Tag: Race

The Exploitation of Enslaved Women During The 18th Century Colonial America

The Exploitation of Enslaved Women During The 18th Century Colonial America

Logan Stovall

Logan Stovall is an eighth grade student at Montclair Kimberley Academy in Montclair, NJ

The 18th century represents a dark period in American history when the institution of slavery thrived, and the exploitation of enslaved Black women flourished. The cruel realities endured by Black women during this time were not only a consequence of their enslavement but were magnified by both their race and gender, perpetuating a cycle of inequality and suffering. Beyond the physical captivity, these women endured a complex oppression that not only involved grueling labor but also made them victims of sexual violence. The harsh reality of this oppression becomes evident when one reflects on how the clothing worn by enslaved Black women served as a physical manifestation of their fragile existence. The clothes they wore were not just rags or pieces of fabric used to cover their bodies; they represented a system that dehumanized and abused them.  During the 18th century, an enslaved Black woman’s gender and race primarily affected the way she lived and thrived in an illiberal society. Understanding the exploitation of enslaved Black women during the American colonial era requires a closer look into the sweat of their daily labor, the sexual abuse they endured, and the clothing they wore that bound them to such a harsh life.

However, before any analysis regarding the exploitation of enslaved Black women is made, one must first consider that the racial stereotypes and discriminatory practices against enslaved Black women during the colonial era were the underlying causes of their mistreatment. The widely accepted racist ideas of Antebellum white slaveholders led them to think of their enslaved people as both biologically and culturally inferior. Due to their understanding of the social hierarchy at this time, slaveholders often whipped and physically mistreated enslaved women under their supervision.[i] In addition to the racist beliefs they held, slaveholders also created various stereotypes about enslaved Black women. One such popular stereotype was the “Mammy” caricature. The “mammy caricature” depicted enslaved Black women as enjoying their servitude, being physically unattractive, and only fit to be domestic workers.[ii]

In contrast to the “mammy caricature”, slave owners also created a more promiscuous stereotype of enslaved Black women: the “Jezebel” figure. The Jezebel caricature was used during slavery to justify a slaveholder’s objectification and sexual exploitation of enslaved Black women.[iii] The Mammy and Jezebel caricatures, along with various other derogatory stereotypes that plagued enslaved Black women, heavily influenced how the rest of the White population during the Antebellum period perceived and treated Black women. Sadly, these caricatures endured for decades even after colonial times.

With racial stereotyping forming the underlying cause of discrimination against Black women, a significant amount of White slave masters often subjected Black women to harsh labor conditions. Enslaved women were often forced to work in the fields from sunrise to sunset where they endured physical and emotional abuse. On larger farms and plantations, for example, women were forced to perform tasks like hoeing and ditching entire fields. These were the most exhausting and uninteresting forms of fieldwork.[iv] Slaveholders also held enslaved women accountable for cleaning and tidying communal areas like stables and expected them to spread manure as a fertilizer.[v] Moreover, slave owners frequently questioned how much time off enslaved women needed to adequately take care of their families and children. When not offered any downtime by their slaveholders, enslaved women had to bring their children with them to the fields and strap them to their backs as they worked tirelessly. [vi]

Black women’s exploitation extended beyond the fields. In many instances, the labor performed by enslaved women was prolonged and complicated. For example, many enslaved women began to work for slaveholders at a very young age. There was little free time for enslaved women to rest, given that most women worked for their master five to six days a week. This included keeping the owner’s homes clean, cooking food, and washing their clothes.[vii] In short, enslaved women were expected to work tirelessly, both in the fields and in the house. The slave masters did not care about  the well-being of their enslaved women and exploited them for their free labor.  For Black women, slavery in the southern colonies meant long days performing menial, exhausting tasks, sometimes in the hot, baking sun.  After working prolonged, hard days for the slaveholders, these women had to care for their own families, which was often a physical and mental challenge due to the absence of time to rest. When enslaved women did not meet the expectations for their work by their enslaver, they would oftentimes be taken advantage of sexually or physically assaulted as a form of punishment. Unfortunately, this possibility became a reality for many enslaved Black women.

Indeed, as the slave population in America grew larger through the importation of slaves, enslaved Black women primarily as reproducers of a valuable labor force rather than merely a part of the labor force.  The sexual exploitation of Black women extended from sexual gratification of their White slaveholders to include reproducing offspring that would expand their workforce. Though slave owners valued enslaved women as laborers, they were also well aware that female slaves could be used to successfully reproduce new labor (more children who would grow up to be slaves) by continuing their role as full-time mothers.[viii] This presented slaveholders with a dilemma because West African women usually had some prior agricultural experience (like growing tobacco and rice) which could be used to the slaveholders’ benefit.[ix]

In 1756, Reverend Peter Fontaine of Charles City County, Virginia, stated that Black females were “far more prolific than…white women.” This form of racial stereotyping made enslaved women extremely vulnerable to physical assault.[x] Many white enslavers raped Black women for sexual pleasure, as well as for their ability to produce children who would become slaves and ultimately increase their wealth. Instead of perpetuating the stereotype that all enslaved Black women were unattractive and were only fit to be domestic workers, they now were feeding into the stereotype that Black women were promiscuous and desired for the reproduction of enslaved children who could be used or sold. This form of physical exploitation was pervasive throughout the Antebellum South.

In addition to labor and sexual exploitation, clothing was another form of exploitation that enslaved Black women were forced to endure. While these women often knitted or otherwise made beautiful garments for White women and their children, the fabrics that enslaved Black women wore themselves offered minimal protection from the weather and had to be inexpensive and easy to make.[xi] Their clothing was so cheap in quality that it often disassembled or tore within weeks. As a result, enslaved women often borrowed clothing from one another or even stole clothing from the slave master’s house. They did this to give themselves or their families warm, sustainable garments, and sometimes, to blend into the free population. Oppressors often made enslaved women wear poor, rugged clothing to symbolize a Black woman’s low status and to cultivate racial stereotypes depicting Black women as inferior. Indeed, one reason why enslaved women wanted to steal White people’s clothes was because they wanted to appear as free Black people with increased status.[xii]

Despite being subjected to clothing exploitation, many enslaved women nevertheless tried to continue to be connected to their former culture by wearing West African garments. Enslaved women working in slaveholders’ homes were expected to cover their heads with lightweight white caps, which other members of the household also wore. However, to continue the West African tradition, many enslaved women also chose to wear brightly colored head wraps that surrounded their heads and were secured with knots and tucking’s.[xiii] They also sometimes wore cowrie shells in their hair; which were very expensive and far more valuable than money. These cowrie shells also appeared in spirit bundles as parts of clothing and jewelry, implying their use as amulets.

Black women not only wore these West African garments to remain connected with their former cultures, but they also wore the garments as a form of resistance against enslavement.[xiv] Enslaved Black women despised their status as slaves but were able to feel proud about and connect to their former West African heritage when they wore their cultural headdresses. The significance of these garments likely gave Black women a feeling of strength and empowerment as they were emotionally frightened by the abuse they faced from their enslavers.

During the 18th century, the exploitation of enslaved Black women through their gender and race greatly influenced the way they survived and flourished in a prejudicial society. Enslaved women were exploited in numerous ways and were expected to address the needs of others to the detriment of caring for themselves and their families. They worked extremely hard, both in the house and in the field, and did whatever they were commanded to do withstanding both physical and emotional abuse. They were often raped through their shabby clothing and physically assaulted by their master’s for punishment, as a means to increase their profit in human labor. But still, an enslaved Black woman was able to overcome these acts of exploitation non-violently and create her own peace by wearing and displaying garments that were distinct to her West African culture. Given all that these enslaved women endured, we should respect and admire their ability to overcome such incredible hardships.

Bibliography

Primary Sources:

Smithsonian, and National Museum of African American History and Culture. “Cowrie Shells and Trade Power.” National Museum of African American History and Culture. Accessed November 15, 2023. https://nmaahc.si.edu/cowrie-shells-and-trade-power#:~:text=Europeans%20in%20the%2016th%20century,at%20their%20use%20as%20amulets .

[i] LDHI, “Hidden Voices: Enslaved Women in the Lowcountry and U.S. South,” LDHI, accessed November 27, 2023, https://ldhi.library.cofc.edu/exhibits/show/hidden-voices/enslaved-womens-work.

[ii] LDHI, “Hidden Voices,” LDHI.

[iii] LDHI, “Hidden Voices,” LDHI.

[iv] Jennifer Hallam, “The Slave Experience: Men, Women & Gender,” Slavery and the Making of America, accessed November 27, 2023, https://www.thirteen.org/wnet/slavery/experience/gender/history.html.

[v] Emily West, Enslaved Women in America: From Colonial Times to Emancipation (Lanham: Rowman & Littlefield Publishers, 2017), 29

[vi] West, Enslaved Women, 28.

[vii] LDHI, “Hidden Voices,” LDHI.

[viii] West, Enslaved Women, 28.

[ix] West, Enslaved Women, 29

[x] West, Enslaved Women, 31.

[xi] Daina Ramey Berry and Deleso A. Alford, eds., Enslaved Women in America: An Encyclopedia enhanced credo edition ed. (Santa Barbara, CA: Greenwood, 2012), 34 and 35.

[xii] Katherine Gruber, ed., “Clothing and Adornment of Enslaved People in Virginia,” Encyclopedia Virginia, last modified December 7, 2020, accessed November 5, 2023, https://encyclopediavirginia.org/entries/slave-clothing-and-adornment-in-virginia/.

[xiii] Gruber, “Clothing and Adornment,” Encyclopedia Virginia.

[xiv] Smithsonian and National Museum of African American History and Culture, “Cowrie Shells and Trade Power,” National Museum of African American History and Culture, accessed November 15, 2023, https://nmaahc.si.edu/cowrie-shells-and-trade-power#:~:text=Europeans%20in%20the%2016th%20century,at%20their%20use%20as%20amulets.

Secondary Sources:

Berry, Daina Ramey, and Deleso A. Alford, eds. Enslaved Women in America: An Encyclopedia. Enhanced Credo edition ed. Santa Barbara, CA: Greenwood, 2012.

Gruber , Katherine, ed. “Clothing and Adornment of Enslaved People in Virginia.” Encyclopedia Virginia. Last modified December 7, 2020. Accessed November 5, 2023. https://encyclopediavirginia.org/entries/slave-clothing-and-adornment-in-virginia/.

Hallam, Jennifer. “The Slave Experience: Men, Women & Gender.” Slavery and the Making of America. Accessed November 27, 2023. https://www.thirteen.org/wnet/slavery/experience/gender/history.html.

LDHI. “Hidden Voices: Enslaved Women in the Lowcountry and U.S. South.” LDHI. Accessed November 27, 2023. https://ldhi.library.cofc.edu/exhibits/show/hidden-voices/enslaved-womens-work.

West, Emily. Enslaved Women in America: From Colonial Times to Emancipation. Lanham: Rowman & Littlefield Publishers, 2017.

Sally Hemings’ Legacy of Freedom and Motherhood

Sally Hemings’ Legacy of Freedom and Motherhood

Mireicy Aquino

Ms. Aquino is an eighth grade student at Montclair Kimberley Academy in Montclair, NJ

Sally Hemings led an extraordinarily complex life, yet her story inspires thousands of women, myself included. Despite the intricacies, she fought against the notion of becoming just another enslaved individual in her family’s generational cycle. Sally sought to change the trajectory of her children’s lives, offering them opportunities beyond enslavement. Instead of securing her own freedom, she made a selfless choice to promise freedom to her future children—a decision that stands out as a remarkable act of heroism. Sally Hemings’s life, sacrifices, and ability to persuade Thomas Jefferson into making her a  promise was an act of heroism towards her children. Her story is a testament to the profound strength of a mother’s love and the power of quiet rebellion against an oppressive system.

Born into slavery, Sally began her journey as one of Polly’s , Thomas Jefferson’s daughter, maid, and caretaker. Over time, she developed a close relationship with Polly, potentially even her aunt as well.[1] During their time in Paris, where Sally accompanied Polly in her studies, Thomas Jefferson expressed reservations about Sally’s  ability to care for his daughter because she was so young, fourteen at the time. However, although she was well-trained in caring for people, Thomas Jefferson expressed that she was “wholly incapable of looking after” his daughter and could not do it “without some superior to direct her.”[2]  Despite Jefferson’s doubts about her abilities, Sally gracefully navigated the unfamiliar Parisian landscape and spent twenty-six months in Paris, also reuniting with her brother James. She contracted smallpox but received proper care and was compensated for her work. Sally also learned French during her stay, though her literacy in both languages remains uncertain.[3]

In Paris, at the age of fourteen, Sally’s  involvement in a sexual relationship with Thomas Jefferson, whose wife died in 1782, resulted in her pregnancy, which shifted her trajectory dramatically. While accompanying Thomas Jefferson’s daughter, Polly, to Paris, Hemings was caught in a complex web of power dynamics and his unspoken desires. Yet, a fateful encounter with Jefferson forever altered her life. Madison Hemings, Sally Hemings’s son, stated that his mother became Mr. Jefferson’s concubine in France. Though in France, slavery was not legal, so Sally was considered a free person. Torn between the possibility of freedom in Paris and the promise of a better future for her children, Sally made a heart-wrenching choice. She negotiated an extraordinary deal: freedom for her future children at 21, sacrificing her own chance at escape. In the face of unimaginable hardship, this selflessness began her quiet rebellion. She did not try to negotiate for freedom for herself.[4] Additionally, Thomas Jefferson wrote about Sally as they continued their “relationship” after returning to Monticello. He wrote, “It is well known that the man whom it delighted the people to honor, keeps, and for many years past has kept, as his concubine, her name is Sally.”[5] Jefferson clearly stated that Sally was his concubine, his mistress. In his eyes, Sally was just another woman.

After returning to Monticello with Jefferson and his daughters in 1789, she became a household servant and lady’s maid.[6] In addition, Madison Hemings stated, “It was her duty, all her life which I can remember, up to the time of father’s death, to take care of his chamber and wardrobe, look after us children and do such light work as sewing.” As well as being a maid, Sally’s job was cleaning Jefferson’s closet and sewing. Also, upon returning to Monticello, Sally’s relationship with Jefferson, though shrouded in secrecy, was an undeniable reality. Sally Hemings’s relationship with Thomas Jefferson was well-known throughout Monticello. Some of Jefferson’s friends and even political colleagues knew about them. However, this new sexual relationship did not come as a surprise to people. It was, unfortunately, widespread for white men to have sexual activity with enslaved women, let alone enslavers with enslaved women. However, society could ignore Thomas Jefferson and Sally Hemings if he kept them discreet, so he never acknowledged the rumors, and they continued their “relationship.”[7] Their relationship lasted until Jefferson died on July 4, 1826.

She  bore him six children, each carrying the weight of their father’s legacy and the burden of slavery. Although, only four survived to adulthood, Harried, Beverly, Madison and Eston. Despite her duties as a servant and Jefferson’s “concubine,” Sally nurtured her children with unwavering love and a fierce determination to see them free. Madison Hemings said, “She gave birth to four others, and Jefferson was the father of all. They were Beverly, Harriet, Madison (myself), and Eston – three sons and one daughter.”[8] The oldest, Beverly Hemings, worked as a carpenter for the duration of his enslaving. He was also into music, more specifically, the violin.[9] Harriet Hemings was born a few years after Beverly in 1801. She grew up enslaved, spinning wood. After Harriet, Madison is the child that had the most to say about his mother’s life and what he thinks about their relationship. Lastly, there is Eston Hemings, the youngest son out of them all. He obtained knowledge in woodworking and was granted freedom in 1829. After Jefferson’s death, Martha, his daughter, allowed Sally to leave the plantation to live with her younger sons, Madison and Eston, in Charlottesville, Virginia. Madison and Eston gladly took their mother in with open arms and loving hearts. They initially passed as white for the U.S. Census, but later Sally identified as “free mulatto.” Sally lived freely with her sons until she died in 1835.[10] 

             Throughout her life, Sally Hemings made decisions that transformed her children’s lives and impacted women at large. Her selfless act in Paris, negotiating freedom for her unborn children, inspires women and their own children. In the course of her life, just like many other enslaved women, Sally Hemings’s children were fathered by her owner. In  the context of the era where enslaved women lacked legal rights,[11] Sally’s story reflects the harsh reality of exploitation. The dynamic between her and Jefferson can vary, though, taking into consideration age and consent. Sally was fourteen, and  Jefferson was about forty years old.[12] Additionally, enslaved women often were raped and sexually harassed without being able to speak up or say no. Despite  these challenges, she rose above and stands as a stark motivation for women across the globe.  

            Sally Hemings’s story is a personal triumph and a beacon of hope for all who fight against injustice. Pulitzer Prize-winning historian Annette Gordon-Reed also said, “Though enslaved, Sally Hemings helped shape her life and the lives of her children, who got an almost 50-year head start on emancipation, escaping the system that had engulfed their ancestors and millions of others. Whatever we may feel about it today, this was important to her.” The measures Sally took to ensure emancipation for her children were significant and display the unconditional love she had for them. For a mother to surrender her own freedom, her only chance to escape, for her children was selfless. Her quiet defiance, her unwavering love for her children, and her ability to negotiate freedom within the confines of slavery inspire generations of women and mothers. Her life, sacrifices, and ability to persuade Thomas Jefferson into making her a promise was an act of heroism towards her kids. While inspiring many women worldwide, the most significant impact was on her children. Ones who exclaimed the great things she did for them. On the other hand, her children were not the only ones who spoke highly of her.  Her story carries a historical significance and profound lessons about the human spirit’s capacity for resilience and love. A woman who defied the odds and shaped the destiny of her children, leaving behind a legacy that continues to resonate  with many women and children today.

Bibliography

Primary Sources

Hemings, Madison. “Sally Hemings” [Sally Hemings]. https://monticello.org. Accessed November 9, 2023. https://www.monticello.org/sallyhemings/.

“The Memoirs of Madison Hemings” [The Memoirs of Madison Hemings]. https://www.pbs.org. Accessed December 17, 2023. https://www.pbs.org/wgbh/pages/frontline/shows/jefferson/cron/1873march.html.

Secondary Sources

Adams, William Howard. The Paris Years of Thomas Jefferson.

Gordon-Reed, Annette. The Hemingses of Monticello.

“Life Story: Sally Hemings” [Life Story: Sally Hemings]. https://nyhistory.org. Accessed December 14, 2023. https://wams.nyhistory.org/building-a-new-nation/american-woman/sally-hemings/#:~:text=Sally%20lived%20in%20Paris%20long,together%20when%20they%20reached%20adulthood .

Thorson, David. “Beverly Hemings” [Beverly Hemings]. https://www.monticello.org/. Accessed December 17, 2023. https://www.monticello.org/research-education/thomas-jefferson-encyclopedia/beverly-hemings-2/.

The University of Virginia. “The Hemings Family” [The Hemings Family]. https://monticello.org. Accessed November 6, 2023. https://www.monticello.org/slavery/paradox-of-liberty/enslaved-families-of-monticello/the-hemings-family/ .

[1] William Howard Adams, The Paris Years of Thomas Jefferson, Page 220

[2] William Howard Adams, The Paris Years of Thomas Jefferson, Page 220

[3] Madison Hemings, “Sally Hemings” [Sally Hemings], Monticello.org, accessed November 9, 2023, https://www.monticello.org/sallyhemings/.

[4] Hemings, “Sally Hemings,” Monticello.org.

[5] Hemings, “Sally Hemings,” Monticello.org.

[6] Hemings, “Sally Hemings,” Monticello.org.

[7] “Life Story: Sally Hemings” [Life Story: Sally Hemings], nyhistory.org, accessed December 14, 2023, https://wams.nyhistory.org/building-a-new-nation/american-woman/sally-hemings/#:~:text=Sally%20lived%20in%20Paris%20long,together%20when%20they%20reached%20adulthood.

[8] Hemings, “Sally Hemings,” https://monticello.org.

[9] David Thorson, “Beverly Hemings” [Beverly Hemings], https://www.monticello.org/, accessed December 17, 2023, https://www.monticello.org/research-education/thomas-jefferson-encyclopedia/beverly-hemings-2/.

[10] Life Story,” https://nyhistory.org

[11] Hemings, “Sally Hemings,” https://monticello.org.

[12] Hemings, “Sally Hemings,” https://monticello.org.

The Eight: The Lemmon Slave Case and the Fight for Freedom

The Eight: The Lemmon Slave Case and the Fight for Freedom

By Albert Rosenblatt

The Eight tells the story of Lemmon v. New York—or, as it’s more popularly known, the Lemmon Slave Case. All but forgotten today, it was one of the most momentous civil rights cases in American history. There had been cases in which the enslaved had won their freedom after having resided in free states, but the Lemmon case was unique, posing the question of whether an enslaved person can win freedom by merely setting foot on New York soil—when brought there in the keep of an “owner.” The case concerned the fates of eight enslaved people from Virginia, brought through New York in 1852 by their owners, Juliet and Jonathan Lemmon. The Eight were in court seeking, legally, to become people—to change their status under law from objects into human beings. The Eight encountered Louis Napoleon, the son of a slave, an abolitionist activist, and a “conductor” of the Underground Railroad, who took enormous risks to help others. He was part of an anti-slavery movement in which African Americans played an integral role in the fight for freedom. The case was part of the broader judicial landscape at the time: If a law was morally repugnant but enshrined in the Constitution, what was the duty of the judge? Should there be, as some people advocated, a “higher law” that transcends the written law? These questions were at the heart of the Lemmon case. They were difficult and important ones in the 1850s—and, more than a century and a half later, we must still grapple with them today.

The Social Cost of Deindustrialization: Postwar Trenton, New Jersey

The Social Cost of Deindustrialization: Postwar Trenton, New Jersey

Patrick Luckie

Studying local history is something that is often overlooked and underestimated in social studies classrooms around the country. Think about it—do you have any memory of learning about your own local community in a coordinated school or social studies effort? Big ideas like imperialism, global culture, and other themes of the past and present usually take precedence over learning about one’s own local history in the high school. As part of my undergraduate senior research project at Rider University, I grappled with this fact and produced a short study of my own local history which I used to inform my instruction in the classroom. This article will present the research I have done and will end with a short analysis of how my research project on local history has affected my instruction in Ewing High School and how it can change the way we think about teaching local history in all American high school social studies classrooms.

 “Trenton’s uniqueness cannot be found anywhere in the world, for the lessons learned cannot be duplicated at any price”[1]

These powerful words were written by Dr. Jack Washington, a teacher of Social Studies in Trenton public schools for over 40 years and author of, The Quest for Equality: Trenton’s Black Community 1890-1965 which traces racial struggle and movements for equality over the city’s history. Trenton’s uniqueness as Washington describes, is a product of its deep history, rooted in the American Revolution, World War II, and the Civil Rights Movement of the 1960s. Trenton was once a manufacturing powerhouse, home to multiple industries which forged the urban landscape of the state’s capital and produced thousands of union jobs for its inhabitants. These included the mighty John A. Roebling’s Sons Company, which aided in the creation of the Brooklyn Bridge and whose factory in West Chambersburg served as a symbol of innovation and opportunity for decades. Trenton’s pottery industry was also one of the largest and most successful in the whole nation alongside its iron, steel, rubber, and textile companies. Together, these industries provided enough stable employment and pay to support a rapidly growing population of mostly first and second generation European immigrants from Italy, Ireland, Germany, Poland, and Hungary, to name a few. Trenton’s manufacturing prowess was best showcased in 1917 with the first lighting of the famous “Trenton Makes, The World Takes” sign on the Lower Trenton Bridge, a symbol which still stands today in 2023.

 The “golden age” of the city, as historian John T. Cumbler describes it, lasted from around 1850 to 1920 when Trenton established itself as one of the manufacturing capitals of the nation.[2] Almost perfectly situated between two of America’s largest cities in New York and Philadelphia, Trenton industrialists used its strategic geographic location along the Delaware River to tap into large markets and supply the massive manufacturing needs of the east coast. Trenton at this time was truly a symbol of the American dream, and people flocked to the city in search of opportunities. By 1920, the population of the city surpassed 119,000 people and it was amongst the most densely populated places in the state of New Jersey.[3]

The first signs of the city’s decline came with the weakening of its labor movement. By the 1920s, the age of mechanization had begun and the economic shift from factory work to mechanized manufacturing began weakening labor unions overtime. Worker’s unions and cooperation between owners and workers alike had been central to the functioning of the local economy and the glue by which the city binded itself together. Overtime, businesses could no longer maintain the standards of work they had previously upheld and conditions within the city started to slowly deteriorate. From 1910-1920 Trenton underwent its largest leap in population within a decade and shortly thereafter it began experiencing some of its greatest economic struggles. Plants began relocating outside of the city and unionized jobs were becoming more and more difficult to attain. Economic historians have grappled with this shift in the post-war era, claiming “US corporations aggressively sought to break free of expensive union contracts and to seek out ways to pay lower wages and allied social costs in order to increase profits.”[4] This is a persistent trend in this study. With great increases in population and the changing state of the local and national economy, Trenton suffered meaningful losses in employment and manufacturing output.

With the Great Depression beginning in 1929 and the waging of the Second World War in 1939, Trenton retreated back to manufacturing and away from addressing the issues surrounding labor which had marked its initial decline. The waging of the war meant a massive nation-wide mobilization of industry towards fueling the war effort. The war-time economy of Trenton temporarily revitalized the city. Roebling’s Sons employed droves of new workers, opportunities for overtime became more available, unions strengthened, worker’s pay went up, and the largest wave of black migrants in the city’s history began making their way to Trenton beginning in the 1940s.[5] These migrants came to Trenton and other cities in what is known as The Great Migration. That is the movement of millions of African Americans predominantly from the rural southern states to the urban north and midwest between 1910-1970.

This temporary boom did not yield long-term progress for Trenton in the post-war period. During the 1950s, many of the city’s largest industries began relocating outside the city limits and the economy did not adequately support its largest ever population of over 129,000 people.[6] In 1952, Trenton’s most popular employer Roebling’s Sons was sold to Colorado Fuel and Iron Company which over the next decade cut its employment numbers in Trenton and relocated its major manufacturing and business centers outside the city limits. This was the fate for many of the most popular industries within the city which sold their shares to larger corporations after WWII, leaving the fate of the city’s economy in the hands of interests which had little to no connection to it. The rubber, steel, iron, and pottery industries which had defined the city of Trenton and produced its “golden age” became shadows of their former selves and the physical conditions of the city reflected this change. Overtime, thousands of industrial jobs were lost and the population of Trenton dropped 13,382 people from 1950 to 1960 and an additional 9,381 people the following decade.[7] Population decline continued to the year 2000 and stabilized between 80,000 to 90,000 in the 21st century. 

This study seeks to answer two fundamental questions: 1) What were the major effects of deindustrialization on Trenton, NJ in the decades immediately following WWIII? 2) How were these effects felt by the people living within the city at this time? In answering these questions, this study will provide a lens through which race and class come to the forefront of the discussion. Trenton’s decline overlaps with the migration of thousands of African Americans to the city in search of economic opportunities. This demographic shift was the largest in the city’s history and was not met with opportunity but rather inequality and increased racial tension. The major effects of deindustrialization on Trenton, NJ in the post-war period were economic destabilization, movement to the suburbs, and increased racial tensions between white and black Trentonians. Each subsection of this work will dive into these effects individually as well as their overall impact on life in Trenton. It is important to recognize that this movement away from manufacturing and its effects were not phenomena restricted to certain areas or regions. Rather it was a national trend which all rust belt cities like Trenton grappled with in the 21st century. In addition to deindustrialization broadly,  the age of mechanized labor, the shifting of the U.S. economy towards greater support for large corporations, and the social movements of the 1960s all played extremely important roles in shaping American cities in the post-war era.

Historiography

Secondary source literature on the decline of U.S. cities in the post-WWII period falls into the fields of American urban, economic, and social history. One of the most popular works on these subjects is historian Thomas J. Sugrue’s The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit, which examines the many ways in which American cities began to decline following WWII with specific focus on racial inequality and division. In his work, Sugrue states that Trenton, like Detroit and other rust belt cities of the time, experienced hundreds of thousands of layoffs in manufacturing jobs nationwide due to the changing state of the U.S. economy and the lack of government spending allocated towards Northern cities.[8] These conditions radically transformed urban environments into almost unrecognizable versions of their industrial heights. Sugrue explores the connections between suburbanization, demographic change, and the racial attitudes of northern whites to produce an all-encompassing case study of the decline of Detroit. At the heart of his argument is that racial segregation and inadequate political responses to signs of crisis determined the fate of the city. The importance of this historical research cannot be overstated. Before this book was originally published in 1996, the stories of Detroit and other American cities who suffered from the consequences of deindustrialization and racial division in the post-war period were largely untold. The Origins of Urban Crisis continues to be one of the most influential modern studies of American urban history and is without doubt one of the most cited pieces of literature in the field.

Jefferson Cowie and Joseph Heathcott, who together produced Beyond the Ruins: The Meanings of Deindustrialization,built on the historical research of Sugrue by studying the impact of post-war deindustrialization across the nation. This book seeks to progress the conversation of historic decline to modern solutions for urban decay and economic instability. In doing so, it compiles a collection of essays from historians and other professionals to further explore deindustrialization and its impact on American cities.[9] From this perspective, the authors identify a complexity of causes and effects of urban decline which vary from city to city but share many similarities nationally. The value of this work is in its wide-scope. By compiling essays from multiple professionals in a variety of related disciplines, the image of declining cities in the U.S. following WWII becomes more clear than ever.

The most recognized work on post-war deindustrialization in specifically Trenton, New Jersey lies within historian John T. Cumbler’s A Social History of Economic Decline: Business, Politics, and Work in Trenton. This book outlines a long trajectory of economic conditions in Trenton beginning in the 1920s with focus on the Great Depression and researches the changing nature of the city up until the book’s publishing in 1989. One of Cumbler’s main arguments includes the notion that America experienced a gradual economic shift from civic to national capitalism following the Great Depression which empowered large corporations while simultaneously destroying the small businesses which held many industrial cities together.[10] He also explores the rich history of the city’s most impactful industries, politicians, union leaders, and manufacturing workers to provide a comprehensive view of Trenton’s economic and social decline. This work provides the foundation of historical knowledge on Trenton required to produce further research on this topic. However, Cumbler’s history of Trenton does not extend as far into the social consequences and effects of deindustrialization as one might expect. Nevertheless, virtually any modern historical literature on the city of Trenton cites this work. This points to the undying credibility of Cumbler as a historian and shows the importance and relevance of his arguments to the continued study of the city’s history.

More recent historical literature on related topics has largely focused on national trends of suburbanization and racial conflict. One such journal article titled “The Rural Past-in-Present and Postwar Suburban Progress” by University of Waterloo professor Stacy Denton studies the shift towards suburbanization following WWII. The author highlights the transformation of previously rural spaces to suburban landscapes and the implications of such transformations on national attitudes and beliefs towards race, culture, and class.[11] In a similar light, economic historian Leah Platt Bouston’s 2007 work “Black Migration, White Flight: The Effect of Black Migration on Northern Cities and Labor Markets” studies the effects of The Great Migration on northern cities and their economies. She also dives into the racist attitudes of northern whites which manifested themselves in movements out of increasingly diversifying cities and into the surrounding suburbs as part of a process termed “white flight.”[12] Both these works of history are incredibly valuable to this study of post-war Trenton for the topics and findings of their research are amongst the greatest effects of deindustrialization on the city.

The research done in this paper will synthesize the secondary source material on the decline of U.S. cities and apply their findings to a specific case study of Trenton, New Jersey. In doing so, it will paint a clearer picture of the more immediate social and economic effects of deindustrialization on the city in the decades following WWII. This will add to the historiography of urban history and Trenton historical study by compiling primary and secondary source documents to more deeply understand the major effects of deindustrialization and economic transformation on the city.  These major effects include economic destabilization, massive suburbanization, and increased racial tension. These symptoms of deindustrialization were felt most harshly by the city’s poor ethnic-white and growing black population. More specifically, economic decline in Trenton coincided with the arrival of black migrants which compounded racist attitudes and practices within the city. This is most clear in workplace and housing segregation which new migrants had to face upon their arrival.

Economic instability

Industry leaving Trenton following WWII radically changed the city’s local economy. Unionized factory jobs became harder to attain, poor residents were left with fewer options, and Trenton’s growing black community was segregated in their employment. Long-time union workers like those who worked in the pottery and steel plants found themselves in an unfamiliar situation. As Cumbler explained, “Those workers thrown out of work by plant closings had the hardest time finding work and represented the largest number of Trenton’s unemployed.”[13]

The selling of corporations like Roebling’s Sons produced a much weaker focus on the city’s manufacturing growth and output and instead, large corporations sought for the relocation of facilities and workers to outside the city. This left the existing workforce in the city out to dry and decreased options for employment, especially among the lower-income white and minority black populations.

 One action taken by the state and local government to fill this gap created by fleeing industry was growth in the employment of state workers and other public jobs. New Jersey state workers were in the 1950s and 60s, as they still are in the present day, centralized in the capital city of Trenton. Cumbler described this shift from manufacturing to public work as, “Blue Collar to White Collar and White Smock.”[14] This provided some relief to the city’s unemployment problem which exceeded the national average through the 1950s and 60s but it did not come close to meeting the pay and benefit standards that manufacturing jobs had produced just a decade prior. Additionally, the large majority of state workers employed at this time were disproportionately white men. Despite these changes, public and state employment was not enough to lift the city out of its economic slump nor its inherent issues with workplace discrimination.

A large part of the story of economic destabilization in Trenton as a product of deindustrialization was the negative consequences on its black community. Former Trentonian and author Helen Lee Jackson published her autobiography in 1978 charting her experience with racial discrimination as a black woman seeking meaningful employment in the city. Her description of Trenton reads as follows:

In 1940, Trenton was an industrial city with many potteries. Steel mills, factories, and a large auto plant, but the production lines were almost solidly white. Black men swept the floors, moved heavy equipment and shipping crates, and performed other burdensome tasks. In the business sections, they were almost invisible except as window cleaners, janitors, or elevator operators. There were no black salespeople in the stores, banks, or business offices. They were hired as maids, package wrappers, or seamstress. Even the five-and-ten-cent stores refused to hire blacks, except to sweep, dust, or move stock.[15]

Jackson’s firsthand experience with racial segregation and inequality in the city in the 1940s is a reflection of the racial attitudes and prejudices in Trenton and other northern cities earlier in the 20th century. Racist attitudes towards black migrants who largely came from the south was a characteristic of many industrial cities in the U.S. at this time as is highlighted in Sugrue’s work on Detroit and other rust belt cities. With greater numbers of black migrants entering northern cities, the problem of racial discrimination and inequality intensified and the competition for jobs in short supply fuel racist attitudes. According to Sugrue, a combination of factors including employer bias, the structure of the industrial work place, and the overarching ideologies and beliefs of racism and black inferiority contributed to this workplace segregation.[16] For Trenton, these differences in employment were visible to the observer and significantly impacted the lives of those seeking stable income. With the collapse of industry happening simultaneously with a dramatic increase in the city’s black population, this problem compounded. Black residents were not only excluded from whatever factory jobs were left on the basis of their race but they were also labeled as the source of the city’s problems altogether.

In a 1953 study of community services in Trenton, researchers found that the average black resident experienced twice as much unemployment and earned on average 30% less total income than the average white person at this time despite only a one year difference in their average acquired education.[17] These statistics are proof of income inequality and workplace discrimination and provide insight into the lived experiences of black people in Trenton at this time. Furthermore, research from The Journal of Economic History, suggests “black workers were channeled into negro jobs and faced limited opportunities for promotion.”[18] Access to financial resources and meaningful employment were among the largest reasons for black migration to Trenton and other northern cities. Upon their arrival however, they were met with egregious workplace discrimination and were given very little opportunities to climb the economic ladder. Black women specifically made up, “The least utilized pool of potential industrial labor power having much less than proportionate representation with her white counterpart” according to a 1950s study titled, The Negro in the Trenton Labor Market.[19] Many black women, including Helen Lee Jackson, struggled even more so than black men to find employment within the city. These conditions forced economically disadvantaged men and women alike to scramble for jobs and income in order to support themselves and their families.

Changes to the manufacturing economy and workplace discrimination created great instability in Trenton during the 1950s and 60s. Old union workers were suddenly left jobless and the fruits of their loyal labor to the city’s largest industries were now gone. Attempts to revitalize the economy largely failed and economic decline impacted the poor and minority black population of the city more harshly than anyone else in the form of unequal pay and limited job opportunities. With this knowledge, it becomes clear that deindustrialization and the exodus of industry destroyed the economy of Trenton that was historically forged by large-scale manufacturing and robust labor unions and disproportionately affected the new and growing black community.

Suburbanization

Another major consequence of postwar deindustrialization on America’s rustbelt cities was the creation of and migration to the suburbs. Suburbs are the areas where urban centers like Trenton, NJ extend into previously rural environments where new housing developments, industries, and townships began to populate with greater and greater numbers of prior city-dwelling individuals. Historian Kenneth T. Jackson’s work on suburbanization titled,

Crabgrass Frontier: The Suburbanization of the United States,  provides the best historical analysis of this phenomenon which swept the nation in the 20th century. Among many important factors, he claims that the roots of suburbanization can be traced to the boom of the automobile industry in the 1920s which enabled those who could afford it to move further and further away from the cities in which they worked. Jackson states, “Indeed the automobile had a greater spatial and social impact on cities than any technological innovation since the development of the wheel” He goes further to explain, “After 1920 suburbanization began to acquire a new character as residential developments multiplied, as cities expanded far beyond their old boundaries, and as the old distinctions between city and country began to erode.”[20]

For Trenton NJ, this shift towards the suburbs was gradual beginning in the 1920s and peaking during the 1950s. It is important to note that suburbanization in Trenton and in cities across the nation happened gradually into the late 20th century. This coincided with a decline in major industries and jobs. Historical research on suburbanization has also revealed that many of these white suburbanites moved to the suburbs to create a physical barrier between them and their racial counterparts.[21] As a result of these factors, thousands of residents with the financial freedom to do so began expanding into the towns on the periphery like Hamilton, Ewing, and Lawrence. Many of whom continued to work as state workers or in other capacities inside Trenton while living outside the city. These towns saw unprecedented growth in the post-WWII years in housing developments thanks to VA and FHA loans which were granted to veterans of the war as part of president Franklin Delano Roosevelt’s New Deal Reforms.[22] It is important to note that these New Deal programs were especially beneficial to white service members and much historical literature has been written about the exclusionary practices associated with housing loans in relation to African Americans. This is relevant because during and shortly after WWII, the largest wave of black migrants traveled from predominantly southern states to Trenton and other northern cities in search of employment opportunities associated with the mobilization of industry towards the war effort. This search for opportunity overlapped with the decay of Trenton’s largest industries, leaving many black migrants below the poverty line, working menial jobs as opposed to fruitful unionized jobs, and in some cases, out of work completely. Compounding these issues was the inaccessibility of reasonable home loans for members of the black community.

The effects of suburbanization on the local economy of Trenton and its inhabitants can be seen through analysis of the popular media. Pride Magazine was a Trenton-based publication which centered its content around black businesses and black business owners. This specific magazine concerned itself with the failure of local politicians to enact positive change in the form of urban renewal plans which were targeted at improving the infrastructure, housing, and employment opportunities within the city. In March of 1972, Pride Magazine issued a publication titled, “Black Businesses Need Your Help!” which featured a section written by the magazine’s publisher Vance Phillips, who received his college education in Trenton. He wrote, “What are we doing to fill the vacuum of the cities which was created by relocation of the established business” He then goes on to say, “After spending 5 years of planning and developing new programs for structural and economic changes, Trenton Model Cities program has failed to meet the potential growth of new and old businesses in our community.”[23] Phillips like many black Americans living in Trenton during the 1970s saw visible signs of the city’s decline through the failure of local businesses. He believed what was needed to fix this problem was a stronger government response along with increased civic action from specifically the black community.[24]

 In this same publication, Phillips expressed his belief that, “a person who lives within the city should have preference over persons living outside of the cities in terms of employment.”[25] Here the author is addressing those who live in the surrounding suburbs but continue to fill job positions within the city limits. This would have been a popular message to Trenton’s black business owning population due to the negative effects that rapid suburbanization had on small businesses within the city.  In this magazine article, Phillips touches on an number of topics which are extremely relevant to this study. For one, the instability of small businesses in the wake of mass-suburbanization which he observed was largely due to the relocation of both industry and people to outside the city. Mostly ethnically-white Trentonians were leaving the city for the suburbs and taking with them their spending power. With population decline being spearheaded by movements to the suburbs, there simply was not enough money being circulated throughout the city to adequately support the small businesses which propped up its local economy.

Another popular message within this passage highlights that with most of Trenton’s workforce shifting into the surrounding suburbs, so too did its voting power.[26] This left black communities who resided within the urban centers even more powerless as a minority to change their own political environment. Suburbanization brought with it a massive decrease to the city’s population and tax-base. The previously 100,000+ populated city now had just around 80,000 inhabitants by 1970.[27] This rapid population decrease meant that the tax revenue generated was not enough to effectively grapple with the issues facing the economy and the evolving workforce.

Furthermore, local culture within the city which had been forged by America’s largest waves of European immigration in the 19th and early 20th century suffered as a result of deindustrialization and suburbanization. Many of the small businesses and social institutions which had historically characterized the city of Trenton were established by first and second generation Italian, Irish, Polish, and Hungarian immigrants. Many of whom traveled from the larger cities of New York and Philadelphia to find industrial jobs in Trenton. Dennis J. Starr’s book, The Italians of New Jersey, outlines the effects of suburbanization on the “old immigrants” of New Jersey, stating:

The movement to the suburbs and smaller urban places paralleled a major transformation of the state’s urban political economy. Following the war, the state’s largest cities did not participate in the postwar prosperity and economic development. Instead, their industrial bases eroded, their mercantile bases moved to suburban shopping malls and their overall, especially affluent white, populations shrank.[28]

The effect of suburbanization on the local culture of Trenton’s longest serving residents is a source of some historical debate. Cumbler notes that, “Despite suburbanization of the more successful Italians and Slavs, many of Trenton’s ethnic neighborhoods seemed as entrenched as ever in the 1950s.”[29] However, the following decades of the 1950s would see even more of Trenton’s staple “old immigrant” communities relocating to the suburbs and with them their cultural values and traditions. That being said, the cultural diversity of Trenton, New Jersey created by its ethnic melting pot of a history can still be felt today in 2023. Walking the streets of some of its most popular neighborhoods like Chambersburg, one can still see and feel the Italian influence of churches, social clubs, and bar-restaurants in the area. The main point here is that culture did suffer as a result of suburbanization and population decline, but it did not die, it rather faded into a less obvious and less present version of its former self.

            Looking at suburbanization as a major effect of postwar de-industrialization on the city of Trenton provides valuable insight into the cities rise and decline as a manufacturing powerhouse. Like many other rust belt cities of this time period, the trend of suburbanization caused unprecedented changes to the city’s local economy and demographics. The loss of unionized industry jobs encouraged many Trentonians to relocate to the surrounding towns which had recently seen great increases in housing development. In the process, those who left the city unintendedly left Trenton out to dry. Money from the pockets of those who moved to the suburbs was desperately needed to support small businesses in the city and their tax dollars could have been used to make meaningful change to the city’s failing infrastructure. As previously discussed, the local culture of the city also suffered as a result of these consequences which only compounded with each decade of further suburbanization and relocation away from the city. With a decreasing population, aging workforce, and a new wave of migrants without sufficient employment opportunities, the city began to decline into an unrecognizable version of its “Golden Age” of the 1920s.

Racial tension

Trenton’s deindustrialization and its history of racism and inequality are inextricably linked. In 1986, Historian Dennis J. Starr published, History of Ethnic and Racial Groups in Trenton, New Jersey: 1900 – 1960, which acts as one of the foremost important pieces of historical literature on Trenton race-relations. This research clearly establishes a link between deindustrialization and increased racial tensions by claiming:

As industries closed down or reduced their work force it became harder for Afro-American migrants to get a toe hold on the traditional ladder of social mobility–a factory job. Meanwhile the city’s sizable Italian, Polish and Hungarian communities became fearful lest their jobs be eliminated, their neighborhoods integrated. A siege mentality developed in light of the population shifts and exodus of industries, commercial businesses, colleges and government offices.[30]

This “siege mentality” was amplified overtime with the overcrowding of black communities in Trenton and the extension of black-owned or rented residences into shrinking ethnically white neighborhoods.

Between 1950 and 1960, Trenton’s black population rose to 22.8 percent of the total population. As discussed earlier, Trenton was a historically segregated city but in the 1950s and 60s this racial division took on a whole new light given the increases in population and decreases in economic opportunities and industry.[31] Trenton historian Jack Washington described Trenton following WWII stating, “That the 1950s was a period of benign neglect for the Black community is an understatement, for Black people were forgotten while their economic and political troubles continued to mount.”[32] These economic troubles can be seen most clearly through examination of housing segregation in the city and its continued influence on the lives of Trentonians. Along with housing and workplace discrimination, ethnically white residents used black migrants as scapegoats for their city’s economic misfortunes and decline.

            Housing in Trenton, NJ after the postwar years can be characterized as both segregated and worse for wear. Following the largest influx of black immigrants to the city in the late 1940s and early 50s, this new population was largely forced to live in the Coalport and Five Points areas of the city on its interior.[33] Housing opportunities for black residents were few and far between and were in most cases aged and deteriorated. Starr shed light on this inequality revealing, “By 1957 over 80 per cent of the city’s housing was over 50 years old and 20 percent of all housing units were dilapidated or had deficient plumbing.”[34] This was a problem for all city-dwellers and stood as a marker of the city’s decline following deindustrialization. For the black community, this problem was especially real given that the neighborhoods with the worst physical damage and infrastructure were those areas in which they settled. A 1950s survey of the city titled, Negro Housing in Trenton found, “the percentage of substandard housing among the Negro population is four times higher than that for the general population.”[35] Not only were black Trentonians limited in their occupation but also in the location and quality of their housing. This same study of housing in Trenton concluded that 1,200 new residential spaces would have to be erected in order to meet the needs and standards of the city. These spaces were not created and public housing efforts did not meet the requirements of the new growing population.[36]

With little options for housing, a lack of policy action to create new housing, and increases to the population, black migrants had no choice but to expand into Trenton’s old ethnically-white neighborhoods. In the eyes of many in the white majority, black migrants were the corrupting force which acted to take down their beloved city. Declining social and economic conditions in the city paired with old racist tendencies to produce conflict between ethnic groups. Cumbler eloquently explains this clash stating:

The decline of their industrial base narrowed the boundaries of choice for both white and black Trentonians, and in doing so it intensified conflict between them. Increasingly, Trenton’s problems became defined by the city’s white residents in terms of growth of its black population. Actually, its problems had other sources: the loss of its tax base with the closing down of factories, dilapidation of the existing housing stock, and the declining income of its citizens of whatever color.[37]

This excerpt captures the situation in Trenton during the 1950s and 60s in terms of race relations and the overall decline of the city. Racist attitudes were not a new trend in Trenton but were compounded with the arrival of large populations of black migrants. From the white perspective, black migrants were aiding in the destruction of the city. From the black perspective, Trenton did not provide the necessary resources for which they traveled north in search of in the first place.

The 1960s and the Civil Rights era was the historical boiling point for racial tensions and division in Trenton. The influence of the NAACP and other organizations for the advancement of racial equality along with intense riots brought race and class to the forefront of Trenton’s post-industrial issues. Most impactful, Trenton race riots following the assassination of Dr. Martin Luther King Jr. exploded in early April of 1968. These riots lasted for multiple days and resulted in fires erupting around the city as well as over 7 million dollars in damage to over 200 different businesses in Trenton at the time. During the chaos, around 300 mostly young black men were arrested by Trenton Police. The devastating damage to the downtown section of the city caused many to flee and abandon it altogether in the years that followed.[38] It would be unfair to say that these riots were a direct result of deindustrialization in postwar Trenton. However, the city’s history of racial inequality and the compounding forces of racial tension as a result of deindustrialization point to the creation of fertile ground for public outrage. Of course, the assassination of Dr. Martin Luther King Jr. served as the catalyst for race riots in the city but the broader history of discrimination and inequality in Trenton suggests an intense decades-long build up to the events that unfolded in April of 1968.

Conclusion

Trenton’s rise and fall as an American industrial city is truly a fascinating case study of the post-war era in U.S. history. What was once a manufacturing powerhouse along the Delaware River strategically placed between the two large cities of New York and Philadelphia was reduced to a shadow of its former glory by the 1950s and 60s. The causes of this decline can be found in the removal of industry away from the city following the war effort and signs of economic decline can be traced as far back as the 1920s. The effects of this shift however, remain the most significant in the broader history of the city. Rapid deindustrialization meant that wages and opportunities were significantly limited for all Trentonians but especially for its segregated black community. Many of those who could afford it elected to move to the surrounding suburbs, bringing with them their tax dollars, their votes, and their culture. Lastly, deindustrialization and the consequences of a radically transformed Trenton increased racial tensions in the form of housing and workplace discrimination.

These effects offer new insights into the Trenton of today. Trenton now has a black majority and interestingly, those same areas which housed black migrants in the 1950s on the city’s interior are still today in 2023 the site of high unemployment and low opportunities. Walking the streets of Trenton, one is quickly reminded of its rich history with many of its houses and abandoned factories still standing today as a reminder of the city’s complicated history. A hopeful message could be that a greater understanding of Trenton’s post-war history could provide the necessary insight to create better living conditions and opportunities for all its residents. However, today Trenton remains a city in an intense state of recovery from its industrial past. Historical research has been done to show that urban renewal plans have largely failed to revitalize the city’s economy in the 20th and 21st centuries and issues such as crime, poverty, drug abuse, poor infrastructure, among others continue to loom over the once prosperous city.

            Today, the “Trenton Makes, The World Takes” sign on the Lower Trenton Bridge still stands bright but its meaning has drastically changed since the last century. What was once a beacon of promise and stability is now a constant reminder of how far the city has fallen from its industrial and manufacturing heights.

Findings and value to teaching

Upon completing this research paper on Trenton, I gave a lesson to high school world history students at Ewing High school as part of my undergraduate co-teaching field work. Ewing is one of the border towns to the city of Trenton and was one of the most popular destinations for suburbanites who left the city in the 20th century at least in part because of deindustrialization and the city’s overall decline. The proximity of the topic and the familiarity students  had with popular street names, businesses, and buildings in the city created a feeling of relevance that sparked engagement. Students were surprised to be learning about a topic so close to home and they responded with passionate discussion and the creation of meaningful connections which were sparked through a mix of group and whole class discussions.

For social studies teachers, this successful shift from world history topics to a more grass roots approach to teaching local history can be used as a template for future lessons. Topics frequently come up during different units throughout the school year which deeply relate to the local history of wherever kids go to school. For Ewing students, Trenton’s decline as an industrial city directly related to their lived experiences. Many of my students had lived in or around Trenton for most of their lives. This practice of teaching local history to students is not overwhelming nor is it undoable. The same amount of effort it takes to create a lesson in a world history or AP class can be channeled into research dealing with one’s own local environment and history.

This template for teaching local history can be used to generate engagement in the classroom which is unique to any other topic. Once students are given the opportunity to learn and ask questions about their own town, city, home, etc. they begin to view the world through a more historical lens which is the goal of many if not all high school social studies teachers. Overall, my experience with this approach was overwhelmingly positive and I encourage any and all educators to shift their focus for at least one day of the year towards exploring their own local history and connecting it to larger themes within our discipline.

References

Primary Sources

Black Businesses Need Your Help!. Pride Magazine. Trenton Public Library. March 1972. https://www.trentonlib.org/trentoniana/microfilm-newspapers/

Dwyer, William. This Is The Task. Findings of the Trenton, New Jersey Human Relations Self-Survey (Nashville: Fisk University, 1955).

Lee, Helen J. Nigger in the Window. Library of Congress, Internet Archive 1978.

Negro Housing in Trenton: The Housing Committee of the Self Survey. Trenton Public Library. Trentoniana Collection. Ca 1950.

“Negro in the Trenton Labor Market,” Folder: Community Services in Trenton, Box: Trenton Council on Human Relations, Trentoniana Collection, Trenton Public Library.

“Study of Community Services in Trenton,” Folder: Community Services in Trenton, Box: Trenton Council on Human Relations, Trentoniana Collection, Trenton Public Library.

Trenton Council of Social Agencies, Study of Northeast Trenton: Population, Housing, Economic, Social and Physical Aspects of the Area. Folder: Study of Northeast Trenton. Box 1: African American Experience. Trentoniana Collection. Trenton Public Library. 1958.

Secondary Sources

Boustan, Leah Platt. “Black Migration, White Flight: The Effect of Black Migration on Northern Cities and Labor Markets.” The Journal of Economic History 67, no. 2 (2007): 484–88. http://www.jstor.org/stable/4501161.

Cowie, J. & Heathcott, J. Beyond the Ruins: The Meaning of Deindustrialization. Cornell University Press, 2003.

Cumbler, John T. A Social History of Economic Decline: Business, Politics, and Work in Trenton (New Brunswick: Rutgers University Press, 1989).

Denton, Stacy. “The Rural Past-in-Present and Postwar Sub/Urban Progress.” American Studies 53, no. 2 (2014): 119–40. http://www.jstor.org/stable/24589591.

Division of Labor Market and Demographic Research. New Jersey Population Trends 1790 to 2000 (Trenton, NJ: New Jersey State Data Center, August 2001).

Gibson, Campbell. U.S. Bureau of the Census: Population of the 100 Largest Cities and Other Urban Places in the United States: 1790 – 1990, (Washington D.C.: U.S. Bureau of the Census, 1998).

Jackson, Kenneth T. Crabgrass Frontier: The Suburbanization of the United States. Oxford University Press, 1985.

Leynes, Jennifer B. “Three Centuries of African-American History in Trenton.” Trentoniana Collection. Trenton Historical Society. 2011.

Starr, Dennis J. “History of Ethnic and Racial Groups in Trenton, New Jersey, 1900-1960,” Trentoniana Collection. 1986.

Starr, Dennis J. The Italians of New Jersey: A Historical Introduction and Bibliography. New Jersey Historical Society. Newark, NJ. 1985.

Strangleman, Tim, James Rhodes, and Sherry Linkon. “Introduction to Crumbling Cultures: Deindustrialization, Class, and Memory.” International Labor and Working-Class History, no. 84 (2013): 7–22. http://www.jstor.org/stable/43302724.

Sugrue, Thomas J. The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit. (Revised Ed.). Princeton University Press, 2005. Originally published 1996.

Washington, Jack. The Quest for Equality: Trenton’s Black Community 1890-1965. Africa World Press. 1993.

[1] Jack Washington, The Quest for Equality: Trenton’s Black Community 1890-1965, Africa World Press, 1993, 56.

[2] John T. Cumbler, A Social History of Economic Decline: Business, Politics, and Work in Trenton, (New Brunswick: Rutgers University Press, 1989), 9.

[3] Division of Labor Market and Demographic Research, New Jersey Population Trends 1790 to 2000 (Trenton, NJ: New Jersey State Data Center, August 2001), 23.

[4] Tim Strangleman, James Rhodes, and Sherry Linkon, “Introduction to Crumbling Cultures: Deindustrialization, Class, and Memory.” International Labor and Working-Class History, no. 84 (2013), 19.

[5] Cumbler, A Social History, 132-133.

[6] Campbell Gibson, U.S. Bureau of the Census: Population of the 100 Largest Cities and Other Urban Places in the United States: 1790 – 1990, (Washington D.C.: U.S. Bureau of the Census, 1998)

[7] Division of Labor, New Jersey Population Trends, 26.

[8] Thomas J. Sugrue, The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit, (Revised Ed.), Princeton University Press, 2005, Originally published 1996, 128.

[9] Jefferson, Cowie & Joseph Heathcott, Beyond the Ruins: The Meaning of Deindustrialization, Cornell University Press, 2003. 1-3.

[10] Cumbler, A Social History, 93-95.

[11]Stacy Denton, “The Rural Past-in-Present and Postwar Sub/Urban Progress,” American Studies 53, no. 2 (2014): 119.

[12]Leah P. Boustan, “Black Migration, White Flight: The Effect of Black Migration on Northern Cities and Labor Markets.” The Journal of Economic History 67, no. 2 (2007): 484-485.

[13] Cumbler, A Social History, 147-148.

[14] Cumbler, A Social History, 145.

[15] Helen J. Lee, N—-r in the Window, Library of Congress, Internet Archive 1978, 131.

[16] Sugrue, Urban Crisis, 93-94.

[17] “Study of Community Services in Trenton,” Folder: Community Services in Trenton, Box: Trenton Council on Human Relations, Trentoniana Collection, Trenton Public Library, 8.

[18] Leah P. Boustan, “Black Migration, White Flight” 485-486.

[19] “Negro in the Trenton Labor Market,” Folder: Community Services in Trenton, Box: Trenton Council on Human Relations, Trentoniana Collection, Trenton Public Library, 33-34.

[20] Kenneth T. Jackson. Crabgrass Frontier: The Suburbanization of the United States, Oxford University Press, 1985, 188.

[21] Stacy Denton, “The Rural Past-in-Present,” 119.

[22] Cumbler, A Social History, 139.

[23] Black Businesses Need Your Help!. Pride Magazine. Trenton Public Library. March 1972, 5

[24] Black Businesses, Pride Magazine, 6

[25] Black Businesses, Pride Magazine, 6-7

[26] Black Businesses, Pride Magazine, 6-7.

[27] Gibson, U.S. Bureau of the Census, 43.

[28] Dennis J. Starr, The Italians of New Jersey: A Historical Introduction and Bibliography, New Jersey Historical Society, Newark, NJ 1985, 54.

[29] Cumbler, A Social History, 148-150.

[30] Dennis J. Starr, “History of Ethnic and Racial Groups in Trenton, New Jersey, 1900-1960,” Trentoniana Collection, 1986, 16-17.

[31] Cumbler, A Social History, 153.

[32] Washington, The Quest for Equality, 136.

[33] Trenton Council of Social Agencies, Study of Northeast Trenton: Population, Housing, Economic, Social and Physical Aspects of the Area, Folder: Study of Northeast Trenton, Box 1: African American Experience, Trentoniana Collection, Trenton Public Library, 1958, 53-54.

[34] Starr, Ethnic and Racial Groups in Trenton, 15.

[35] Negro Housing in Trenton: The Housing Committee of the Self Survey, Trenton Public Library, Trentoniana Collection, ca 1950s , 63.

[36] Negro Housing, Housing Committee, 67.

[37] Cumbler, A Social History, 156.

[38] Jennifer B. Leynes, “Three Centuries of African-American History in Trenton,” Trentoniana Collection, Trenton Historical Society. 2011, 3-4.

The Usage of Film in Teaching History through the Lens of the Civil Rights Movement

The Usage of Film in Teaching History through the Lens of the Civil Rights Movement

Elizabeth Sullivan

Film, in the wake of the 21st Century, has become a highly popular type of media to portray historical events. Society has evolved to a point in which it is a visual culture. No longer are we represented by oral and written means; visual communication is much more popular. Traditional school experiences juxtapose this idea. Students are still bound by books and written texts in order to receive information. Educators need to be willing to continue to learn how to introduce new modes of expression in their classroom.

Topics like the Civil Rights Movement are often whitewashed in educational texts. Because most films are produced outside of K-12 schooling environments, producers are able to recreate controversial situations, relationships, and people. This paper will provide summaries and analyses of three modern films depicting different aspects of the American Civil Rights movement. It will then discuss why showing these films in classrooms are worthwhile.

Introducing the films

Historical film projects have created controversial figures and taken controversial figures and turned them into likable characters. The Civil Rights movement has been portrayed in film time and time again, each with a slightly different take. The Help tells the story of a White woman in Jackson recording the stories of Black maids, and ultimately publishes them. This film creates white saviors, a specific character type in media, often seen in pieces that discuss issues pertaining to people of color. One Night in Miami focuses on four prominent Black men in the 1960s; Malcolm X takes the main stage. The film wrestles with Malcolm’s stiff exterior and anxious personal life. Selma tells the story of the Selma Marches in 1964. The film highlights Martin Luther King’s actions and how they led to the passing of the Voting Rights Act of 1965. Each protagonist in these three films is understood by audiences differently. How a Civil Rights activist is appreciated in film greatly depends on the general public’s pre-existing opinion of the character. Regardless of a production team’s goals, an activist’s infamy or other characteristics influence the audience.

The Help

The Help was directed by Taylor Tate and released in 2011, grossing $216 million worldwide and receiving positive reviews from critics.[1] The movie takes place in Jackson, Mississippi during the 1960s.[2] Eugenia “Skeeter” Phelan, a new college graduate, wants to become a writer. She is given the chance to have a book published, but the story hinges on Black maids being willing to speak to her about their experiences working for White families. The issue lies in finding Black help that was willing to risk their livelihoods for Skeeter’s writing.[3] Minny Jackson begins to work for Celia Foote after being fired by a different White woman.[4] After gathering enough stories, Skeeter publishes her book, which is a massive hit. Skeeter chooses to stay in Jackson instead of moving to New York City with the promise of a job in a publishing agency.[5]

Hollywood has a tendency to find a newsworthy topic and exploit it; despite the Civil Rights Movement being a “hot” topic in America for decades, it was mostly left out of the film industry.[6] However, in recent years, stories about the era of civil rights have graced screens. The development of white savior stories has become prevalent in American films. These stories amplify (or overamplify) a white character’s influence regarding issues faced by people of color.[7] The white character rescues non-white characters, often learning more about the problem than they originally knew and evaluating how they contributed to the problem. It makes the white character appear as the hero of the story, despite the size of their role, or the danger the characters of color face fighting issues.

The Help created two white savior characters: Skeeter and Celia. The women become white saviors through different experiences. Skeeter is meant to be portrayed as a young woman who does a great service by exposing the nature of treatment White employers subjected their Black help to. She does this without realizing the importance of what she is doing. The film also emphasizes how she will be viewed in the White community, breezing past the reality Black women will face if the location of the book is revealed. Skeeter’s risks are overplayed (especially because she is promised a job if the book sells well) while the maid’s risks are underplayed, painting Skeeter ultimately as the hero of the film. This imagery is only furthered as Skeeter chooses not to accept her dream job working in a New York publishing firm to stay in Jackson and help the women who gave her stories for her book.

Celia is slightly different. She hires Minny after being unable to find help for her house. She wants to impress her husband and the women of Jackson. She treats Minny with kindness and does not seem to grasp certain societal expectations, like the help and employers eating at different tables and the help and employers not being “friends.” During one specific scene, Celia takes Minny by the arm, walks her into the house, and offers her a coke.[8] In another scene, Celia and her husband offer Minny a meal (prepared by Celia) at their dining room table.[9] The film alludes to the idea that because of Celia’s kindness, Minny’s problems are lessened or completely gone. This then creates the idea that a white woman’s kindness solves issues that are systemic racial issues, when in reality, Minny and the rest of the Black community face issues that could only be corrected through legislative changes.

However, different from most narratives, both of these characters are women. By regendering the white savior, two things occur. The first is the idea that they may not be able to be saviors because they also come from oppressed communities. Because they are not men, it is assumed they do not have the power to overcome societal beliefs regarding their own womanhood, let alone fight against anti-Blackness. The second is that they become harder to identify because of tropes surrounding what a woman is supposed to be and how she is supposed to act.[10] Both of these women hold stereotypical traits, such as kindness and empathy. Celia also yearns to be a mother, another trait that has been associated with femininity. Because they have “female” characteristics, audiences need to decipher what aspects are stereotypes and which are aspects of the white savior trope.

Despite having stereotypical personality traits, the women defy traditional womanhood in different ways, making it easy to see how they fill their white-savior roles. Skeeter is considered a tom-boy; she is a college graduate who does not plan to marry until she has established her career. She grew up in Jackson and, after graduating from college, returned, continuing to be well-liked until she gave a voice to Black maids.[11] Celia moved to Jackson and married her husband because of an unplanned pregnancy. She is also one of the loudest women in the movie, trying to push herself into Jackson’s social circle. Until hiring Minny, she did not have help in her house. Because of this, she is regarded as an outsider by most White women but yearns to be accepted.[12]

Ultimately, the regendering of the white savior in The Help created a character that was not as easily identified as in other films, such as Green Book and Hidden Figures. The two women appear as outcasts who do not fully understand societal roles, instead of two women extending a hand to the Black community in Jackson. The audience feels its heartstrings being tugged at as Celia is outcasted by other women in Jackson, both because of her own identity and because she hired Minny.[13] Skeeter is threatened by another White woman after realizing that the book featured her home.[14] If Skeeter and Celia had been written as male characters, it is much more likely that this character trope would be more apparent. As a result, Skeeter and Celia become characters that are endearing to the audience; the two women are effective in their roles of “hero.”

One Night in Miami

Starkly different from the two White women of The Help are the four men of Regina King’s One Night in Miami. More specifically, the four Black men in the film. Malcolm X, Sam Cooke, Jim Brown, and Cassius Clay (more famously known as Muhammad Ali) are the focus of this 2020 film. It was released directly to Amazon Prime Video streaming, receiving glowing reviews from critics and the general audience.[15]

The four men unite in Miami, Florida in 1964 to watch Cassius Clay box in the championship round.[16] After Clay wins, the men return to X’s motel room to celebrate. Instead of celebrating, the men have a serious night. Coming from different backgrounds (one activist, one football player, one singer, and one boxer) the men have curt conversations about the Civil Rights Movement and Black support of the movement. Paranoia, racism, and Islamophobia are all commented on in the film, as Malcolm criticizes his friends but also speaks to them about his decision to leave the Nation of Islam.[17]

Going into production, director Regina King had a unique problem. How does one create a positive protagonist out of a man disliked or misunderstood by many Americans? Malcolm X’s legacy is often misinterpreted or never properly learned. Media pushes X’s original ideas, many of which the Nation of Islam was responsible for propagating. The figure seen in much of American media is a representation of Malcolm X prior to his revelation about black and white segregation, “white devils,” and many of his polarizing ideas.[18] King directed a film that humanized X, showing anxiety, paranoia, and friendship as a way to create a likable (or at least neutral) film character.

Casual Islamophobia arises throughout the film as X’s friends Cooke and Brown try to discourage Clay from converting to Islam; Muslims do not drink, smoke, or “have fun.”[19] If a friend does not accept you for something as personal as religion, it makes an onlooker feel sorry. This usage of stereotyping lends itself to the audience feeling empathetic toward Malcolm X.

One Night in Miami was a refreshing media perspective of Malcolm X. The film shows how Malcolm was a polarizing figure but did not villainize him, which is an overarching theme across Hollywood film. The activist has been painted as one who advocated for violence, black-and-white separation, and the Nation of Islam. Time and time again, the media forgets that X gave up those ideas after his journey to Mecca to complete Hajj, an important Muslim pilgrimage. He gave a voice to “the subterranean fury, [gave] it a voice, not a gun… and [staved] off the rising violence with which he and every human being must struggle when men are brutalized by men.”[20] However, it is important to keep in mind that many audience members may not have this complex understanding of X and how his ideas evolved before his assassination. The movie ultimately portrays this; Malcolm Xnever advocates for the men to pick up arms and storm cities, he implores his friends to use their fame and resources as a voice for the voiceless.[21]

One Night in Miami also does an excellent job of portraying Malcolm X as the man most people know. Known for being strong-headed throughout his life, Malcolm X is presented as a man firm in his stances and was not afraid to tell someone if they did not align with what he thought was right. Because of this, he was often seen as judgmental towards his friends and American society.[22] He and Sam Cooke butt heads several times as Malcolm chastises him for not doing enough for the Black community and Civil Rights Movement. “…He longed for peace and believed it could only come when men were honest with each other.”[23]

This chastisement could turn audiences against Malcolm X, or there could be a moment of realization that he was not the man that the media at the time painted him as. Shortly after his assassination, James Loomis wrote to the editor of the New York Times explaining that Malcolm X was not the violent figure that White media made him out to be during his life. Loomis did admit that the activist was set in his ways; he set the way for future Civil Rights activists “much as the Old Testament laid the foundation for the New Testament.”[24] If a film viewer was somewhat familiar with X after his Hajj, they would understand, much as Loomis did, that X’s original separatist ideas were not the ideas that he died with. One Night in Miami portrays Malcolm X in a light that allows the audience to better understand his purpose, looking past the “harsh” exterior of his words.

Selma

Selma was directed by Ava DuVernay and released in 2014. It was popular with critics and well-liked by general audiences, grossing more than $66 million worldwide.[25] The film opens in 1963 with four girls running down a stairway. A bomb is set off, killing all four girls; the 16th Street Baptist Church Bombing sets the emotional tone for the remaining film.[26] It then moves to 1965 in Selma, Alabama, where Black Americans are being turned away from voting. Martin Luther King Jr. was called down to help advocate for voting rights legislation that would protect Black Americans from poll taxes and tests.[27] After arriving in Selma, he quickly butts heads with local activist groups. There are several scenes in which King meets with President Lyndon B. Johnson to pressure him to pass voting rights legislation.[28] Eventually, King and other activists plan to walk from Selma to the state capitol, Montgomery. During the first attempt, protestors are brutally beaten by police officers and rush back to Selma to escape said violence.[29] During the second march, King decides to turn the group around to avoid traps set by police or White aggressors along the way.[30] Finally, backed by the state, King and thousands of protestors completed the 50-mile march from Selma to Montgomery, Alabama.[31] The movie closes with the signing of the Voting Rights Act of 1965 and King’s speech in Montgomery.[32]

King had relationships with powerful White individuals, such as President Johnson. Often, an activist who has this kind of support will be much more successful in their cause because it seems reasonable. Selma highlighted these relations, showing the president and his advisors in several scenes.[33] This association implies backing from the federal government. It creates a positive air around King, something that the audience can recognize and absorb.

Martin Luther King gathered more support than other activists during the Civil Rights Movement. As seen in Selma, King directs a group and few and far in between are the decisions made by the other members. Even fewer are activists not in King’s posse. Malcolm X, for example, was mentioned but never seen. [34] President Johnson makes a negative comment about X, saying King is better suited for the American people because he is not as radical.[35] The audience can speculate who Johnson means when he says “American people,” but if the president sees King as a more palatable Black activist, it can be assumed that America is synonymous with White and not all Americans. Little else is said about X; his ideas, policies, speeches, and actions are not mentioned. If an audience member has little knowledge about the other activist, it is likely that they would have a much more positive thought process about King and his actions from there on.

Selma, much like the other two films, casts its main protagonist in a neutral, if not positive light. However, part of this positive atmosphere around King may have been from the lack of other important stars in the Selma March. The film never refers to the other celebrities that came down to Alabama, many of whom were actors. The decision to not feature more of Hollywood in Selma enlarges the light shown on King.[36] This issue continues throughout the film; DuVernay wanted to create a “‘demonstration of our moral certainty’ – sacred art,” so, while she wanted to produce a history piece, she had other motives.[37]

By creating a piece about King and the people of Selma, the director chose to eliminate other aspects of the historical narrative.[38]  DuVernay does not change King’s actions, making him a historically accurate figure in the film, but she does omit aspects of events that bolster King’s role, which ultimately pushes him to the front of the film and enlarges his moral character.[39] Historians took issue with this because it “egregiously distorts a significant element of that history,” changing the emphasis each individual carried within the Civil Rights Movement.[40]

What does this all mean?

The film industry, after long avoiding The Civil Rights movement, has begun to produce film after film about it. The Help focuses on Skeeter, with Black maids as supporting characters despite their stories being the reason for her success. This paints Skeeter as the hero of the movie, emphasizing her role as a White savior. Minny is influenced by a second White savior, Celia, as the woman’s kindness seems to alleviate Minny of all problems. The two White women sneak under the radar as saviors because their gender makes their powerlessness evident. One Night in Miami attempts to show Malcolm X in a more humane light, in an attempt to make audiences more willing to understand him and his goals as an activist. The United States has a perverse idea of X; Regina King’s film attempts to display how X’s frustration and curt way of speaking was only because of his passion and desire to find equality and Black rights in America. Selma creates a reverent picture of Martin Luther King by maximizing his role in the Selma Marches in 1964. Differently from X, King already has a respected and positive legacy, making the production much more palatable to many more people. The four protagonists in these three films produce different reactions from an audience. The way a Civil Rights activist is able to be understood and appreciated in film greatly depends on the general public’s pre-existing opinion of the character of character-type.

Applying these films to teaching

            Film differs from written sources because it has the ability to bring people, places, and events to life. Too often educators rely on students being able to read well to understand the deeper nuances and feeling of the writer or the details being described. Choosing to present information through visual sources evens the playing field for many students because they do not need to rely on their reading skills. Using film provides a new way to learn; it provides auditory and visual learners a positive experience. Captions can provide students who are hard of hearing or in need of written reinforcement to read what is being said. Film has the ability to serve as a platform that benefits many types of learning.

            As mentioned in the previous section, the film industry has recently started to embrace the production of film that focuses on the United States Civil Rights movement and the treatment of People of Color in American history. Due to this, there has been an uptick in historically accurate films that celebrate influential members of the Black American community. Often, film directors have much more freedom than textbook creators do. Films are able to incorporate aspects of history that have been whitewashed or completely removed from educational sources. The United States has a heavy history of whitewashing curriculum related to the Civil Rights Movement. The three films described in the first section are films that I have deemed as accessible and useful to teaching. Each film provides viewers with a different understanding and line of inquiry regarding civil rights and the role in which people played in the movement.

             The Help conveys an important message about the white savior complex. Despite financially providing for the Black women who shared their stories with her, Skeeter would never have suffered the same backlash and potential violence that these women would have if it became apparent that these stories were from Jackson. Skeeter’s race keeps her away from loss of employment, finances, and the potential for violent retaliation. Class lectures or discussions about how history has shown that identities dramatically shape a person’s quality of life can be related to the way Black women were forced to work in harsh conditions and Skeeter was able to write about these experiences and create a best-seller. In addition to this, class discourse after viewing could include a conversation about the introduction of White characters in Black stories and the space they then take away from Black individuals. The Help serves as an introduction to race and the way it shapes experiences.

            One Night in Miami retells the story of Malcolm X, Jim Brown, Sam Cooke, and Muhammad Ali reuniting in Miami for the boxing match. However, the film does something that most media does not. Malcolm X has been villainized throughout American media. This film allows Malcolm to be seen as a person with emotions, fears, and friendships. This humanizing aspect disrupts the narrative that most textbooks create. Very rarely does media, especially literature, acknowledge Malcolm’s humanity. They paint him as a hard radical. This film could also be used as a segue into Malcolm X’s life and ideas after his hajj, a Muslim pilgrimage to Mecca.

            Selma takes place in Alabama before the Voting Rights Act of 1965 was passed. It focuses on Martin Luther King Jr., but also incorporates activists that are taught about less often such as John Lewis. Showing this film allows students to understand that MLK did not act alone and was often called to areas to act as the face of a movement. The film also illustrates the violence against Black Americans and Americans that supported integration and equal rights. It does so in a matter that makes viewers understand the severity, but it does so with becoming too explicit. For instance, the film opens with the 16th Street Baptist Church Bombing. It shows the four young girls that would be killed but the bombing does not show the individuals.

            As discussed, the usage of film can be an effective use of media in the classroom. It is used far too often; written sources are no longer reflective of today’s society. With the recent boom of media representing the Civil Rights Movement or racial inequality, it seems clear that film needs to be present in classrooms while teaching these events and concepts.

References

DuVernay, Ava, director. Selma. Pathé, Plan B Entertainment, Harpo Productions, Ingenious Media, Celador, Cloud Eight Films, 2014. 2 hr., 33 min. https://www.showtime.com/movie/3505943

“The Help.” IMDb. IMDb.com, August 10, 2011. https://www.imdb.com/title/tt1454029/?ref_=nv_sr_srsg_0. 

Horne, Gerald. “‘Myth’ and the Making of ‘Malcolm X.” The American Historical Review 98, no. 2 (April 1993): 440–50. https://doi.org/10.1086/ahr/98.2.440. 

Housley, Jason. “Hollywood and The Civil Rights Movement.” Black Camera 19, no. 1 (2004): 7–8. http://www.jstor.org/stable/27761632.

King, Regina, director. One Night in Miami. Amazon Studios, 2020. 1 hr., 55 min. https://www.amazon.com/gp/video/detail/amzn1.dv.gti.e8badd0e-9d87-114a-934b-54a31210c34f?autoplay=0&ref_=atv_cf_strg_wb

Knapp, Jeffrey. “Selma and the Place of Fiction in Historical Films.” Representations 142, no. 1 (2018): 91–123. https://doi.org/10.1525/rep.2018.142.1.91. 

Loomis, James. “New York Times,” February 27, 1965.

“One Night in Miami…” IMDb. IMDb.com, January 8, 2021. https://www.imdb.com/title/tt10612922/. 

Reed, Adolph. “The Strange Career of the Voting Rights Act.” New Labor Forum 24, no. 2 (2015): 32–41. https://doi.org/10.1177/1095796015579201. 

Seekford, Brett. “To Kill a Mockingbird, The Help, and the Regendering of the White Savior.” James Madison Undergraduate Research Journal 4, no. 1 (2016): 6–12. https://doi.org/https://commons.lib.jmu.edu/jmurj/vol4/iss1/1/. 

“Selma.” IMDb. IMDb.com, January 9, 2015. https://www.imdb.com/title/tt1020072/. 

Taylor, Tate, director. The Help. DreamWork Pictures, Touchstone Pictures, Walt Disney Studios Motion Pictures, Paramount Vintage, StudioCanal UK, 2011. 1 hr., 35 min. https://play.hbomax.com/page/urn:hbo:page:GYe7uAgqQlZyQwgEAAAAf:type:feature?source=googleHBOMAX&action=play

[1] “The Help,” IMDb (IMDb.com, August 10, 2011), https://www.imdb.com/title/tt1454029/?ref_=nv_sr_srsg_0. 

[2] Taylor, Tate, director. The Help. DreamWork Pictures, Touchstone Pictures, Walt Disney Studios Motion Pictures, Paramount Vintage, StudioCanal UK, 2011. 1 hr., 35 min. https://play.hbomax.com/page/urn:hbo:page:GYe7uAgqQlZyQwgEAAAAf:type:feature?source=googleHBOMAX&action=play

[3] Taylor, Tate, director. The Help.

[4] Taylor, Tate, director. The Help.

[5] Taylor, Tate, director. The Help.

[6] Housley, Jason. “Hollywood and The Civil Rights Movement.” Black Camera 19, no. 1 (2004): 7.

[7] Taylor, Tate, director. The Help.

[8] Taylor, Tate, director. The Help.

[9] Taylor, Tate, director. The Help.

[10] Brett Seekford, “To Kill a Mockingbird, The Help, and the Regendering of the White Savior,” James Madison Undergraduate Research Journal 4, no. 1 (2016): pp. 6-12, https://doi.org/https://commons.lib.jmu.edu/jmurj/vol4/iss1/1/. 

[11] Taylor, Tate, director. The Help.

[12] Taylor, Tate, director. The Help.

[13] Taylor, Tate, director. The Help.

[14] Taylor, Tate, director. The Help.

[15] “One Night in Miami…,” IMDb (IMDb.com, January 8, 2021), https://www.imdb.com/title/tt10612922/.

[16] King, Regina, director. One Night in Miami. Amazon Studios, 2020. 1 hr., 55 min. https://www.amazon.com/gp/video/detail/amzn1.dv.gti.e8badd0e-9d87-114a-934b-54a31210c34f?autoplay=0&ref_=atv_cf_strg_wb 

[17] King, Regina, director. One Night in Miami.

[18]  Gerald Horne, “‘Myth’ and the Making of ‘Malcolm X,” The American Historical Review 98, no. 2 (April 1993): pp. 442-444.

[19] King, Regina, director. One Night in Miami.

[20] James Loomis, “Letter to the Editor – Death of Malcolm X,” n.d.

[21] King, Regina, director. One Night in Miami.

[22] King, Regina, director. One Night in Miami.

[23] James Loomis, “Letter to the Editor – Death of Malcolm X,” n.d.

[24] James Loomis, “Letter to the Editor – Death of Malcolm X,” n.d.

[25] “Selma,” IMDb (IMDb.com, January 9, 2015), https://www.imdb.com/title/tt1020072/.

[26] DuVernay, Ava, director. Selma. Pathé, Plan B Entertainment, Harpo Productions, Ingenious Media, Celador, Cloud Eight Films, 2014. 2 hr., 33 min. https://www.showtime.com/movie/3505943

[27] DuVernay, Ava, director. Selma.

[28] DuVernay, Ava, director. Selma.

[29] DuVernay, Ava, director. Selma.

[30] DuVernay, Ava, director. Selma.

[31] DuVernay, Ava, director. Selma.

[32] DuVernay, Ava, director. Selma.

[33] DuVernay, Ava, director. Selma.

[34] DuVernay, Ava, director. Selma.

[35] DuVernay, Ava, director. Selma.

[36] Jeffrey Knapp, “Selma and the Place of Fiction in Historical Films,” Representations 142, no. 1 (2018): pp. 113.

[37] Jeffrey Knapp, “Selma and the Place of Fiction in Historical Films,”114.

[38] Adolph Reed, “The Strange Career of the Voting Rights Act,” New Labor Forum 24, no. 2 (August 2015): pp. 33.

[39] Jeffrey Knapp, “Selma and the Place of Fiction in Historical Films,” 92-94.

[40] Adolph Reed, “The Strange Career of the Voting Rights Act,” 34.

Lesson Based on the Movie Glory

Lesson Based on the Movie Glory

John Staudt

“Let the black man get upon his person the brass letter, U.S., let him get an eagle on his button, and a musket on his shoulder and bullets in his pocket, there is no power on earth that can deny that he has earned the right to citizenship.” – Frederick Douglass

Assignment:

  • Read the packet prior to our class viewing of the Edward Zwick’s film Glory (1989)
  • Highlight/underline and annotate the most important points; be sure you review the questions before we view the film.
  • Pay attention and answer the questions in the time allotted following the end of the film.

Background: The issues of emancipation and military service were intertwined from the onset of the Civil War. News from Fort Sumter set off a rush by free Black men to enlist in U.S. military units. They were turned away, however, because a federal law barred Negroes from bearing arms for the U.S. Army. The Lincoln administration was concerned that the recruitment of Black troops would prompt the Border States (Delaware, Maryland, Kentucky, and Missouri) to secede. By mid-1862, however, the escalating number of former slaves (contrabands), the declining number of white volunteers, and the needs of the Union Army pushed the Government into reconsidering the ban. As a result, on July 17, 1862, Congress passed the Second Confiscation and Militia Act, freeing slaves who had masters in the Confederate Army. Two days later, slavery was abolished in all the territories of the United States. In the Emancipation Proclamation, issued on January 1, 1863, President Lincoln announced that Black men would be recruited into the U.S. Army and Navy. Abolitionist leaders such as Frederick Douglass encouraged Black men to become soldiers to ensure eventual full citizenship (two of Douglass’s own sons enlisted). By the end of the Civil War, roughly 188,000 Black men (10% of the Union Army) served as soldiers and another 19,000 served in the Navy. 40,000 Black soldiers died over the course of the war. There were 80 Black commissioned officers; 21 Black soldiers and sailors won the Medal of Honor by the time it ended. Black women could not formally join the Army but served as nurses, spies, and scouts, the most famous scout being Harriet Tubman. In addition to the perils of war faced by all Civil War soldiers, Black soldiers faced additional problems stemming from racial prejudice. Segregated units were formed with Black enlisted men commanded by white officers. Black soldiers were initially paid $10 per month from which $3 was automatically deducted for clothing, resulting in a net pay of $7. In contrast, white soldiers received $13 per month from which no clothing allowance was drawn. In June 1864, Congress granted equal pay to the U.S. Colored Troops.

The film: Glory tells the story of the 54th Colored Massachusetts Infantry Regiment, one of the most celebrated regiments of Black soldiers that fought in the Civil War. Known simply as “the 54th,” this regiment became famous after the heroic, but ill-fated, assault on Fort Wagner, South Carolina. Leading the direct assault under heavy fire, the 54th suffered enormous casualties before being forced to withdraw. The courage and sacrifice of the 54th helped to dispel doubt within the Union about the fighting ability of Black soldiers and earned this regiment undying battlefield glory. Of the 5,000 Federals who took part, 1,527 were casualties: 246 killed, 890 wounded and 391 captured. The 54th lost a stunning 42 percent of its men: 34 killed, 146 wounded and 92 missing and presumed captured. By comparison, the Confederates suffered a loss of just 222 men. Despite the 54th’s terrible casualties, the battle of Fort Wagner was a watershed for the regiment. Civil War scholar James McPherson states, that the “significance of the 54th’s attack on For Wagner was enormous. Its sacrifice became the war’s dominant positive symbol of Black courage. Their sacrifice sparked a huge recruitment drive of Black Americans. It also allowed Lincoln to make the case to whites that the North was in the war to help bring a “new birth of freedom” to all Americans.

Questions – Answer all questions in complete sentences on a separate sheet of paper:

  1. List 2 reasons why men joined the 54th?
  2. Why do you think the white officers volunteered to lead them?
  3. Why do you think Colonel Shaw wants his regiment to lead the deadly assault on Fort Wagner?
  4. In the scene just before the final attack, Shaw approaches a reporter and says, “Remember what you see here.” Write a brief newspaper entry including a headline, dateline, photo (or drawing, engraving, map, etc.) and caption, and a brief (3-4 sentences) description stating what the reporter saw at the Battle of Fort Wagner.

In-class group activity: We will divide randomly into 4 groups. Each group will be assigned one of the images below. Your group will determine how the image represents the significance of the 54th’s achievements and legacy. Each group will then report back to the rest of the class.

Further reading:

Russell Duncan. Blue-Eyed Child of Fortune: The Civil War Letters of Robert Gould Shaw. This book contains a 67-page biography of Shaw as well as 300 additional pages featuring the various letters Shaw wrote to family members, some of which are read in the movie.

Joseph T. Glatthaar. Forged in Battle: The Civil War Alliance of Black Soldiers and White Officers. Paperback. Louisiana State University Press (April 2000).

David Blight’s article, “Race and Reunion: Soldiers and the Problem of the Civil War in American Memory” (6, no. 3 [2003]: 26-38).

A: Storming Fort Wagner. Lithograph by Kurz & Allison, 1890

Image B: Civil War photograph of Sergeant-Major Lewis H. Douglas, one of the first troops of the 54th to climb over the walls of Fort Wagner during the attack.

Image C: Augustus Saint-Gaudens (one of the premier artists of his day) took nearly fourteen years to complete this high-relief bronze monument, which celebrates the valor and sacrifices of the Massachusetts 54th. Colonel Shaw is shown on horseback and three rows of infantrymen march behind. This scene depicts the 54th Regiment marching down Beacon Street on May 28, 1863 as they left Boston to head south. The monument was unveiled in a ceremony on May 31, 1897.

Image D: One of the 54ths casualty lists with the names of 116 enlisted men who died at the battle for Fort Wagner. National Archives, Records of the Adjutant General’s Office, 1780’s-1917

Teaching with Documents: The 1892 Lynching of an African American Man in New York State

Teaching with Documents: The 1892 Lynching of an African American Man in New York State

Alan Singer and Janice Chopyk

The National Memorial for Peace and Justice in Montgomery, Alabama memorializes the over 4,000 African Americans murdered by vigilante terrorism in the American South between the end of Reconstruction in the United States in 1877 and 1950 and the more than 300 victims of racial terrorism in other states. Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia were the worst offenders, but there were also significant numbers of vigilante murders of African Americans in Illinois, Indiana, Kansas, Maryland, Missouri, Ohio, Oklahoma, and West Virginia. Eight hundred steel columns hang from the ceiling at the Memorial, each with the name of a county where a lynching occurred with the names of victims engraved on it. The only lynching in New York State during this period occurred in the town of Port Jervis, Orange County in 1892. Port Jervis is located on the Delaware River at the border of New York, Pennsylvania, and New Jersey. At the end of the 19th century, it was an important stop on the Delaware and Hudson Canal for barges transporting anthracite coal to Philadelphia and New York City from Scranton area coal mines and on the New York, Lake Erie and Western Railroad.

In his new book, A Lynching at Port Jervis: Race and Reckoning in the Gilded (New York: Farrar, Straus and Giroux, 2022), Philip Dray documents racial violence in Port Jervis about sixty-five miles northwest of New York City. The story of what happened to Robert Lewis, a 28-year-old African American teamster and coach driver on Thursday June 2, 1892 was largely told through the eyes of white residents and white-owned newspapers. Unfortunately, there are no sources that address the Black perspective on the lynching of Lewis by a white mob. A coroner’s inquest was held with witness testimony, but there is no surviving transcript. At least one witness, Officer Simon Yaple, is known to have named some of the members of the murderous mob, but none were ever tried or convicted of crimes.

Robert Lewis, described in the press as a powerful man of about five feet seven and 170 pounds, was accused of assaulting and sexually abusing a 22-year-old white woman named Lena McMahon on a riverbank where the Cuddeback Brook meets the Neversink River before it flows into the Delaware River just south of Port Jervis. Participants in the mob attack on Lewis claimed that before he was murdered, Lewis confessed to the assault and implicated McMahon’s white boyfriend, Philip Foley as an accomplice. Lewis was then lynched on East Main Street, now U.S. Route 6.

Lena McMahon reported to authorities that she was approached by a heavy-set Black man with a light complexion who she did not know, although he appeared to know her. In her testimony about the assault, McMahon claimed that she was “terribly frightened” because her assailant had an “evil look in his eyes” and that after she rebuffed him he grabbed her shoulder and covered her mouth in an attempt to keep her from screaming. Local boys interrupted the attack on McMahon and her attacker, presumably Lewis, picked up fishing gear and left the scene. While McMahon initially reported that the man who attacked her was a “tramp,” one of the boys later identified Lewis as the assailant.

Robert Lewis was seized by a posse on the towpath of the D & H Canal while riding on a slow moving coal barge, not a very likely escape plan and Lewis made no effort to avoid capture. He had fishing gear with him and said he was planning to spend the night fishing. Sol Carley, part of the posse that captured Lewis, claimed that he questioned Lewis while they were bringing him back to Port Jervis. According to Carley, Lewis confessed to what had taken place, but claimed that Foley, who he knew from the hotel where he previously worked, told him McMahon would be receptive to a sexual encounter and if he wanted a “piece to go down and get it.” Lewis seemed to think that the entire situation could be resolved if they questioned Foley and Lewis had a chance to speak to McMahon’s father.

The initial police plan was to bring Lewis to the McMahon home to see if she could identify him, although Lena McMahon continued to maintain her attacker was a stranger, probably a tramp, who was camping in the woods. This plan was interrupted when a rumor spread that Lena McMahon had died from her wounds, dooming Robert Lewis. A crowd of over 300 white men was gathered in downtown Port Jervis. Upon hearing the rumor, it was transformed into an uncontrollable mob and murdered Lewis. Port Jervis’ small African American community, in defiance of white authority, insisted on a proper funeral for Lewis and contributed funds for burial at Laurel Grove cemetery, while at least some whites tried to steal souvenir relics from his body.

Students can read, compare, and discuss newspaper coverage of the events in Port Jervis. In the age of #MeToo and Black Lives Matter, it is difficult to dissect aspects of events that took place over a hundred years ago, especially where the surviving documentation is sporadic and clearly biased. How much of Lena McMahon’s story should be believed? Does questioning her account reflect what we now recognize as gender bias? On the other hand, how much of her story was colored by racism? We know from similar accusations made by white women against Black men that led to the arrest and imprisonment of the Scottsboro Boys and the murder of Emmett Till, that in a climate of intense racism, white women protected their reputations by fabricating stories of disrespect or assault. It is hard to believe that Robert Lewis did not know that a “confession” meant a death sentence. A compelling question for students to consider is: What do the events in Port Jervis and the newspaper coverage tell us about race and racism in New York State during this period? Teachers should alert students that there are overtly racist comments in the newspaper articles, but that “negro” was in common usage at the time to describe the group of people we now call African American and was not a racist term.

Documenting the Lynching of Robert Lewis at Port Jervis, New York

A. LYNCHED AT PORT JERVIS. ROBERT JACKSON, A COLORED MAN, HANGED BY A MOB. New York Times, June 3, 1892           

Robert Jackson, a young colored man, was lynched in this village to-night, receiving swift retribution for an assault committed this morning on Miss Lena McMahon, daughter of John McMahon of this place. The crime occurred on the outskirts of the village, near the banks of the Neversink River. Two young negroes and a crowd of children were near by, but when the former tried to interfere Jackson kept them at bay with a revolver. He made his escape without trouble. Miss McMahon was left in an insensible condition. Her injuries may prove fatal. A posse started in pursuit of Jackson as soon as news of the assault spread . . . The capture of the fugitive was finally made at Cuddebackville, a small village on the Delaware and Hudson Canal about nine miles from Port Jervis, by Sol Carley, Duke Horton, and a man named Coleman. Jackson had borrowed a canal boat at Huguenot, and had reached Cuddebackville, when he was overtaken by the three men. On the way back to this village he confessed the crime, and implicated William Foley, a white man, who, he said, was in the conspiracy against Miss McMahon. Foley has been paying attention to the girl contrary to the wishes of her parents, and the feeling against him in this community is such that, should he be taken, a fate similar to that which has overtaken Jackson would probably be meted out to him. The news of the capture of Jackson soon spread through the town, and a large crowd of men collected about the village lock-up, awaiting the arrival of the prisoner. The word was whispered through the crowd “Lynch him, lynch him!” The suggestion spread like wildfire, and it was evident that the fate of the prisoner was sealed. On his arrival at the lock-up Jackson was taken in hand by the mob. The village police endeavored to protect him, but their efforts were unavailing. It was at first proposed to have Jackson identified by his victim before hanging him, in order to make sure of his guilt. With this object in view the mob tied a rope around his body and dragged him up Hammond and down Main Streets as far as the residence of E. G. Fowler, Esq. By this time the mob had reached a state of uncontrollable excitement, and it was decided to dispatch him without further ceremony. A noose was adjusted about his neck and he was strung up to a neighboring tree in the presence of over 1,000 people. For an hour the body hung from the tree, where it was viewed by crowds . . . Public sentiment on the subject of the lynching is divided, although a majority approve and openly applaud the work of the lynchers, declaring that a terrible warning was necessary to prevent future repetitions of the same offense.

Questions

  1. Where and when did these events take place?
  2. Who was Robert Jackson?
  3. What was Robert Jackson accused of?
  4. What happened to Robert Jackson?
  • What is the attitude of the New York Times toward these events? What evidence from the text supports your conclusion?

B. Mob Murder at Port Jervis, Brooklyn Eagle, June 3, 1892, pg. 4

A negro was hanged by a mob in Port Jervis on Thursday night. He was charged with the crime of violence on a white girl, who is now said to be lingering between life and death. The crime was committed. The victim of it and two other witnesses charged the commission of it on a negro called by the name of the one who was lynched. The accused criminal was caught a long distance from the spot, while trying to run away. He was not, however, taken for identification before any of the persons who had accused him. A rumor prevails around Port Jervis that, after all, the wrong negro was captured and killed. Negroes are not easily distinguished from one another, unless by marks of identification carefully registered on scientific examination and then carefully compared when any man to whom they presumably refer is apprehended. There is very little doubt that the negro who was killed was the man who committed the crime, but there is some doubt that he was. That doubt, however slight, should harrow the memories and consciences of the men who lawlessly destroyed him. Aside from this fact, the offense of which the negro was accused but not convicted does not carry the punishment of death in this state by law. http://www.bethlehemchurch.com/admin/Law has found that capital punishment in cases of violence against women has been inflicted on innocent persons. The accusation is easily made. It is hard to disprove. A predisposition to believe it exists when it is brought against the lowly and the humble, the obscure or the repulsive. The pardoning power is not seldom required to rectify the errors of courts and juries in cases of violence to women. On these accounts the punishment has been reduced below the death penalty, to give time and government a chance to correct the wrongs of law. The event at Port Jervis, Thursday night, was a disgrace to the State of New York. The heinousness of the offense may explain but does not excuse the popular violence. This is supposed to be a government of law. Citizens are supposed to be law abiding. Moral culture and obedience to law are supposed to be an insurance that communities will not take the law in their own hands in any cases, and especially in cases which excite and inflame them. It may be roughly said, so far as lynch law is concerned in New York State, that the greater the provocation the less the excuse. The crime of which this negro was guilty cannot be overcharacterized, but there are worse crimes than it, by the definition of the law of the State of New York. A worse crime is murder. Murder is the destruction of a human being without warrant of law, with malice and premeditation, and not in self defense. The hanging of the negro in Port Jervis on Thursday night mates with that definition of the crime of murder. It was murder.

Questions

  1. Are there features in the Brooklyn Eagle article you would identify as racist? Explain.
  2. Compare coverage of the events in Port Jervis as reported in the Brooklyn Eagle the New York Times. How is it similar or different?
  • In your opinion, are there errors of fact in the Brooklyn Eagle account? Explain.

C. Port Jervis Disgrace, The Daily Standard Union, June 3, 1892, pg. 2

Port Jervis has not added to her good name by the brutal murder of a negro, who was, no doubt, no less brutal than the white men who took the law into their own hands and inflicted the death penalty without sentence. Has the Empire State fallen so low that criminals cannot be punished by due process of law? . . . There is no reason why a Northern State inhabited by justice-loving people, should be Southernized by a few misguided men in a country town. A heinous crime was charged against the negro, but there was no sworn evidence that he was the guilty person. Sympathy was strong for the young woman who, it is said, suffered from the negro’s violence, and this sympathy was proper and creditable; but it does not justify killing by mass meeting. It is to be hoped that every one of the men who actually took part on compassing the negro’s death will be apprehended and made to feel the hand of the law he has outraged.”

Questions

  1. How is coverage of the events in Port Jervis in this article from the Daily Standard Union, a Brooklyn, New York newspaper, similar to and different from coverage in the New York Times and the Brooklyn Eagle?
  • What is conspicuously missing from this excerpt from the article? In your opinion, what does that suggest about the viewpoint of the Daily Standard Union about the events?

D. Local Newspaper Coverage

Port Jervis Union: The Excitement in this village over the lynching of the negro, Robert Lewis has abated somewhat but further developments are awaited with the most intense interest. Attention is now centered upon the work of the coroner’s jury which was empanelled yesterday and whose duty it is not merely to investigate the manner of Lewis’ death but if possible to trace out the leaders and instigators of mob violence and to fix upon them the responsibility which belongs to them. Public sentiment and the honor and fair fame of the village demand that an earnest effort be made to do this. Now that the excitement attendant upon the awful events of Thursday has partially subsided a decided reaction has taken place in public sentiment and there are few who do not deplore and condemn the work of the mob. It is now generally admitted that the ends of justice would have been fully satisfied by leaving Lewis to be dealt with according to the regular forms of law, while our village would have escaped the world-wide notoriety which now attaches to it as the scene of one of the worst manifestations of mob-violence which has occurred in recent years. To be known as a community controlled and dominated by lawless elements is a penalty which we must now pay.

Middletown Daily Press: What a hard question to decide: the right or the wrong of Thursday night’s outrage in Port Jervis. One man, a father, and a county official, said: “It’s all right for some of us to moralize. But put yourself in that father’s place.” Another man, also a father: “Those men are worse than the negro. No matter how heinous the crime, can any human being think of a life being tugged along through public streets by a howling, half mad crowd which handled the rope, without saying ‘They’re brutes, and God does not sanction their work.’”

Middletown Argus: That the punishment so summarily meted out to the black ruffian who made Lena McMahon victim of his lust was more than merited, there is no division of sentiment . . . Lewis might better have been left to be dealt with by court and jury, inadequate though his punishment, if convicted, would be, but informal as was his exit from it, no one will say nay to it that the world is well rid of him.

Newburgh Daily Journal: The outbreak in Port Jervis is wholly without justification . . . The mob’s crime was an attack upon the cause of law and order. It remains with the criminal authorities to deal with the perpetrators of this crime as the law provides.

Questions:

  1. The Port Jervis Union is a weekly newspaper. This issue was published two days after the events and coverage is on page 3. What is the primary focus of the article? What does this suggest about local attitudes toward the event?
  • What are the attitudes toward the events in Port Jervis expressed in newspaper coverage from neighboring towns?

E. The Dangers of Lynching (Editorial). New York Times, June 4, 1892

A considerable number of persons, some of them possibly very worth citizens in a general way and others pretty certainly nothing of the kind, united on Thursday in Port Jervis to hang a negro who had committed a criminal assault upon a white girl. The feeling that actuated the mob was doubtless the same that is cited as defense for like lynching in the Southern States. It is that the penalty prescribed by law is not sufficient for the offense which is punished by lynching. It is not to be denied that negroes are much more prone to this crime than whites, and the crime itself becomes more revolting and infuriating to white men, North as well as South, when a negro is the perpetrator and a white woman the victim . . . It is unlikely that such a change in the law would diminish the number of lynchings. These are commonly committed by crowds which are animated by so furious an indignation that they would not wait for the law to take its course, even though the punishment were capital and certain, but would insist upon themselves doing their prisoner to death rather than to wait for months, or even weeks, to have him done to death by the law. This lawless temper is not commendable, and it ought to be discouraged by the law. Although it is probable that the good citizens of Port Jervis sympathized with the mob when they first learned of its murderous work, it is also probable that they are by this time ashamed of it and of their sympathy with it, and regard the lynching as more of a disgrace to the town than the crime it avenged, for which only a single brute was responsible . . . [I]t is admitted that the mob, misled by one of the rumors that spread in times of excitement, came very near hanging the wrong man, and this is a danger that always attends the unlawful execution of justice . . . [T]he lynchers by their precipitation seem to have operated a defeat of justice almost as great as if they had hanged the wrong man. The negro not only confessed his crime, but declared that he had been instigated to commit it by a white man whom he named. . . . The greater criminal, if he be a criminal at all, is likely to go scot free because the people of Port Jervis have hastily and carelessly hanged a man who, if he had been spared, might have proved a valuable witness. This is a danger of lynching that the lynchers have incurred which they themselves must confess to be a serious drawback to the success of their method of doing justice.

Questions

  1. How does the New York Times describe the people who participated in the lynching of Robert Lewis?
  2. In the opinion of the New York Times, why is the incident regrettable?
  • What evidence, if any, does the excerpt from the editorial suggest about the biases of the Times?

F. VERDICT AT PORT JERVIS, No One Held Responsible for the Lynching of Lewis. The Aspen Daily Chronicle, June 15, 1892, pg. 3

The coroner’s inquest over the lynching of Bob Lewis, the negro, terminated at 4:30 o’clock yesterday afternoon. The jury, after being out one hour, rendered the following verdict: “We find that Robert Lewis came to his death in the village of Port Jervis on June 2, 1892, by being hanged by some persons or person unknown to this jury . . . The thinking public doubts Miss McMahon’s story, as it also does Foleys . The circumstances are to conflicting. If the young woman had practically no knowledge of her surroundings from Wednesday to Thursday morning, then she must have been crazy. Not a living female would or could be hired to stay over night in Laurel Grove cemetery, as she stated she did. The stormy weather and the delicate physique of the girl would knock that story in the head. It is a fact that when Foley was arrested on the morning succeeding the assault of Miss McMahon, he trembled like a leaf and had to be supported. There is something back of the whole affair and those facts are held by Squire Mulley justice of the peace, who refuses to allow the contents of Foleys blackmailing letters addressed to Miss McMahon, to appear in print. Mr. Mulley says that the investigation of Miss McMahon and Foley will be strictly private.

Questions

  1. What was the verdict of the coroner’s inquest?
  2. What is the attitude of this newspaper to stories of the incident?
  • This article appeared in a Colorado newspaper. What does that suggest about reaction to the lynching?

G. MISS M’MAHON WRITES A LETTER, SHE EXPLAINS WHAT HER RELATIONS WERE WITH FOLEY. New York Times, June 25, 1892:

To the Editor of the Daily Union:

Sir: As my name has been so freely circulated throughout the press of the country during he past few weeks in connection with the infamous scoundrel, Foley, who has been airing his ignorance and viciousness in frequent letters from the county jail, that I wish, once for all, in justice to myself, to refute and brand as malicious falsehoods the statements this person has seen fit to utter. I first became acquainted with Foley when he assumed to be a gentleman, through the introduction of a mutual friend. He paid me attention, and I was foolish, as other young girls have been, to believe in his professions of friendship, and when I, in the indiscretion of youth, had some trifling difficulty with fond and loving parents who endeavored to give me wise counsel and advice, resolved to leave home, this inhuman monster egged me on and endeavored to carry into execution his nefarious scheme to ruin and blacken my character forever. When I discovered “the wolf in sheep’s clothing,” the true character of the parody of manhood, I at all risks and perils resolved to prosecute him as he so richly deserves. That resolution I still maintain, and I wish to assure the public that the maudlin, sentimental outpourings from this person, who, relying upon the fact that I was once his friend, has seen fit to make me the victim of extortion and blackmail, have no effect whatever on me, and it will not be my fault if he does not receive the punishment he so richly deserves. There is nothing to prevent this man writing letters, and I do not consider it either wise or discreet to pay any attention to them. I simply desire to say that his insinuations and allegations are falsehoods; that my relations with him have been those only of a friend. God only knows how much I regret that. I cannot have my reputation as an honest, chaste, and virtuous girl assailed by this villain without a protest, and I ask all right-thinking people who possess these qualities to place themselves in my position and then ask if they would act differently than I have done. The evil fortune that has overtaken me has been no fault of my own, and I trust that the light of truth will reveal this man as he truly is, the author of all my misfortune. I do not intend to express myself again to the public concerning this matter, nor pay any attention to what this man may say or do. All I desire is peace, and the consideration and fair treatment that should be extended to one who has suffered untold misery, and whose whole life has been blighted by one whose heartlessness and cruelty is only equaled by his low cunning and cowardice. LENA M’MAHON.

Questions

  1. Who is Lena McMahon?
  2. What prompted her to write this letter?
  3. What is missing from the letter?
  • What does the missing part tell us about events in Port Jervis?

H. Port Jervis Lynching Indictments. New York Times, June 30, 1892
The Grand Jury of Orange County to-day indicted nine persons in the Port Jervis lynching case. Two of these were officers of the village . . . Five of the indictments are for assault and the rest for riot.

Arrested for the Port Jervis Lynching. New York Times, July 1, 1892
Bench warrants for the arrest of five men indicted by the Grand Jury, and alleged to have been in the party who lynched the negro in this place, were issued to-day . . . The indictment is regarded as the weakest that could have been made.

Port Jervis Lynchers Not Indicted. New York Times, September 30, 1892
The Orange County Grand Jury reported to-day to Judge John J. Beattie. They said they had not indicted the Port Jervis lynchers of the colored man Robert Lewis. The reason was that the Port Jervis people had failed to give the evidence necessary to indict.

Questions

  1. What was the final resolution of the Port Jervis lynching?
  • In your opinion, what does this tell us about race and justice in New York in this period?

References      

Dray, Philip. 2022. A Lynching at Port Jervis: Race and Reckoning in the Gilded (New York: Farrar, Straus and Giroux, 2022).

Disciplinary Literacy, Trade Books, and Culturally Responsive Teaching in Middle Grades Social Studies

Disciplinary Literacy, Trade Books, and Culturally Responsive Teaching in Middle Grades Social Studies

Dr. Caroline Sheffield & Dr. Jeremiah Clabough

Disciplinary literacy, which emphasizes teaching students the skills and strategies used by practitioners, has become more prevalent in U.S. schools over the last 15 years. Therefore, teachers need to be deliberate as they assist students to think and write like practitioners (Shanahan & Shanahan, 2008). The National Council for the Social Studies (NCSS) has placed an emphasis on disciplinary literacy in its College, Career, and Civic Life (C3) Framework for Social Studies State Standards (NCSS, 2013a).

            Emphasizing disciplinary literacy means social studies teachers need to give careful thought and consideration in designing learning experiences to develop their students’ historical, civic, economic, and geographic thinking skills (NCSS, 2013a). For some, this will mean redefining their classroom practices. Incorporating disciplinary literacy practices is complicated by the fact that many students are not reading on grade level.

Our intervention is centered on using trade books focusing on civil rights activists that address the racial discrimination Black Americans faced immediately after the U.S. Civil War. Students read excerpts of the trade books and additional sources as a whole class and in groups. They utilized these texts to answer analysis prompts where they used evidence to support their arguments. In this article, we share both our intervention and the successes from the project.

Culturally responsive teaching

The demographics in U.S. public schools have dramatically changed in the 21st century. White majorities in schools have given way to student populations that are more diverse. This is due in part to immigration patterns to the United States. With the changing demographics in the United States, social studies teachers need to reconsider how they design classroom instruction. One approach is to incorporate culturally responsive teaching, which is defined by Geneva Gay (2000) as “using the cultural knowledge, prior experiences, frames of reference, and performance styles of ethnically diverse student to make learning encounters more relevant to and effective for them” (pg. 29). Additionally, culturally responsive teaching emphasizes the need for high expectations and academic achievement for culturally diverse students, which reflects the empowered school culture described by Banks (2019). 

Gay (2000) calls for teachers to scaffold and connect ethnically and culturally diverse students with the curriculum of the varied academic subjects. Doing so helps teachers to achieve the transformative approach to multicultural education described by Banks (2019). In the transformative approach, “the structure of the curriculum is changed to enable students to view concepts, issues, events, and themes from the perspective of diverse ethnic and cultural groups” (Banks, 2019, p. 64). If social studies teachers are to move beyond the additive and contributions approaches to multicultural education, it is necessary to consider how to incorporate the experiences and viewpoints of minorities beyond a single month in the year (King & Brown, 2014). In the social studies, this would entail using a variety of resources to authentically represent different groups’ values and perspectives throughout the curriculum. Texts that reflect students’ cultures act as mirrors. This allows students to see themselves in their U.S. history curriculum (Bishop, 1990).

There are several key components of culturally responsive teaching for social studies teachers to consider. Effective instruction in the social studies includes primary and secondary sources that allow students to analyze different groups’ perspectives and beliefs about historical and contemporary issues. Doing so provides students with the information to develop a nuanced understanding of an issue and helps to prepare them to work with people from different backgrounds in our pluralistic democratic society (Banks, 2019; Gay, 1994). By focusing on their culture through reading assignments, students can also analyze and critique historical and contemporary power structures in U.S. society and thus equip them with the knowledge to take civic action to address social, cultural, economic, and political inequities (Ochoa-Becker, 1996). One of the approaches to addressing ethnic and cultural diversity in the classroom identified by Gay (2000) is the use of trade books as instructional tools.

Using trade books in the social studies

            The term trade book refers to books, other than textbooks, that are available in retail establishments. Trade books include informational texts, picture books, and graphic novels (McGowan & Guzzetti, 1991). Not only are trade books more engaging than the typical social studies textbook, but they are also better written (Palmer & Stewart, 1997). Trade books highlight individuals and events frequently excluded from traditional textbooks (Chick, 2008). Trade books are not shallow in content and difficult to read (Berkeley et al., 2016; Tracy, 2003).

Trade books enable teachers to focus on a specific individual or event in depth. Diverse perspectives can be accessed by using several trade books in a curated text set about a specific event or time (Palmer & Stewart, 1997). The diversity of available trade books, in content, format, and readability, offers teachers an opportunity to select texts that best match their students’ reading and learning needs (Liang, 2002; Saul & Dieckman, 2005).

For social studies teachers, trade books offer students a chance to step into a new time or place (Beck & McKeown, 1991) to meet lesser-known historical figures and make emotional connections to the events depicted (Chisholm et al., 2017). It is through this emotional connection that trade books can be used as tools to develop students’ historical empathy skills, which is the effort to better understand historical figures, their actions, decisions, and lived experiences (Endacott & Brooks, 2013). Trade books also offer social studies teachers a way to teach disciplinary literacy by requiring students to analyze for perspective, bias, and purpose (Shanahan & Shanahan 2008).

            As mentioned previously, in culturally responsive pedagogy, teachers employ varied sources that celebrate the history and lived experiences of the culturally diverse students in the classroom. Trade books are an excellent way to do this. For students of color, historical figures who look like them are often portrayed as victims, with little agency and impact on U.S. history (King, 2020). This is not the mirror we want our students to see. To counter this image, teachers should use texts that present people of color impacting their world. This is the framework we utilized to design our study.

Project background and setting

We designed a year-long project for the 2021-2022 academic year in which a sixth-grade teacher would use trade books to thematically teach the concept of civil rights in the United States from Reconstruction to the present. We envisioned thematic teaching to be the examination of a specific concept, in this case civil rights, while still teaching U.S. history chronologically. Thus, the thematic teaching approach was embedded into the existing content taught in the grade level. We chose to focus on the civil rights theme because we wanted students to recognize that the civil rights movement in the 1950s and 1960s did not exist in a vacuum. There were events, individuals, and groups who strove for civil rights long before Dr. King.

We determined that trade books would be an effective way to address this theme, as there are books written for young people that address all of the eras of U.S. history. Many of them highlight the struggles and achievements of culturally diverse individuals. To identify high quality trade books aligned with the sixth-grade curriculum and the civil rights theme, we first referred to the NCSS Notable Trade Book lists. All trade books were read, evaluated with regard to both project goals and text quality, and were agreed upon by the two researchers and the teacher.

The thematic teaching through our project was conducted at the Academy (a pseudonym), a new public charter school located in a medium-size city in the Southern United States. At the time of this project, there is only a sixth-grade class of 100 students at the time of our project. The Academy’s mission statement is clearly aligned with the principles of culturally responsive teaching. The school mission is socially justice oriented, seeking to empower their students to be agents of change.

Black students represent 93% of the Academy’s sixth grade class. The remaining 7% include students who identify as Latinx, white, and Asian. The social studies teacher, Ms. Edwards (a pseudonym), identifies as a white female and has more than ten years of experience teaching social studies in both middle school and high school settings. We should acknowledge that both researchers identify as white, one a white male and the other a white female.

            The learning activities were co-constructed with the participating teacher. The three of us crafted an instructional plan that was both reflective of content that addressed the state standards, incorporated the selected trade book, reflected both the school’s mission, and the teacher’s understanding of the students’ learning needs. We helped the teacher monitor student work and aided with instruction, when requested. Based on the fact that the students’ completed work when we were present did not greatly differ from their work when we were not in the classroom, we posit that our participation in class instruction had little impact on the students’ performance.

Intervention

This paper explores the results of the first two eras addressed in curriculum: Reconstruction and the Progressive Era. The trade books chosen for these units included Henry Louis Gates, Jr.’s (2019) Dark Sky Rising: Reconstruction and the Dawn of Jim Crow and Walter Dean Myers and Bonnie Christensen’s (2008) Ida B. Wells: Let the Truth Be Told. Dark Sky Rising, a non-fiction chapter book, is written for the young adolescent reader and contains numerous primary sources embedded into the narrative. It explores the rise and fall of African American civil liberties during the Reconstruction era. Ida B. Wells: Let the Truth Be Told (Myers & Christensen, 2008) is a 2009 NCSS Notable Trade Book. It is a picture biography of Ida B. Wells’s life and includes her childhood, education, work as a journalist and suffragette, as well as her efforts fighting the lynching of Black Americans.

We used the trade books as anchor texts in the two units. In the Reconstruction unit, Dark Sky Rising (Gates, Jr., 2019). was used to explore literacy tests, poll tax, Plessy v. Ferguson, and Jim Crow segregation laws designed to keep African Americans second-class citizens in the latter 1800s. During the second unit, students read the trade book Ida B. Wells (Myers & Christensen, 2008) and watched videos about Wells to examine how violence was used as a tool to maintain white hegemony in the South.

Excerpts from Dark Sky Rising (Gates Jr., 2019) were used due to the book’s length. A whole class read-aloud strategy was used for both Dark Sky Rising (Gates Jr., 2019) and Ida B. Wells (Myers & Christensen, 2008). Students also did partner readings of sections from both trade books. They worked together to complete tasks that required them to synthesize information found in the trade books to explain how policies were created to disenfranchise African Americans and how violence was used to maintain these social inequalities.

Findings

There was evidence that two years’ worth of disruptions due to the COVID-19 pandemic impacted the students’ literacy skills. It was apparent in the interactions between the teacher and students that there was also a discrepancy between expectations in the middle school and the elementary school. Students were initially resistant to reading informational texts, synthesizing information, and writing to convey their understanding. Over the course of the year, the students’ resistance was reduced, and their work reflected improved literacy skills.

It was clear that they were not used to completing tasks like the ones assigned. Their written responses were short and rarely in complete sentences (see Figure 1):

Figure 1: Student Example 1, Impact of Plessy vs. Ferguson

Despite the brevity of the students’ answers, the majority of students’ responses were correct, indicating that they were able to successfully read the trade books and articulate responses to questions focusing on the obstacles African Americans faced.

There were encouraging signs from the first two handouts that with simple modeling from the teacher and researchers, some of the students included references from the trade book and primary sources to support their arguments. Students would add the page number where they found their answers to the questions (See Figure 2):

Figure 2: Student Example 2, Impact of Poll Taxes and Literacy Tests

By the end of the first two units, almost all students were consistently using evidence from sources to support their arguments, and they were doing so in complete sentences. Additionally, students made subtle thematic arguments regarding how different civil rights activists worked to address racial discrimination.

One other item of note was that in addition to strengthening students’ disciplinary literacy and historical thinking skills, they also started to discuss historical figures in three dimensional terms. Often, middle school students see historical figures as dead characters who lacked hopes and dreams (Clabough et al., 2017). These students started talking about the historical figures, Frederick Douglass from the first project and Ida B. Wells from the second project, in three dimensional terms in the second unit’s summative assessment. That assignment tasked students with drawing a Janus figure for Frederick Douglass and Ida B. Wells while also answering questions about these two individuals’ backgrounds and advocacies. The trade books and resources selected through the first two units were designed to highlight how and why both historical figures advocated for civil rights.

The students’ writing showed tremendous progress within the course of a month. Most were writing in complete sentences by the end of the Janus figure activity (See Figure 3):

Figure 3: Student Example 3, Janus Figure Assessment

 The majority of the students cited evidence at the end of the sentences from the trade books and the resources used. The students consistently wrote about Frederick Douglass and Ida B. Wells in three dimensional terms by capturing events in their childhood and family life, as well as their values and beliefs about civil rights issues.

Thematic vs. chronological teaching

            When social studies teachers talk about thematic teaching, they often speak of a dichotomy between chronological instruction and thematic instruction (Turan, 2020). Our work in this project suggests a different approach, one where teachers do not have to sacrifice chronological teaching to embrace thematic instruction. The units highlighted in this project were taught in a chronological order. However, they both included a focus on the struggle for African American civil rights, using the selected trade books as anchor texts. As demonstrated in their Janus figures, the students were able to make thematic connections between the two individuals. The theme was not diluted by teaching the units chronologically, and the chronology of the content was not lost in examining a theme. This project demonstrates that, at least in thematic teaching, you can have your cake and eat it too.

Trade books in middle grades social studies

            Social studies education has long embraced using trade books as instructional tools. There are quite a few articles describing the potential benefits of using trade books in the middle grades social studies class (Clabough & Sheffield, 2022; Wilkins et al., 2008). However, there is little research within the last twenty years that outlines how these potential benefits play out in the middle school classroom.

We found in our work at the Academy that using the trade books was an effective method to engage students in disciplinary literacy. The students demonstrated the ability to gather information from sources and draw informed and supported conclusions. They also began to employ historical empathy, a highly complex skill, with regard to the African American leaders studied in the Reconstruction and Progressive Era units. The results from this project indicate that the articles extolling the potential benefits of trade books in the social studies classroom were well-founded.

Culturally responsive trade books in social studies

Students need opportunities to explore their culture in meaningful ways (Gay, 2000). The exploration of culturally responsive trade books offers students a way to empathize with varied groups’ lived experiences, which is also an important aspect of historical empathy (Endacott & Brooks, 2013). Additionally, drawing on trade books that address diverse cultures helps to cultivate an inclusive learning environment that values all students.

The sixth-grade students were actively engaged in our project through class discussions during read alouds and group work analyzing trade books and supplementary sources. The content being explored focused on African Americans’ lived experiences with racial discrimination. Students were able to see how historical figures analyzed public policies and took civic action, thus demonstrating for the students the practical necessity of being able to complete complex reading tasks. Finally, students gained the skills needed as future democratic citizens to take civic action as change agents to address social injustices (NCSS, 2013b).

Conclusion

            During our time with the students at the Academy, the importance of starting small with building students’ disciplinary literacy skills and giving them space to grow became increasingly obvious. Within a month, the students went from writing sentence fragment responses in the first two tasks to consistently articulating their answers in complete sentences with references to support their arguments. This transformation was accomplished from support and modeling by the teacher and researchers. The exploration of culturally responsive trade books also allowed the students’ historical empathy skills to be strengthened as they could articulate historical figures’ values, beliefs, and advocacies. Social studies teachers need to strive for students to engage in disciplinary literacy in order to examine the experiences and achievements of marginalized groups and to explore complex topics within the U.S. history curriculum. Avoid the assumption that just because students are not reading on grade level, or struggle with writing, that they cannot engage in historical analysis. The students’ growth and engagement with the content that we observed in the first month of school suggests that with the right support, students can successfully grapple with complex historical content.

References

Banks, J. (2019). An introduction to multicultural education (6th ed.). Pearson.

Beck, I. L., & McKeown, M.G. (1991). Research directions: Social studies texts are hard to understanding: Mediating some of the difficulties. Language Arts, 68(6), 482-490.

Berkeley, S., King-Sears, M.E., Vilbas, J., & Conklin, S. (2016). Textbook characteristics that support or thwart comprehension: The current state of social studies texts. Reading and Writing Quarterly, 32(3), 247-272.

Bishop, R.S. (1990). Windows and mirrors: Children’s books and parallel cultures. In K. Holmes (Ed.), Perspectives on teaching and assessing language arts (pp. 83-92). Illinois Association of Teachers of English.

Chick, K.A. (2008). Teaching women’s history through literature: Standards-based lesson plans for grades K-12. NCSS.

Chisholm, J.S., Shelton, A.L., & Sheffield, C.C. (2017). Mediating emotive empathy with informational text: Three students’ think-aloud protocols of Gettysburg: The Graphic Novel. Journal of Adolescent & Adult Literacy, 61(3), 289-298.

Clabough, J., & Sheffield, C. (2022). An unspeakable act: Disciplinary literacy, racial literacy, and the Tulsa Race Massacre. Research Issues in Contemporary Education, 7(3), 67-103.

Clabough, J., Turner, T., & Carano, K. (2017). When the lion roars everyone listens: Scary good middle school social studies. Association for Middle Level Education.

Endacott, J., & Brooks, S. (2013). An updated theoretical practical model for promoting historical empathy. Social Studies Research and Practice, 8(1), 41-58.

Gates Jr., H.L. (2019). Dark sky rising: Reconstruction and the dawn of Jim Crow. Scholastic Focus.

Gay, G. (1994). At the essence of learning: Multicultural education. Kappa Delta Pi.

Gay, G. (2000). Culturally responsive teaching: Theory, research, and practice. Teachers College Press.

King, L.J. (2020). Black history is not American history: Toward a framework of Black historical consciousness. Social Education, 84(6), 335-341.

King, L.J., & Brown, K. (2014). Once a year to be black: Fighting against typical Black History Month Pedagogies. The Negro Educational Review, 65(1-4), 23-43.

Liang, L.A. (2002). On the shelves of the local library: High-interest, easy reading trade books for struggling middle and high school readers. Preventing School Failure, 46(4), 183-188.

McGowan, T., & Guzzetti, B. (1991). Promoting social studies understanding through literature-based instruction. The Social Studies, 82(1), 16.

Myers, W.D., & Christensen, B. (2008). Ida B. Wells: Let the truth be told. Amistad.

NCSS. (2013a). The College, Career, and Civic Life Framework for Social Studies State Standards: Guidance for enhancing the rigor of K-12 civics, economics, geography, and history. Author.

NCSS. (2013b). Revitalizing civic learning in our schools. Retrieved from https://www.socialstudies.org/position-statements/revitalizing-civic-learning-our-schools

Ochoa-Becker, A. (1996). Building a rationale for issues centered education. In R. Evans & D.W. Saxe (Eds.), Handbook on teaching social issues (pp. 6–13). NCSS.

Palmer, R.G., & Stewart, R.A. (1997). Nonfiction trade books in content area instruction: Realities and potential. Journal of Adolescent & Adult Literacy, 40(8), 630-641.

Saul, E.W., & Dieckman, D. (2005). Choosing and using information trade books. Theory and Research into Practice, 40(4), 502-513.

Shanahan, T., & Shanahan, C. (2008). Teaching disciplinary literacy to adolescents: Rethinking content-area literacy. Harvard Educational Review, 78(1), 40-59.

Tracy, J. (2003). Racing through history. Journal of Education, 184(2), 63-68.

Turan, B. (2020). Thematic vs. chronological history teaching debate: A social media research. Journal of Education and Learning, 9(1), 205-216.

Wilkins, K.H., Sheffield, C.C., Ford, M.B. & Cruz, B.C. (2008). Images of struggle and triumph: Using picture books to teach about the civil rights movement in the secondary classroom. Social Education, 72(4), 177-180.

NCSS Response to AP African American Course Controversy

NCSS Response to the AP African American Course Controversy

Official statement of the National Council for the Social Studies:

NCSS recognizes that states and districts have the right to approve or not approve individual courses and, in so doing, have a responsibility to use a transparent evaluation process that includes educators and other experts in the field. When courses, especially those that were created and supported by some of the United States’ most esteemed scholars and organizations, appear to have been rejected without a transparent process, all educators and community members should be concerned and have the right to request more information on the process used.

Of equal concern to NCSS is that the current political climate might negatively impact the great work that is being done throughout the United States to diversify curricula, use culturally responsive resources, and build content and pedagogical knowledge so that educators might better create lessons and other opportunities to address a longstanding marginalization of Black histories in the American education system. The NCSS previously addressed concerns about “divisive concepts” laws that seek “to ban the teaching of such concepts as race, racism, white supremacy, equity, justice, and social-emotional learning, as well as to limit the teaching of content such as slavery, Black history, women’s suffrage, and civil rights.”

NCSS supports the teaching of Black histories in a manner that engages students in learning about the achievements, joy, perseverance, agency, and resilience of Black Americans. An attempt to block courses that fully portray the Black experience, such as the AP African American Studies course, places professional judgment boundaries on teachers’ freedom to teach  and denies students the right to learn rich, complex histories that allow for multiple perspectives and deep exploration of the successes and struggles in our collective history across cultures. Every student has the right to learn about Black histories and the Black experience, and every teacher has the right to teach Black histories and the Black experience without the fear of intimidation and retaliation.

NCSS continues to advocate for the inclusion of Black histories and contemporary issues across K-12 curricula and calls on all education officials to provide students with the right to learn about, and from, the experiences of Black Americans. NCSS strongly believes in the educational value of offering diverse learning experiences in schools. We believe all students deserve the opportunity to learn African American studies and should have access to courses that support their pursuit of higher education and the study of African American history and culture in all education settings and throughout life.

Why We Must Teach African American History

Why We Must Teach African American History

Marlene Munn-Joseph

Recent years have seen efforts to include African American history as part of the American cultural heritage in school curriculums nationwide. A few examples include an elective 2020 African American studies course in Texas for the 10th-12th grade, in 2018 the adoption of a curriculum entitled Developing Black Historical Consciousness in Kentucky’s Jefferson County Public Schools, and in 2005, an African American history course as a high school graduation requirement in the Philadelphia school district (Pew Trust, 2020). These efforts suggest that progress has been made in the century-long struggles of African American communities to include African American history in the mainstream narrative of American history. In this light, the controversy surrounding Florida Governor Ron DeSantis’s administration’s decision to publicly censor parts of the College Board’s Advanced Placement (AP) African American Studies Curriculum and the College Board’s seemingly capitulation is puzzling. Including an AP African American studies curriculum in the College Board’s offering legitimizes the experiences and histories of African American communities. According to the College Board site, the curriculum has been in the making for over a decade. Respected scholars such as Henry Louis Gates and Evelyn Brooks Higginbotham have been part of the effort. However, the DeSantis administration’s attempt to censor aspects of the curriculum where they cite violates the provision of “principles of freedom” in newly passed laws (State Board of Education rule 6A-1.094124, and Florida laws including 1003.42, F.S., and House Bill 7.), and has little “educational value” demonstrates the cost of legitimation is an erasure of ideas and events that compete with the mainstream historical consciousness of American exceptionalism and harmony.

It is critical to recognize the importance of legitimizing African American studies as part of the American mainstream historical consciousness. E pluribus unum, out of many one, is a critical conceptual frame in American democracy rooted in two foundational ideas. (1) Citizenship and fundamental citizenship rights  are available to all regardless of race, ethnicity, religion, and gender. (2) Diverse groups can coexist as long as we respect the rights of one another.

Enacting a culturally pluralistic society requires constant negotiation on the following two questions. (1) What are our ideas about America? and (2) What does it mean to be an American. Dill and Hunter (2010) describe e pluribus unum as “the central and enduring conundrum of American democracy. How much plurality? What kind of unity? On whose terms?”

To answer the above two questions, we turn to our historical consciousness to make sense of our past and to inform our future. Our individual experiences and our interpretations of those experiences constitute our historical consciousness. The DeSantis administration’s new laws require a singular historical consciousness that does not allow for dialogue on these questions or the introduction of a Black historical consciousness about the past and present. The Florida Department of Education (FLDOE) Commissioner of Education, in a tweet, provided a one-page handout with a table listing six problematic areas that the state wanted expunged (out of 19 identified in their correspondence with the College Board over the 2022 calendar year) (Diaz, 2023). These areas explored the roots of institutional racism, contemporary African American resistance movements, and the involvement of marginalized communities. According to a FLDOE memo, these topics specifically violated Florida law because of “Instruction rule, 6A-1.094124, which requires that “instruction on required topics must be factual and objective and may not suppress or distort significant historical events” and in the same memo, FLDOE cited the material as conflicting with Florida law because it contained “discriminatory and historically fictional topics” (Meckler, 2023).

Labeling the topics of institutional racism and contemporary African American resistance movements as fictional does not allow Americans to have an informed conversation on what it means to be an American or the nature of American society past and present. The DeSantis administration is unwilling to have students engage in the historical process, engaging in intellectual debates to explore contentious interpretations of histories. They are using state power to discredit the work of credible scholars, deny the complexity of the lived experiences of African Americans in the United States, and they are trying to present a singular and inaccurate historical consciousness. The message it sends to all Americans is that the banned topics are not plausible and promote an uncritical examination of history and the DeSantis administration’s censorship undermines the ability of the youth of Florida to analyze, integrate, and form their own the historical consciousness.

Censoring these topics dismisses the necessity of Black historical consciousness. LaGarrett King (2017) argues that Black historical consciousness is essential because African American history includes critical events in its communities. For example, significant to African American history are traditions of Black liberation such as Juneteenth (among a few holidays celebrated as Emancipation holidays) and the loss of African American educators due to the Brown vs. Board of Education decision which led to the push for integrated schools by discriminatory school boards. Blatantly ignoring the histories of African American communities is intolerance.

The DeSantis administration is using the law to impose a false consensus on what they see as the “true” narrative of American history. The FLDOE’s correspondence with the College Board suggests that the AP African American studies curriculum pushed the boundaries of legitimation to far. The initial version of the African American studies pilot challenged the DeSantis administration and their supporters’ understanding of America’s historical consciousness by questioning the American collective identity and civic culture. The challenge to e pluribus unum continues. 

References

Diaz Jr. Manny [@SenMannyDiazJr](2023,Jan 20) Concerns found within College Board’s submitted AP African American Studies Course. [Image Attached] [Tweet] Twitter. twitter.com/SenMannyDiazJr/status/161656504876738560  

Dill, J.S., Hunter, J.D. (2010). Education and the Culture Wars. In: Hitlin, S., Vaisey, S. (eds) Handbook of the Sociology of Morality. Handbooks of Sociology and Social Research. Springer, New York, NY. https://doi.org/10.1007/978-1-4419-6896-8_15

King, LaGarrett. (2017). Black History is Not American History: Toward a Framework of Black Historical Consciousness. Social Education 84(6) , pp. 335–341

Meckler, Laura A. (2023, February 9). Florida details months of complaints about the AP African American studies course. Washington Post. Retrieved from https://www.washingtonpost.com/education/2023/02/09/florida-ap-african-american-studies-complaints-college-board/

Mercer, Marsha (2020, August) “Black History Instruction Gets New Emphasis in Many States” Pew Trusts. Retrieved from https://www.pewtrusts.org/en/research-and-analysis/blogs/stateline/2020/08/20/black-history-instruction-gets-new-emphasis-in-many-states