look for ways to connect with young people in order to grow their base. It takes vigilance on the part of teachers, administrators and parents to ensure that all members of a school community feel connected in positive ways and are not left vulnerable to extremist rhetoric or recruitment.

Adults often dismiss early indications of hateful ideology as a student ‘pushing boundaries’ or ‘acting out’ and while this might also be true, in many cases they are dismissing warning signs of a dangerous warning signs of a dangerous affiliation taking root. Race may not initially enter the picture; recent events demonstrate strong connections between misogyny, the sexist subculture “InCel” (short for involuntary celibate), and white nationalist ideology. What might seem innocuous or isolated, like a student scratching a swastika into a desk or a sudden spike in misogynistic or anti-Muslim language, warrants a response that clarifies behavioral expectations, affirms the value of all human life, and opens a dialogue with students to interrupt this behavior.

Left unchecked, white nationalist ideology and affiliation are dangerous. Once a student is connected to white nationalism, online or in real life, it is difficult for them to disconnect, so the best time to intervene in a young person’s affiliation is early. After they identify with white nationalism or another bigoted ideology intervening can be very dangerous. We urge the utmost in caution at this stage. White nationalism brings inherently violent and escalating threats to the families and communities it impacts. It is no accident that a number of incidents of mass shootings have involved white nationalist ideology. Scapegoating marginalized communities is one warning sign for violence.

White nationalist groups seek power and an organized base of support. Schools are an obvious target. This toolkit is designed to help you take back any space, however small or large, that white nationalism may try to carve out in your school community.

How to Use This Toolkit

This toolkit works best as a guide with suggestions and resources to help school communities navigate their own questions and challenges. Students, teachers, staff, administrators, parents, and other community entities can collaborate to adapt these approaches and find new solutions. Our goal is to provide effective resources to all members of school communities so that they may place obstacles in the path of those who would attempt to harm them.

We focus on high schools, but many of these resources also apply to middle schools and colleges. While this toolkit was created to offer tips and strategies on how to respond to white nationalist and other extremist organizing in schools, the following resources can and should be applied to any situation where you see potentially harmful activity. We encourage other anchor entities—libraries, faith-based organizations, community centers, and others—to discuss these scenarios and strategies, engage with local schools, and collaborate to strengthen community responses to hate.

A resource section is included at the end of this toolkit to aid your learning and help your school community grow stronger. One key resource is a list of proactive steps and best practices for schools. The section includes related resource guides, sample policies and language, and basic information on the white nationalist groups most likely to recruit in schools. Links to further reading also provide a starting point for your own research.

Please consider reaching out to Western States Center at info@wscpdx.org  to share your experience countering white nationalism in your school. We hope this toolkit is helpful as you strengthen your school community against bigotry.

 Request a free PDF of the toolkit at https://www.westernstatescenter.org/schools

The Songs of America by Jon Meacham

Reviewed by Hank Bitten

This book should be required reading for teachers of American history, interdisciplinary and humanities teachers, and music teachers! America has produced some of the world’s best song writers, musicians, and singers. America is a competitive democracy and the music of our history stirs our conscience and creates a harmony among dissident voices.

“History isn’t just something we read; it is also something we hear.  We hear the musketry on the green at Lexington and Concord and the hoofbeats of Paul Revere’s midnight ride. We hear the moans of the wounded and of the dying on the fields of Antietam and of Gettysburg, the quiet clump of the boots of Grant and Lee on the porch steps of Wilmer McLean’s house at Appomattox-and the crack of a pistol at Ford’s theatre.  We hear the cries of the enslaved, the pleas of suffragists, the surf at Omaha Beach.  We hear a sonorous president, his voice scratchy on the radio, reassuring us that the only thing we have to fear is fear itself; and we hear another president, impossibly young and dashing, his breath white in the inaugural air, telling us to ask not what our country can do for us but what we can do for our country.  And we hear the whoosh of helicopters in the distant jungles of Southeast Asia and the baritone of a minister, standing before the Lincoln Memorial, telling us about his dream.” (p.3)

The Look of Liberty

Perhaps the subtitle of the Songs of America: should be revised to “Patriotism, Protest, and the Music that Made America Great” rather than the music that made a nation.  Although the events in this book are familiar, many of the vivid photographs and illustrations were new to my eyes. The perspective of Tim McGraw is authentic as his words reveal an emotional context of passion for the lyrics and the challenges of singing familiar tunes. Tim McGraw writes about the closing verse in The Liberty Song, composed by John Dickinson (Pennsylvania) and Arthur Lee (Virginia) published on July 18, 1768:

What really speaks to me is the final verse. Dickinson clearly understands that this is a moment in time that will live forever (at least he’s hoping it will, and hope drives so much of art), and he used this idea to inspire real people to take real steps toward independence-and transformation:

‘All ages shall speak with amaze and applause,

Of the courage we’ll show in support of our laws;

To die we can bear-but to serve we disdain,

For shame is to freedom more dreadful than pain.’” (p.10)

The Liberty Song likely inspired Phyllis Wheatley who captured the hope and vision of all Americans in 1775 in her poem, “To His Excellency George Washington”

Proceed, great chief, with virtue on thy side,

Thy ev’ry action let the Goddess guide.

A crown, a mansion, and a throne that shine,

With gold unfading, Washington! Be thine. (p.25)

The Scars of Slavery

Phyllis Wheatley understood the bold American experiment for freedom and equality.  Unfortunately, her voice could not be heard as America became divided between the competing visions of the Federalists led by Washington, Hamilton, and Adams and the Republicans (anti-Federalists) led by Jefferson and Madison.

Lo! Freedom comes. Th’ prescient Muse foretold.

All Eyes th’ accomplished Prophecy behold:

Her port describ’d, “She moves divinely fair,

Olive and Laurel bind her golden Hair.”

She, the bright Progeny of Heaven, descends,

And every Grace her sovereign Step attends;

For now kind Heaven, indulgent to our Prayer,

In smiling Peace resolves the Din of War. (p.27)

A few months before the 55th anniversary of the Declaration of Independence as a twenty-four year old student at Andover Theological Seminary in Massachusetts, Reverend Samuel Francis Smith, was reading some patriotic German songs and wrote on a piece of scrap paper:

My country! ‘tis of thee,

Sweet land of liberty,

Of thee I sing:

Land where my fathers died,

Land of the pilgrims’ pride,

From every mountainside

Let freedom ring! (p.43)

LESSON IDEA: Cite evidence from the lyrics of The Liberty Song and America (My Country ‘tis of Thee) that America is a place of hope.

The vision of Daniel Webster inspired the verses of this hymn which united the majority of the American population when Andrew Jackson was president. Jon Meacham cites that the power of this hymn is in the first word, “My”.  Although the Congress adopted the gag rule to postpone debate on abolition, the passion for freedom was driven in the abolitionist versions of this popular song published under the pen name of “Theta”:

My native country! Thee-

Where all men are born free,

if white their skin:

I love thy hills and dales,

Thy mounts and pleasant vales;

But hate thy negro sales,

As foulest sin.  (p.45)

Harriet Tubman sang spirituals as signals for planning escapes on the network that became known as the Underground Railroad,

When that old chariot comes,

I’m going to leave you,

I’m bound for the promised land,

Friends, I’m going to leave you. (p.57)

In freedom, the freed slaves, perhaps as many as 100,000, sang a new song of thanksgiving:

Glory to God and Jesus, too,

One more soul got safe;

Oh, go and carry the news,

One more soul got safe….

Glory to God in the highest,

Glory to God and Jesus, too,

For all these souls now safe. (p.61)

Unfortunately, America as the land of the free where all races are treated equally was not realized for blacks, Native Americans, women, and immigrants.  President Lincoln’s Second Annual Message to Congress in 1862 testified to the harsh reality that combat, loss of life, the destruction of property, permanent injury, and risk of defeat.

“The fiery trial through which we pass, will light us down, in honor or dishonor, to the latest generation.  We say we are for the Union.  The world will not forget that we say this. We know how to save the Union. The world knows we do know how to save it. We – even we here – hold the power and bear the responsibility. In giving freedom to the slave, we assure freedom to the free – honorable alike in what we give, and what we preserve.  We shall nobly save, or meanly lose, the last best hope of earth.” (pp.67-68)

The Songs of America provides a litany of songs during these uncertain years: “Swing Low, Sweet Chariot,” “Go Down, Moses,” “The First Gun is Fired,” “The Vacant Chair,” “John Brown’s Body,” “The Battle Cry of Freedom,” “Marching Through Georgia,” and “We are Coming, Father Abraham.”

On November 19, 1861, Julia Ward Howe, writer and social activist, attempted to boost the morale of soldiers four months after Bull Run by singing “John Brown’s Body.” Restless from her experience, she awoke at dawn at Willard’s Hotel on 14th Street and Pennsylvania Avenue in Washington, D.C. and scribbled down new verses to “John Brown’s Body” that she later sent to The Atlantic Monthly for $5.00.

“He has sounded forth the trumpet that shall never call retreat;

He is sifting out the hearts of men before His judgment-seat:

Oh, be swift, my soul, to answer Him! Be jubilant, my feet!

Our God is marching on.

In the beauty of the lilies Christ was born across the sea,

With a glory in his bosom that transfigures you and me:

As he died to make men holy, let us die to make men free,

While God is marching on.” (p.76)

As Tim McGraw reflects, “Fighting for the Union was a Christian responsibility, a mission from God that required action and came with God’s blessing.  It was the ultimate religious motivation: Christ saved you, now you must go save freedom. (p.78)

LESSON IDEA: Why did slavery impair the vision of America as a place of hope? Cite evidence from the lyrics in the songs above to support this argument.

The Words of War and Peace

One of the most dramatic and moving chapters in The Songs of America is the patriotic music during the time of World Wars 1 and 2. After reading the headlines in the paper on April 7, 1917 in his home at Great Neck, Long Island, George M. Cohan got a big tin pan and a broom and started marching around his house to the words of “Over There.” The lyrics give us a sense of American identity in making the world safe for democracy and freedom.

“Over there, over there,

Send the word, send the word over there

That the Yanks are coming, the Yanks are coming

The drums rum-tumming everywhere.

So prepare, say a prayer,

Send the word, send the word to beware-We’ll be over, we’re coming over,

And we won’t come back till it’s over, over there.” (p.111)

As a result, 2 million enlisted and 2.8 million were drafted. But as General Sherman said,“War is Hell! You cannot qualify war in harsher terms than I will. War is cruelty, and you cannot refine it; and those who brought war into our country deserve all the curses and maledictions a people can pour out.” 

Alfred Bryan wrote “A Mother’s Pleas for Peace, I Didn’t Raise My Boy to Be a Soldier” and George Graff Jr. wrote “Let Us Have Peace.” These songs marked the beginning of protest songs, which became increasingly popular in the 1960s. As Tim McGraw insightfully writes, “While melodically I’m called to battle, lyrically I’m called to contemplate the price that’s to be paid for waging war.” (p.113)

I didn’t raise my boy to be a soldier,

I brought him up to be my pride and joy,

Who dares to place a musket on his shoulder;

To shoot some their mother’s darling boy?

Let nations arbitrate their future troubles,

It’s time to law the sword and gun away,

There’d be no war today,

If mothers all would say,

‘I didn’t raise my boy to be a soldier.’ (p.112)

It is likely difficult for students in your classes today to understand that many songs in our history are personal and sung as a result of a creative and resourceful music teacher or choir director in a church or school. “America the Beautiful” was composed by Katherine Lee Bates in 1895 on a trip to Pikes Peak in Colorado. The song inspired a generation of young girls and boys and was sung by American soldiers on Armistice Day in the bloody trenches of Verdun. The song inspires immigrants, the neglected, and the troubled because it speaks of the continuing work of what Americans seek.

O beautiful for spacious skies,

For amber waves of grain,

For purple mountain majesties,

Above the fruited plain!

America! America!

God shed His grace on thee

And crown thy good with brotherhood

From sea to shining sea! (p.114)

I learned something new from my reading of the Songs of America about the influence of religious music in the meeting of Churchill and FDR at the signing of the Atlantic Charter. FDR was an Episcopalian and Churchill and Anglican.  Together, they shared a common faith, commitment to good will, and an understanding that they were instruments of God to bring good into the world.  In his Second Inaugural Address (1937), FDR said:

“This new understanding undermines the old admiration of worldly success as such. We are beginning to abandon our tolerance of the abuse of power by those who betray for profit the elementary decencies of life.

In this process evil things formerly accepted will not be so easily condoned. Hard-headedness will not so easily excuse hardheartedness. We are moving toward an era of good feeling. But we realize that there can be no era of good feeling save among men of good will.

For these reasons I am justified in believing that the greatest change we have witnessed has been the change in the moral climate of America.

Among men of good will, science and democracy together offer an ever-richer life and ever-larger satisfaction to the individual. With this change in our moral climate and our rediscovered ability to improve our economic order, we have set our feet upon the road of enduring progress.” http://historymatters.gmu.edu/d/5105/

One can only imagine what happened aboard the HMS Prince of Wales on Sunday, August 9, 1941 with a congregation of British sailors in a declared war, American sailors, and the two statesmen. It was the first of 12 meetings between the two leaders of the free world.

Together, everyone sang “Our God, Our Help in Ages Past, confessed their sins, shared a reading from Joshua 1:9, prayed the Lord’s Prayer followed by other petitions and sang:

Onward, Christian soldiers,

Marching as to war,

With the cross of Jesus

Going on before!

Christ, the Royal Master,

Leads against the foe;

Forward into battle,

See, his banners go… (p.136)

In just four months, the music changed as Irving Berlin, Glenn Miller, Benny Goodman, Frank Sinatra, and Frank Loesser set the new tone following Pearl Harbor.  America needed songs of hope:

“God Bless America”

“We’ll Meet Again”

“You’ll Never Know”

“Praise the Lord and Pass the Ammunition”

“The White Cliffs of Dover”

“Don’t Sit Under the Apple Tree”

“This Land is Your Land”

The Words for Civil and Human Rights

James Weldon Johnson, Bob Cole, and J. Rosamond Johnson, presented an assembly program in Jacksonville, Florida to 500 children at the Stanton School, where James Weldon Johnson was principal. The program was on February 12, 1900 (Lincoln’s birthday) and the school bears the name of Lincoln’s Secretary of War, Edwin Stanton, an advocate for human rights. The Stanton School is the second prep school founded for black children at a time when Americans witnessed an increase in racism and lynchings.  James W. Johnson decided to read a poem instead of delivering a speech and Bob Cole and    J. Rosamond Johnson put it to music.

“Lift every voice and sing

Till earth and heaven ring,

Ring with the harmonies of Liberty;

Let our rejoicing rise

High as the listening skies,

Let it resound loud as the rolling sea.

Sing a song full of faith that the dark past has taught us,

Sing a song full of hope that the present has brought us.

Facing the rising sun of our new day begun,

Let us march on till victory is won.”  (pp.103-104)

This powerful song inspired blacks and whites in the civil rights movement, united a nation when it was sung at Super Bowl 53, and continues to provide hope for us today as it captures the vision of the American Dream. The song was kept alive by the children at the Stanton School for 20 years before in gained a national audience.

The chapter on the songs of the civil rights movement is one of the most engaging in the book.  Perhaps it is because I remember these songs, perhaps it is the music, or perhaps it is our continuing historical challenge in addressing racism, equality, and freedom.  Jon Meacham and Tim McGraw provide perspective to the musical and historical narrative of how music influenced the last third of the 20th century. The death of Emmett Till in 1955 was a lesson that I taught many times and it was a lesson that my students never forgot!

In 1962, Bob Dylan knew about Emmett Till, segregation, Freedom Rides, and the Cuban Missile Crisis,. In Greenwich Village, they began singing “A Hard Rain’s A-Gonna Fall,” “The Times They are A-Changin,” “The Death of Emmett Till,” “With God on Our Side,” “Blowin’ in the Wind,” “This Little Light of Mine,” “The Dogs of Alabama,” “A Change is Gonna Come,” and “We Shall Overcome.” Joan Baez, Sam Cooke, Tom Paxton, Mahalia Jackson, Ray Charles Peter, Paul, and Mary, and Stevie Wonder all contributed to the lyrics of truth and the melody of hope.

They did not die in vain.

They did not die in vain.

We shall overcome

Someday. (p.164)

LESSON IDEA: Did the Civil Rights movement and legislative reforms move America closer to becoming a place of hope for everyone by one small step or by one giant leap?

These were decades of division and confusion. It was the Age of Aquarius, Archie Bunker, Vietnam, Watergate, and equality for women. The future of the world could be shaped by the power of the music and the influence of the media on the message. In March 1974, less than six months before he would resign as President of the United States, Richard Nixon made a rare appearance at the Grand Ole Opry in Nashville. Speaking to a friendly audience, Nixon said:

“Country music, therefore, has those combinations which are so essential to America’s character at a time that America needs character, because today-one serious note-let me tell you, the peace of the world for generations, maybe centuries to come, will depend not just on America’s military might, which is the greatest in the world, or our wealth, which is the greatest in the world, but it is going to depend on our character, our belief in ourselves, our love of country, our willingness to not only wear the flag but to stand up for the flag.  And country music does that.” (p.175)

The choir singing the songs that defined America’s vision in a decade of division included Merle Haggard (“Okie from Muskogee”), Doug Bradley and Craig Werner (“We Gotta Get Out of This Place”), Creedence Clearwater Revival (“Fortunate Son”) , Staff Sgt. Barry Sadler(“The Ballad of the Green Berets”), Pete Seeger (“Bring Them Home” and “Waist Deep in the Big Muddy”), Glen Campbell (“Galveston”), the Animals (“We Gotta Get Out of This Place”), Martha and the Vandellas (“Jimmy Mack”), James Brown (”Papa’s Got a Brand New Bag”), Otis Redding (“R-E-S-P-E-C-T”), Steve Cropper (“Sitting on The Dock of the Bay”) , Johnny Cash (“Ragged Old Falg”), Simon and Garfunkel (”Bridge Over Troubled Waters”), Neil Young, (“Ohio”), Country Joe MacDonald (“One, Two Three What are we Fighting For?/ I Feel Like I’m Fixin to Die Rag”) and Aretha Franklin (“Chain of Fools”). 

This is a time when cultural history connects with our political history with engaging lessons with complex questions for 21st century students to debate.  Students enjoy the music but the powerful application of America’s vision and the character of the civic identity of each individual is the enduring legacy that is essential to a meaningful education. The impact of the influence of music on our culture, as opposed to a response to our culture, over the past 30 years is one that the perspectives of historians will debate and one that teachers cannot ignore. President Reagan said in a speech on September 19, 1984 in Hammonton, New Jersey, America’s future rests in a thousand dreams inside your hearts; it rests in the message of hope in songs so many young Americans admire: New Jersey’s own Bruce Springsteen.  And helping you make those dreams come true is what this job of mine is all about.” (p. 203)

These dreams and messages of hope for the frustrated, alienated, and discriminated are proclaimed in Brue Springsteen’s “Born to Run,” and “Born in the U.S.A,” Diana Ross’s “I’m Coming Out,”  Melissa Etheridge’s “Come to My Window,” Lady Gaga’s “Born This Way,” and Brandi Carlile’s “The Joke.”

The closing pages of the book reflect a different tune following the Attack on America on September 11. Jon Meacham and Tim McGraw cite the music at the national memorial service at the Washington National Cathedral on Friday, September 14, 2001 which included “O God, Our Help in Ages Past,” “A Mighty Fortress is Our God,” “The Lord’s Prayer,” and “God Bless America.”  It was the musicians who united America in a broadcast , “Tribute to Heroes,” ten days after the Attack on America which included consoling and inspiring lyrics from Bruce Springsteen (“My City in Ruins”), Stevie Wonder (“Love’s in Need of Love Today”),  (p.217)

It is important for students to understand perspectives in the context of how the response to horrific events takes place on the historical stage. As Bruce Springsteen’s songs in The Rising album expressed our grieving, hope, and unity, the Dixie Chicks protested against President Bush’s decision to invade Saddam Hussein’s Iraq in 2003. While their perspective was against the decision to go to war, it also raised questions about the implications of free speech and censorship and respect for the Office of the President of the United States.

Perhaps the question to ask and debate at both the beginning of a course in U.S. History and at the end of the course is how much of America’s history is one of debate, dissent, and dispute?  Should we always be restless, fighting, and disagreeing or should we always strive for harmony, peace, and agreement? Does our music reveal evidence of a convincing answer?

Does Democracy Work? An Inquiry into American Democracy

by Dawn McShane & LynnAnn Perlin

Democracy has existed for hundreds of years in this country. Our population today is more informed than ever, have opportunities that our ancestors could only dream of, yet more and more Americans don’t think our democracy is working. Democracy is an important topic for our students to discuss as many people view this current political climate as a crossroads between the expansion of democracy globally vs. a shift towards soft authoritarianism. Many people have posed the question: are we experiencing a fourth wave of democracy with countries like Iraq and Afghanistan in transition? While on the flip side the popularity of the Steven Levitsky and Daniel Ziblatt book, How Democracies Die (2018),has challenged us to questions whether the global trend is going away from democracy towards an eventual death of democracy. These are conversations happening in our world today, and our students have to familiarize themselves with democracy to even engage in such debates. 

The Inquiry Design Model allowed us to create a lesson that challenges students to reflect on the history of democracy, the current state of democracy, and the future of democracy in America. In order to encourage student’s interest in the topic, we suggest starting with a staging question related to the topic, specifically the idea of voting. For our staging question, we used a brief clip on the history of Alice Paul and asked students to consider why Alice Paul and her fellow suffragettes were willing to sacrifice everything for the opportunity to participate in American democracy? You want to use this as an opportunity to engage all students in the conversation so that they can how it relates to them personally. This staging question also challenges students to question the value of democracy and how those included in democracy has expanded through the years. 

The first compelling question of this inquiry asks students to consider the definition of democracy. We suggest starting with a definition of democracy from one of the Founding Fathers and select primary source texts from different points in American history. We selected a variety of different primary sources for this first document set so that students can examine different perspectives of democracy. You want to give students time with these documents and allow them to close read each of them so that they truly understand what is being said. Using analysis strategies along with frequent conversations about the documents gives student confidence with difficult documents. 

With the second compelling question, we want students to analyze data in order to examine how voter turnout has changed throughout American history. Using the data students will create a claim that explains America’s relatively low voter turnout compared with other developed democracies. This task can also be modified for younger students by providing them with three possible claims and allow them to choose one and develop evidence to support their chosen claim. This task pushes students to think about American democracy and what a lack of voter turnout means for the future of our democracy. 

The third compelling question asks students to explore how Americans have developed a negative view of democracy. We wanted to use this inquiry to build upon ideas and help students make connections to ultimately question whether “democracy works.” By asking students to create a visual comparing both the positive and negative views of democracy, the students are able to make those important connections. The students then use all the information to create an argument that answers the question, “Does Democracy Work?” While answering this question, students should consider the following: Are there still groups that are left out of our democracy? Does everyone have an equal voice? Is America the democratic model for the rest of the world? 

Beyond this inquiry, we also encourage students to use what they learned about democracy to take action. Through conversations, students can think of ways to become active members in their communities and practice true democratic values. With so many young activists visible in the news, students are encouraged to fight for change in their local communities based on their own interests. The discussion of democracy and its future is not limited to any one type of student, but is an important discussion for every young person on the cusp of voting to engage in. 

Expanding Democracy / Jacksonian Democracy / White Men’s Democracy

by Stephanie Skier

Editor’s Note: this lesson is retrievable from https://edsitement.neh.gov/lesson-plans/lesson-1-1828-campaign-andrew-jackson-expansion-voting-base; Henretta et al (2014). America’s History, For the AP® Course, 8th edition.

Key Historical Themes/Trends: expansion of the franchise; rise of popular politics; rise of “democracy”; decline of notables (prominent elites) – John Quincy Adams as “the last notable president” (JQA refused to adjust to the new style of party politics); explicit exclusion of women and African Americans: “white men’s democracy”; rise of political machines; new forms of political corruption

Learning Objective: Explain the causes and effects of the expansion of participatory democracy from 1800 to 1848.

Historical Developments: The nation’s transition to a more participatory democracy was achieved by expanding suffrage from a system based on property ownership to one based on voting by all adult white men, and it was accompanied by the growth of political parties.

Do Now: Silently and independently answer questions 1-5 based on the following maps (figure 1): Figure 1:

  1. How many states or territories had property qualifications for voting in 1800?
  2. How many states or territories had property qualifications for voting in 1830? 
  3. How many states or territories had universal white male suffrage in 1830?
  4. What do you think could have caused this the expansion of the franchise from 1800 to 1830?
  5. In your opinion, what is the significance of the change shown in the maps?

White Man’s Democracy

Old cultural rules and new laws denied the vote to most women and free African American men.  When women and free African Americans sought voting rights amidst the new expansion of voting rights to poorer white men, legislators wrote explicit race and gender restrictions into state constitutions.  These exclusions often covered not just voting, but also serving on juries and running for public office. An 1821 New York State constitutional convention approved nearly universal suffrage for white men but set a high property threshold for blacks. The new constitution was overwhelmingly approved by New York State voters in January 1822 by 74,732 to 41,402.

“Article II, Section 1. Every male citizen of the age of twenty-one years, who shall have been an inhabitant of this state one year preceding any election . . . shall be entitled to vote in the town or ward where he actually resides . . .; but no man of colour, unless he shall have been for three years a citizen of this state, and for one year next preceding any election, shall be seized and possessed of a freehold estate of the value of two hundred and fifty dollars, over and above all debts and incumbrances [debts] charged thereon; and shall have been actually rated, and paid a tax thereon, shall be entitled to vote at any such election.

Turn and talk:

  1. How did New York State restrict voting rights for men of colour [black]?
  2. In your opinion, why do you think that race and gender restrictions on voting were added at the same time that property restrictions on voting were removed? 
  3. Do you think that the results were more democratic or less democratic than before?

Political Parties Take Command

  1. As the power of the notables declined, the political party emerged as the organizing force in the American system of government.
  2. Parties were political machines that gathered the diverse agenda of social and economic groups into a coherent legislative program.
  3. Although the beneficiary of elitist education and financial support, Martin Van Buren advocated a political order based on party identity, not family connections.
  4. Between 1817 and 1821, Van Buren created the first statewide political machine, and he later organized the first nationwide political party.
  5. Keys to Van Buren’s political success were his systematic use of party newspapers to promote a platform and drum up the vote and his use of patronage. He and his party made six thousand political appointments in New York. Van Buren then used the spoils system to award public jobs to political supporters after an electoral victory. Under the spoils system, public jobs were given to reward party allegiance, not based on an individual’s qualifications for the job.
  6. Van Buren insisted on disciplined voting as determined by a caucus, a meeting of party leaders, to ensure passage of the party’s legislative program.

Directions: Fill in the political parties and key political leaders for the Transition and the Second Party System shown in the diagram below. List 3 key organizing tools/methods that political parties used under the Second Party System and the purpose or effect of each of those tools/methods. (Hint: look among the bolded words in the “Political Parties Take Command.”

Method used by Political PartiesPurpose or Effect

Directions: Answer the question below based on the following diagrams.

Question: Describe the overall trend in voter turnout (the percentage of eligible voters who actually voted) from 1824 to 1844.

Image Analysis

Directions: For your group’s assigned image, follow the 4-step Image Analysis procedure below, discussing with your group and jotting down very brief notes in response to the Image Analysis questions (3 minutes).  Then answer the content-specific questions for your image 10 minutes.

Before answering the content-specific questions for your image, conduct a general image analysis using the following four-step procedure.

  1. Visual Inventory: Describe the image, beginning with the largest, most obvious features and proceed toward more particular details. Describe fully, without making evaluations. What do you see? What is the setting? What is the time of day, the season of the year, the region of the country?
  2. Documentation: Note what you know about the work. Who made it? When? Where? What is its title? How was it made? What were the circumstances of its creation (if known)?
  3. Associations: Begin to make evaluations and draw conclusions using observations and prior knowledge. How does this image relate to its historical and cultural framework? Does it invite comparison or correlation with historical or literary texts? Do you detect a point of view or a mood conveyed by the image? Does it present any unexplained or difficult aspects? Does it trigger an emotional response in you as a viewer? What associations (historical, literary, cultural, artistic) enrich your viewing of this image?
  4. Interpretation: Develop an interpretation of the work that both recognizes its specific features and also places it in a larger historical or thematic context.
The County Election

Figure 1: George Caleb Bingham, The County Election, oil on canvas, 1851-1852

Group A: With your group, analyze the painting below and answer Questions 1-7.

  1. According to the painting, who is shown participating in elections?  Describe the people shown in the crowd in terms of their race/ethnicity; sex/gender; class; and age.
  2. As shown the painting, was this election day gathering formal or casual?  What does that suggest about politics during this time period?
  3. According to the painting, what might have drawn people from rural areas to go the polling place on election day, aside from the election itself?
  4. Based on the painting, where and how did people cast their votes?  Was voting by secret ballot or in public? 
  5. Based on the painting, how do you think the people shown were getting information about the candidates and forming their decisions about how they will vote?
  6. Do you see anything in the painting to suggest to presence of political parties? How does Bingham portray them?
  7. What does the painting suggest about elections in which common people (not just wealthy property owners) can vote?

Group B: With your group, analyze the political cartoon and captions below and answer Questions 1-

Agrarian Workingmen’s Party of New York City, political cartoon, 1830

Captions:  Upper left: “We are in favour of Monarchy, Aristocracy, Monopolies, Auctions, laws that oppress the Poor, Imposture and the rights of the rich man to govern and enslave the Poor man at his will and pleasure, denying the Poor the right to redress, or any participation in political power.” Satan: “Take any, my dear Friend, they will all help you to grind the WORKIES [workingmen]!!”  

Box in Satan’s hand: “Ballot Box”  

Man in top hat: “My Old Friend, give me one of your favourites — TAMMANY — SENTINEL, or JOURNAL, or the POOR will get their rights. I’ll pay all.”  

Box in lower left foreground: “This contains the cause of all the misery and distress of the human family.”  

Upper right: “We are opposed to Monarchy, Aristocracy, Monopolies, Auctions, and in favour of the Poor to political power, denying the right of the rich to govern the Poor, and asserting in all cases, that those who labour should make the laws by which such labour should be protected and rewarded and finally, opposed to degrading the Mechanic, by making Mechanics of Felons. Our motto shall be LibertyEquityJustice, and The Rights of Man.”  

Liberty’s banner [Candidates of the Agrarian Workingmen’s Party, Nov. 1830 election]: “Register, John R. Soper, Mariner. Assembly, Henry Ireland, Coppersmith; William Forbes, Silversmith; William Odell, Grocer; Micajah Handy, Shipwright; Edmund L. Livingston, Brassfounder; Joseph H. Ray, Printer; Merritt Sands, Cartman; Samuel Parsons, Moroccodresser; Thompson Town, Engineer; Alexander Ming, Senior, Printer; Hugh M’Bride, Cartman. For Lieutenant-governor, Jonas Humbert, Senior, Baker. Senator, George Bruce, Typefounder. Congress, Alden Potter, Machinist; John Tuthill, Jeweller; Thomas Skidmore, Machinist.  

Worker: “Now for a noble effort for Rights, Liberties, and Comforts, equal to any in the land. No more grinding the POOR — But Liberty and the Rights of man.”  

Box in Liberty’s hand: “Ballot Box”  
  1. Compare the clothes of mainstream political party politician (shown in the middle left) with the clothes of the working man (middle right). What do their clothes indicate about each man?
  2. What is the politician doing in the cartoon?
  3. According to the cartoon, what were the roles of political parties and their newspapers?
  4. What is the Devil (on the left)) shown doing?  What is his symbolism in the cartoon?
  5. What is “Mother Liberty” (the figure on the right) shown doing?  What is her symbolism in the cartoon? 
  6. What opinion of the Working Men’s Party (the list of candidates shown on the right half of the cartoon) does the cartoonist present?
  7. Which figure — the working man or the party politician — did the cartoonist present as being the legitimate protector of the accomplishments of the American Revolution?
  8. What solution does the cartoonist offer to solve the problems of political corruption and working-class oppression?

Education: Debates and Changes

Question: What were some of the major changes in education that occurred over the period of the 1820s-1850s?

  • Although families provided most moral and intellectual training, republican ideology encouraged publicly supported schooling.
  • Bostonian Caleb Bingham, an influential textbook author, called for “an equal distribution of knowledge to make us emphatically a ‘republic of letters.’”
  • Farmers, artisans, and laborers wanted elementary schools that would instruct their children in reading, writing, and arithmetic.
  • Although the constitutions of many states encouraged the use of public resources to fund primary schools, there was not much progress until the 1820s.
  • To instill self-discipline and individual enterprise in students, reformers chose textbooks that praised honesty and hard work while condemning gambling, drinking, and laziness. American history was also required learning.
  • Horace Mann (1796–1859), the nation’s leading educational reformer, led the fight for government support for public schools. As a state legislator in Massachusetts, in 1837 Mann took the lead in establishing a state board of education and his efforts resulted in a doubling of state expenditures on education. He also won state support for teacher training, an improved curriculum in schools, the grading of pupils by age and ability, and a lengthened school year. He was also partially successful in curtailing the use of corporal punishment. In 1852, three years after Mann left office to take a seat in the U.S. Congress, Massachusetts adopted the first compulsory school attendance law in U.S. history.
  • However, most northern cities specifically excluded African Americans from the public schools. It was not until 1855 that Massachusetts became the first state to admit students to public schools without regard to “race, color, or religious opinions.” 
  • Women and religious minorities also experienced discrimination. For women, education beyond the level of handicrafts and basic reading and writing was largely confined to separate female academies and seminaries for the wealthy. Emma Hart Willard opened one of the first academies offering advanced education to women in Philadelphia in 1814.
  • Many public school teachers showed an anti-Catholic bias by using texts that portrayed the Catholic Church as a threat to republican values and reading passages from a Protestant version of the Bible. Beginning in New York City in 1840, Catholics decided to establish their own system of schools in which children would receive a religious education as well as training in the arts and sciences.
  • In higher education, a few institutions opened their doors to African Americans and women.
  • In 1833, Oberlin College led by the revivalist minister Charles G. Finney, became the first co-educational college in the United States. Four years later, Mary Lyon established the first women’s college, Mount Holyoke, to train teachers and missionaries. A number of western state universities also admitted women.
  • Three colleges for specifically for African Americans, including Lincoln University, were founded before the Civil War.  A few other colleges, including Oberlin, Harvard, Bowdoin, and Dartmouth, admitted small numbers of black students.

Final Writing Task

Directions: Silently and independently read and annotate the quotations below.  Then write a 3-5 sentences response to the prompt based on the quotations.

1. Compare and contrast the opinion presented by Alexander Hamilton and the opinion presented by the New York Working Men’s party.

2. Connect to the theme: How do these primary source documents connect to larger changes in U.S. politics that occurred over this time period?

turbulent: unsteady, fluctuating, stormy
imprudence: recklessness, lack of caution, lack of forethought
New York Workingmen’s Party: Formed in 1829, rose quickly to prominence and then disappeared in 1831, when much of the party’s agenda and voters were coopted by the Tammany Hall Democratic Party political machine.  The New York Workingmen’s Party successfully supported the end of imprisonment for debt in New York state and expanded funding for public education in New York City. 

 “All communities divide themselves into the few and the many. The first are the rich and the well born, the other the mass of the people… The people are turbulent and changing; they seldom judge or determine right. … Give, therefore to the first class a distinct permanent share in the government…. Can a democratic Assembly, who annually revolve in the mass of the people, be supposed steadily to pursue the public good? Nothing but a permanent body can check the imprudence of democracy.” —Alexander Hamilton, 1787

“All children are entitled to equal education; all adults, to equal property; and all mankind to equal privileges.” — New York Workingmen’s Party, 1829