New Law? New Curriculum? What Do I Do?

New Law? New Curriculum? What Do I Do?

Cathy A.R. Brant

On Monday March 1, 2021 Governor Phil Murphy Signed Assembly Bill No. 4454 of which Section C.18A:35-4.36a which mandates that New Jersey K-12 public school curriculum to include instruction on diversity and inclusion:

Beginning in the 2021-2022 school year, each school district shall incorporate instruction on diversity and inclusion in an appropriate place in the curriculum of students in grades kindergarten through 12 as part of the district’s implementation of the New Jersey Student Learning Standards. b. The instruction shall: (1) highlight and promote diversity, including economic diversity, equity, inclusion, tolerance, and belonging in connection with gender and sexual orientation, race and ethnicity, disabilities, and religious tolerance; (2) examine the impact that unconscious bias and economic disparities have at both an individual level and on society as a whole; and (3) encourage safe, welcoming, and inclusive environments for all students regardless of race or ethnicity, sexual and gender identities, mental and physical disabilities, and religious beliefs (New Jersey Legislature, 2021)

For many teachers, it is a relief that it is now state law that issues of diversity and equity are mandated parts of the curriculum. In fact, in my work with pre-service teachers one of the most common threads I hear from my students is that they want to address issues of equity, racism, inclusion, homophobia, and other diversity related issues but have concerns about push-back from their colleagues, their administrators, and their students’ parents. For other teachers, it can seem like a daunting task to address these topics in an age-appropriate way, especially in the elementary grades.  In addition to the new diversity and inclusion law on June 3, 2020, the State Board of Education adopted the 2020 New Jersey Student Learning Standards (NJSLS) (State of New Jersey, Department of Education (2020), which go into effect during the 2022-2023 school year. This article lays out how this new curricular law could be covered in age-appropriate elementary grades using the new 2020 social studies standards. Additionally, curricular resources will be provided to help teachers address these topics.

New Jersey Diversity Law

The new NJ Diversity law has three areas of focus. The first area is highlighting and promotion of diversity.  This instruction should help children understand the differences that exist between people due to race, class, gender, sexual orientation, race, ethnicity, disability, religious differences, etc. The goal of this law, in the elementary school setting, is for young students to understand the ways in which diversity exists in the world and to see the commonalities between their lives and the lives of others.  This idea is not new. Multicultural Education (MCE) has been around for decades (cite).  Multicultural education “an approach to teaching and learning that is based upon the democratic values and beliefs and that affirms cultural pluralism within culturally diverse societies in an interdependent world” with the goal of fostering “the intellectual, social, and personal development of all students to their highest potential” (Bennett, 2003, p. 14). Students who engage in a robust multicultural curriculum learn about aspects of identities, to appreciate and value the diversity of others in the world, and to help students develop cross-cultural competence to prepare them for lifelong interactions with people who are different from themselves.

The second part of the law focuses on understanding unconscious biases. Unconscious biases, or implicit biases:

…are social stereotypes about certain groups of people that individuals form outside their own conscious awareness. Everyone holds unconscious beliefs about various social and identity groups, and these biases stem from one’s tendency to organize social worlds by categorizing.  Unconscious bias is far more prevalent than conscious prejudice and often incompatible with one’s conscious values (University of California-San Francisco, n.d.)

Children need to understand the ways that they may unintentionally engage in biased behavior that impacts others as well as understand the ways that bias, and discrimination exist at an institutional level.

The third section talks about the instruction itself in including encouraging safe, welcoming, and inclusive environments for all students.  In other words, the instruction should include the elements presented in the first two parts of the law but should also “[accept] and [affirm]the pluralisms (ethnic, racial, linguistic, religious, economic, and gender, among others) that students, their communities and teachers reflect” (Nieto and Bode, 2008, p. 44) in a way that all students feel welcomed in the classroom and school community.  The law explicitly articulates that this instruction should include topics of race or ethnicity, sexual and gender identities, mental and physical disabilities, and religious beliefs.

It is clear why this law was enacted. Students need purposeful inclusion of cultural education in the elementary classroom (McCarty, 2010). As the children of New Jersey grow up, they continue to interact with those of different races or ethnicities, sexual or gender identities, mental and physical disabilities, and religious beliefs and will need to be prepared to be aware of the local as well as the global community (Kirkwood, 2001). They will be aware of global issues that go beyond their backyards such as global pandemics, the climate crisis, poverty, and other global inequities and transnational migration. Teachers, both explicitly and implicitly, make daily instructional decisions about “how students perceive their own culture, their nation, the lives of people around the world, and the issues and conflicts facing the planet” (Merryfield, 2002, p. 19), so there needs to be a deliberate shift in making this instruction explicit so that students can become productive citizens of their community and the world.

2020 New Jersey Social Studies Student Learning Standards

One of the major changes to the new NJSLS is the re-banding of the standards from K-4, 5-8, 9-12 to the following bands: K-2, 3-5, 6-8, 9-12. The new standards lay out the core ideas which “represent the knowledge and skills that they should be able to apply to new situations outside of the school experience” (State of New Jersey, Department of Education, 2020, p. 22). Curriculum writers and educators can use these core ideas as the basis for formative, summative, and benchmark assessments. Additionally, the standards describe the performance expectations, what students should know and be able to do by the end of the band.  The 2021 NJSLS have 18 key disciplinary concepts from the four main disciplinary domains of social studies: civics, geography, economics and history. See Table 1:

Table 1: 2021 NJSLS key disciplinary concepts:

Civics, Government, and Human Rights Civic and Political InstitutionsParticipation and DeliberationDemocratic PrinciplesProcesses and RulesHuman and Civil RightsCivic MindednessGeography, People and the Environment Spatial Views of the World Human Population Patterns Human Environment InteractionGlobal InterconnectionsEconomics, Innovation and Technology Exchange and Markets National EconomyGlobal EconomyHistory, Culture, and Perspectives Continuity and ChangeUnderstanding Perspectives Historical Sourcing and Evidence Claims and Argumentation  

In addition to the core disciplinary concepts, the new standards also present core ideas under each of these disciplinary concepts which students should be able to achieve by the end of a grade level. It is easy to see how many of these can be connected to highlighting and promoting the diversity of others. For example, under the concept of History, Culture, and Perspectives: Understanding Perspectives, by the end of Grade 2 students should be able understand that 1) Two or more individuals can have a different understanding of the same event, and 2) Respecting and understanding the views of others helps one learn about various perspectives, thoughts, and cultures. By the end of grade 5, students will be able to understand 1) Respecting and understanding the views of others helps one learn about various perspectives, thoughts, and cultures, and 2) Events may be viewed differently based on one’s perspective (State of New Jersey, Department of Education, 2020, p. 18). This is just one example of the explicit connections between the new standards and the diversity law, but what is even more important are the pedagogical practices on how to teach these concepts.

Lesson Ideas

In this section I will highlight four specific indicators, three from the K-2 band and one from the 3-5 band.  These indicators have been selected as they directly relate to the new legislation. This should serve as affirmation for elementary grade teachers that they can and are required to teach this content. One of the best ways to help students see themselves reflected and affirmed in the curriculum, and to provide windows into the lives of others who may differ from them is through high quality children’s literature (Sims Bishop, 1990). In addition to discussing how the standards can be addressed in the curriculum, I will highlight high quality multicultural children’s literature that will help teachers do so. The kindergarten through second grade standards opens up spaces in elementary classrooms to lay the foundation for addressing issues of diversity, equity, and inclusion. The third grade through fifth grade band allows teachers to add layers to what the kindergarten through second grade teachers introduced.  Once students understand that differences exist, how stereotyping and prejudice is problematic, and promoting ideas of tolerance and respect for others, teachers and students adapt a more critical lens, going beyond their own experiences to focusing on the experiences of others and greater system issues of discrimination and marginalization.

6.1.2.CivicsCM.3: Explain how diversity, tolerance, fairness, and respect for others can contribute to individuals feeling accepted.

With young children, we need to scaffold their understanding of the concepts of diversity, tolerance, fairness, and respect. Even in the youngest grades, teachers can have conversations with children about their identities, affirming their identities, and helping them appreciate and value the differences between their identities and the identities of others (Teaching Tolerance, 2018). Setting this groundwork in the early grades can allow for explicit instruction, in later grades, on more complex aspects of these topics such as personal biases and systemic oppression. The Day You Beginwritten by Jacqueline Woodson (Woodson, 2018) is a perfect book to help introduce the concepts of diversity, tolerance, fairness, and respect to young children, and helping students see the commonalities between each other. Angelina comes to school and notices the many ways in which she is different from her peers, including her skin color, hair texture, and is nervous to share the fact that she and her family did not go on any big or exciting trips over the summer vacation. Rigoberto, an immigrant from Venezuela, is embarrassed when his classmates laugh at his accent. Another student is upset when a classmate criticizes her lunch of meat, rice and kimchi. Woodson, then, has Angelina share her story about her summer vacation, and other students begin to make connections. Woodson encourages the reader to not only recognize the difference between people and not to treat people poorly because of them, but for each reader to have a sense of pride in the ways in which they are different and special.

6.1.2.HistoryUP.3: Use examples from the past and present to describe how stereotyping and prejudice can lead to conflict.

In almost every elementary classroom, teachers have heard students say phrases like, “Girls can’t do that” or “That’s a girl’s toy, not a boy’s toy,” or “Pink can’t be your favorite color, you’re a boy!” Pink is for Boys by Robb Perlmann and illustrated by Eda Kaben (Perlmann, 2018) is a book that would serve as a great entry point to talk about how stereotypes and prejudice can lead to conflict. The book goes through the various colors of the rainbow and states that the color is for both boys and girls. The book encourages children to do what they love, regardless of the gender stereotypes associated with that activity.  A teacher can read this book and have explicit discussions with children about the times that they were made fun of or criticized for liking things that were stereotypical for another gender. The teacher could lead the students to engage in critical work to think about why certain colors, toys, clothes, etc. are marketed to a specific gender instead of to all genders.  This text could also lead into conversations about children who do not fit into the gender binary.  After beginning a lesson or a unit on exploring gender stereotypes, the teacher could then introduce a book about a transgender such as When Aidan Became a Brother by Kyle Lukoff.  This text tells the story of Aidan, who when he was born, everyone thought he was a girl, but was really a transgender boy.  The book discusses how Aidan’s self-image changed when he was able to be his authentic self. This book is an excellent resource to introduce the topic of transgender individuals and how they should be treated.

6.1.5.CivicsPD.3: Explain how and why it is important that people from diverse cultures collaborate to find solutions to community, state, national, and global challenges.

The goal of this standard is for students to take the skills that they have started to learn in earlier grades about understanding and valuing cultural differences to begin to understand how people with those cultural differences can work together. This is important for students to understand the problem solving that goes on in their communities, their state, their nation, and in the world.  Students can begin to see how issues like global warming, war and poverty are relevant in the United States but across the globe and that everyone needs to do their part to work together to begin to solve these problems. Harlem Grown by Tony Hillery is a great place for young students to see how people can come together to make a difference in their community. This book is the true story about how the author, with the help of his community, turned an empty lot in Harlem, New York into a community farm (Hillery, 2020).  The book shows the way that This book could be paired with Seedfolks by Paul Fleischman. Seedfolks is a similar story set in Cleveland, Ohio in which a young Vietnamese girl plants seeds in an empty lot near her home. As her plants began to grow, other neighbors from diverse backgrounds began to plant their own fruits and vegetables. The book shares the rich diversity of the neighborhood and how the community garden brought these very different people together.

6.1.5.HistoryCC: Evaluate the impact of ideas, inventions, and other contributions of prominent figures who lived in New Jersey.

In addition to celebrating New Jersey heroes like astronaut Edwin “Buzz” Aldrin, author Judy Bloom, and inventor Thomas Edison, we need to be explicit in highlighting the contributions and accomplishments of New Jersey who come from diverse backgrounds including jazz artist Count Basie, Joe Black, the first African American to win a World Series Game, suffragist Lucy Stone, and actor, singer and activist Paul Robeson. Robeson was born in Princeton, New Jersey, was an All-American football player at Rutgers College (now Rutgers University), and then got his law degree.  Despite having a degree in law, Robeson became a singer, actor and activist. Robeson believed that part of his responsibilities as a celebrity was to fight inequity and injustice. Grandpa Stops a War: A Paul Robeson Story is one example of a book that can be shared with upper elementary students. In the book the author, Susan Robeson (Paul Robeson’s granddaughter), shares the story of her grandfather using his singing talent to help raise funds for those displaced during the Spanish Civil War. What is especially poignant about this book is that fact that Robeson used his natural gifts, of song, to help make a change. A book, such as this, can help students see the ways that they can be who they are and positively impact their communities and the world. This book could also be combined with others about other activists for equality such as Lucy Stone, Martin Luther King, Jr., and Cesar Chavez.

Concluding Thoughts

These are just four examples of the intersections between the new New Jersey Assembly Bill No. 4454 and the 2020 Social Studies NJLS. One of the challenges that teachers face when thinking about enacting these two elements are resources. Teachers want to know where to find information that will provide them with the background knowledge, they need to teach these concepts and the tools needed to effectively do so. There are a few resources I specifically recommend. First, I highly recommend that all teachers review Learning for Justice’s (formerly Teaching Tolerance) website, and more specifically, their Social Justice Standards (https://www.learningforjustice.org/sites/default/files/2020-09/TT-Social-Justice-Standards-Anti-bias-framework-2020.pdf).  The Zinn Education project (https://www.zinnedproject.org) is another valuable resource for teachers with downloadable lessons and materials for teachers to use to promote the experiences, voices and perspectives of those not typically highlighted in textbooks such as people of color, Indigenous people and women. Another place that teachers can find resources is the National Council of the Social Studies Notable Trade Book list (https://www.socialstudies.org/notable-social-studies-trade-books).  This annually released list of books is a phenomenal resource for teachers, as the books are reviewed by both university faculty and classroom teachers and are annotated with a brief summary that includes the appropriate grade levels for the text.

While the new curriculum and the new New Jersey diversity law can seem daunting for New Jersey elementary social studies teachers, it is important to know that these two documents are supportive of each other. The new standards are more explicit in the emphasis on issues of equity, tolerance and difference, and the law mandates that teachers teach this content. The goal is to prepare the youth of New Jersey to work, live and play with others in our ever increasingly diverse state and country.

Picture Books Cited:

Fleischman, P. (2004). Seedfolks. HarperTrophy.

Hillery, T. (2020). Harlem grown: How one big idea transformed a neighborhood.  Simon Schuster/Paula Wiseman Books.

Lukoff, K. (2019). When Aidan became a brother. Lee & Low Books.

Perlman, R. (2018). Pink is for boys. Running Press Kids.

Robeson, S. (2019). Grandpa stops a war: A Paul Robeson story. Triangle Square.

References

Bennett, C. I. (2003).  Comprehensive multicultural education: Theory and practice (5th ed). Allyn and Bacon. 

Kirkwood, T. F. (2001). Our global age requires global education: Clarifying definitional ambiguities. Social Studies, 92(1), 10. https://doi-org.ezproxy.rowan.edu/10.1080/00377990109603969

McCarty, D. M. (2007). Using multicultural National Council for the Social Studies Notable Books in the elementary classroom. Social Studies, 98(2), 49–53. https://doi-org.ezproxy.rowan.edu/10.3200/TSSS.98.2.49-53

Merryfield, M. M. (2002). The Difference a Global Educator Can Make. Educational Leadership, 60(2), 18.

New Jersey Legislature (2021) Chapter 32. Retrieved from https://www.njleg.state.nj.us/2020/Bills/PL21/32_.PDF

Nieto, S., & Bode, P. (2008). Affirming diversity: The sociopolitical context of multicultural education (5th ed.). Longman. 

Sims Bishop, R. (1990). Mirrors, windows, and sliding glass doors. Perspectives: Choosing and Using Books for the Classroom, 6(3), ix-xi.

State of New Jersey, Department of Education (2020), New Jersey Learning Standards. Retrieved from https://www.state.nj.us/education/cccs/2020/2020%20NJSLS-SS.pdf

Teaching Tolerance (2018). Social justice standards: The teaching tolerance anti-bias framework, https://www.learningforjustice.org/sites/default/files/2020-09/TT-Social-Justice-Standards-Anti-bias-framework-2020.pdf

University of California-San Francisco (n.d.). Unconscious Bias. https://diversity.ucsf.edu/resources/unconscious-bias


 

Learning and Teaching about Service Learning: A Model Project about Freedom Seekers

Learning and Teaching about Service Learning: A Model Project about Freedom Seekers

Dana Faye Serure and Michael Broccolo

The College, Career, and Civic Life (C3) Framework for Social Studies State Standards advocate civic engagement in which students take informed action as “both a means of learning and applying social studies knowledge” in order to prepare for civic life living in a democracy (National Council for the Social Studies, 2013, p. 59). Civic engagement is also an aspirational learning goal of the New York State K-12 Social Studies Framework (2015). That said, preparing pre-service social studies teachers who are equipped with teaching civic engagement can be challenging especially in our current times with increased political polarization (Hess & McAvoy, 2014), fakenews vs. fact-checkers (Breakstone, McGrew, Smith, Ortega, & Wineburg, 2018; Journell, 2021; McGrew, 2020), and the continued social studies wars – recently evident by President Trump’s “1776 Commission” and The New York Times “1619 Project” debate (Davis, 2020; Evans, 2004; Evans & Passe, 2007; Kendi, 2016).

This manuscript details the process of pre-service secondary social studies education candidates learning “how to teach” as well as learning “how to teach service learning” during a required course project. In addition, pre-service teachers examined social justice from the perspective of Learning for Justice (formerly Teaching Tolerance). The authors are the course instructor and the educational specialist with the Niagara Falls Underground Railroad Heritage Center (hereafter referenced as UGRR or Heritage Center) who offer insight on this topic. The course instructor is a newer assistant professor in the field of teacher education, and previously served as a social studies instructional specialist and classroom teacher. The educational specialist is a social studies education graduate from Institution_insert. He/she began working at UGRR in 2018 as a Visitor Experience Guide, and recently promoted to develop UGRR educational resources.

Being mindful that teaching “how to teach” and learning and teaching “how to teach service learning” with social justice in mind can be a daunting task for any educator. A meta-ethnography of social studies education research pinpoints an un-even score card of pre-service social studies teachers’ capability to internalize democratic education  concepts, such as civic action, equality and equity, and social justice (Tannebaum, 2015). While many social studies teacher educators address these topics and issues, Tannebaum (2015) indicates that pre-service teachers demonstrate a developing competency to apply theory into instructional practice. As expressed by Bickmore (2008) teaching social studies methods compares to making “soup” and all of its “ingredients” with a sprinkle of hope that pre-service teachers will learn to be/become civic-minded, social justice teachers.

Hence, the course instructor believes that the initial methods and materials course prepares pre-service teachers for “doing social studies,” in other words, to develop their social studies purpose similar to a teacher’s creed (Author, YYYY; LaMorte, 2017; Ross, 2015). “Doing social studies”extends beyond content, skills, and literacy; it leads with civics which “enables students not only to study how others participate, but also to practice participating and taking informed action themselves” (National Council for the Social Studies, 2000, p. 31) as critical for pre-service teachers to learn during their preparation programming.

What is service learning with social justice in mind?

According to the National Council for the Social Studies (NCSS), service learning connects meaningful service in the school or community with academic learning and civic responsibility (NCSS, 2000). Service learning is distinguished from community service or volunteerism in two ways: 1) the service activity is integrated with academic skills and content; and 2) students engage in structured reflection activities about their service experiences. Service learning seeks “to equally benefit the provider and the receipt of the service,” distinguished from traditional service learning as charity work (Furco, 1996, p. 12). One’s service intention should avoid the deficit perspective which dis-empowers the community partner, and instead advocate an asset perspective which aligns with “social justice” or “justice orientated” civic engagement principles(Bringle & Hatcher, 1996; Ho & Barton, 2020; Tinkler, Hannah, Tinkler, & Miller, 2014; Wade, 2000). This approach, social justice service-learning, is encouraged by NAME_INSTITUTION for service learning, credit-bearing courses, which is the future goal for this teacher educator to become a service learning instructor.

Social Justice. For teacher educators implementing the National Standards for the Preparation of Social Studies Teachers (NCSS, 2017) social justice is defined as “(1) a goal for improving access to equity for all individuals in a society who face any type of marginalization; and (2) the process by which individuals work toward realizing this goal” (Adams, Bell, & Griffin, 2007 as cited in Cuenca, 2017, p. 373). With civic responsibility at the core of service learning, and taking informed action to demonstrate civic engagement, pre-service teachers also need to self-reflect on their social justice knowledge. It begins with self-awareness of one’s own intersectionality, such as gender, race, ethnicity, social-economic status, and etc.

In developing the ability to teach and learn about social justice, the instructor and students examined the “Social Justice Standards: The Teaching Tolerance Anti-bias Framework” (Learning for Justice, 2018). The social justice standards include: identity, diversity, justice, and action; and were explored by four online learning modules that the course instructor adapted from the professional development resources by Learning for Justice. Additional class lessons supported student’s online learning experiences by viewing model lesson plans and participating in class discussions.

Overview: High School Methods Course and Service Learning Project. The high school methods and materials course introduces pre-service social studies teachers to social justice and service learning concepts in the first of two required methods and materials courses. At the course onset, explicit instruction centered on the NYS Social Studies Framework (NYSED, 2015), and an array of social studies teaching methods, such as historical thinking, social justice standards (identity, diversity, justice, and action by Learning for Justice), cultural-relevant sustaining pedagogy, taking informed action as advocated by the C3 Framework, as well as pedagogical skills (i.e., lesson plans, assessments, etc.).

In brief, the service learning project assessed a multi-step culminated learning process in which pre-service teachers either developedan action plan to coordinate a service learning experience with a future community partner or created a unit of study (sequenced lesson plans) to support the education platform of a community partner. Figure 1 outlines the development of the service learning course project over the last two years.

Figure 1: Service Learning Course Project

Due to various circumstances each semester (a total of four semesters over two years), the course project took on slightly different versions. Year One was split between a pre-coronavirus semester and a semester that included an extended spring break plus full remote instruction. During the second year only one semester of pre-service teachers completed the project who participated in a model service learning experience with the Heritage Center. This unique opportunity offered students a social justice lens to develop lesson plans that met UGRR’s value of freedom seekers. In seeking a reciprocal action students’ lesson plans were reviewed by the course instructor, UGRR’s education specialist, and collaborated upon to create a single inquiry which applied the Inquiry Design Method (Swan, Lee, & Grant, 2018), and formatted like the NYS Toolkit Project (for examples visit EngageNY – NYS K-12 Social Studies Resource Toolkit, 2015).

Niagara Falls Underground Railroad Heritage Center

Niagara Falls, New York served as an impactful geographic place in the story of freedom seekers. The transportation routes afforded by the Niagara Falls region aided abolitionists, free African Americans, and enslaved people who crossed the International Suspension Bridge (located in the former village of Suspension Bridge) and/or the Niagara River into Canada (Wellman, 2012).

The public opening of the Heritage Center took place in May of 2018 after of decade of planning by the Niagara Falls Underground Railroad Heritage Commission. The museum is attached to the Niagara Falls Amtrak Station and housed in the former 1863 U.S. Custom House. The mission includes a desire “to inspire visitors to recognize modern injustices that stem from slavery and take action toward an equitable society” (UGRR, Mission, n.d.). As adopted by the board of directors, UGRR vision is:  

To be at the forefront of Underground Railroad interpretation by encouraging visitors to take action for civil and human rights and creating global change that begins in the Niagara Falls community (Bacon, 2018).

The Heritage Center’s perspective advocates for social justice, such as “identity” and “action” by the language usage and teaching local history. The rethinking of language by the Heritage Center allows us to consider how words and images make us think and feel as demonstrated by exhibits of “freedom seekers” and “enslaved people” who achieved self-emancipation; some aided by others while many sought freedom unaided (National Parks Service, What is the Underground Railroad, 2020;Wellman, 2012).

Niagara Falls was not the only Underground Railroad passageway yet served as a predominant crossing point known as “one more river to cross” and a permanent exhibit at the Heritage Center (UGRR, One More River to Cross, 2020; Wellman, 2012). The grassy space of the museum and remnants of the Suspension bridge is called the Harriet Tubman Plaza, a sacred place where freedom seekers crossed into Canada for their freedom (UGRR, On Site – Niagara Falls Suspension Bridge, 2021). Equally important, the Heritage Center is dedicated to the heroic efforts of many unknown everyday heroes who accomplished extraordinary things. UGRR prides itself in telling freedom seekers stories, for example John Morrison, Nancy Berry, Cecilia Reynolds, and Patrick Sneed (UGRR, n.d.; Wellman, 2012).

Service Learning: Course Project for a High School Methods and Materials Course

As pre-service social studies teachers learn “how to teach,” the aim of this teacher educator is to develop their ability to be “democratic social justice” leaders (Bickmore, 2008). As previously noted this endeavor can be a challenging task as pre-service teachers may be novices to civic engagement and civic responsibility themselves (Ho & Barton, 2020; Tannebaum, 2015; Wade, 2000, 1995).

Project Description and Process

Pre-service social studies teachers enrolled at INSTITUTION_NAME, an urban-engaged campus, prioritizes social justice and service learning at the collegiate level. The college’s Social Studies Education Department is also refining its program to enhance alignment with the National Standards for the Preparation of Social Studies Teachers (NCSS, 2017), specifically social justice and service learning experiences. That said, the instructor addressed these learning intentions by exploring the Learning for Justicesocial justice standards and collaborating with the campus organization, CCE (as previously outlined in Figure 1).

The service learning project was inspired by a fifth grade classroom project called Civic Zines (Kawai & Cody, 2015) and Project Citizen protocols (Center for Civic Education, 1996).

Learning civic action for elementary students took the form of creating an individual current events magazine based on a topic or issue that was civically important to them (Kawai & Cody, 2015). For pre-service teachers, they followed a similar structure to inquire about social justice issues in the community and to connect with a community partner in order to develop a service learning experience. During this segment of learning, course readings included articles about the Inquiry Design Model (IDM) by Kathy Swan, John Lee, and S.G. Grant (2018) and viewing videos on the c3teachers.org website. Each of these resources connected with explicit instruction in the classroom which established the foundational “ingredients” to prepare students for the culminating project.

The initial step to implement the course project was the “What is service learning?” presentation facilitated by CCE specialists and included a class discussion about social justice issues important to students. The process continued with the following tasks: students conducted their own research seeking out an issue important to them, researched potential community partners to collaborate with, and reviewed NYS Social Studies Framework (NYSED, 2015) for instructional alignment with a grades 9-12 social studies course. The instructor reviewed students’ drafts and provided feedback as students focused on writing either a structured action plan detailing the logistics of a service learning experience for their future students or creating an unit design with a sequence of lesson plans for a potential service learning project relevant to high school social studies students. One criteria of the assignment that demonstrated exemplary performance compared with developing performance was planning for social justice beyond the act of charity, or volunteerism (Furco, 1996; NCSS, 2000). Last, pre-service teachers reflected upon service learning as a pedagogical approach in fulfilling their social studies purpose.

Even though the instructor intended to implement a class service learning experiential model as he/she transitioned from year one to year two, some limitations were encountered including the coronavirus pandemic. Collaborating with the CCE specialist, INSERT_NAME, and a former student, INSERT_NAME who serves as the educational specialist with the Heritage Center, a virtual partner was coordinated. The course project took on new meaning as the class experienced service learning through the eyes of a “student” and a “teacher.” The updated service learning project entailed a virtual tour of the heritage site, detailed learning about how language matters with an emphasis on Freedom Seekers, a walking and driving tour of local historical sites, and the option for additional research to develop lesson plans for UGRR. Three out of twelve students created lesson plans which are currently being vetted with the intent to be published on the Heritage Center’s website.

Assessment and Students’ Self-reflection. Pre-service teachers were assessed by four dimensions: 1) Research, 2) Learning Experience, 3) Reflection, and 4) Elements of Writing, see Figure 2 below.

Figure 2: Rubric Dimensions

Student reflections provide insight for the teacher educator and potential next steps in re-designing the course’s learning objectives. In year one, two students (whose names have been changed to protect their identity) expressed the following:

  • Firstly, I like the fact that service learning allows for learning outside of the classroom. I also like the fact that this type of learning shows empathy toward one’s community (Ed).
  • I learned about what goes into planning and organizing a service-learning project…like research to find a reputable place that fits your classroom with relevant issues. Then, how will this learning experience impact the students. I would like to assume that if students understand the problems existing in their backyard…that they would be willing to make a difference and take-action (Rachel).

Both students reflect on the importance of community awareness and empathy as a civic action Second, these pre-service social studies education candidates recognize the potential impact on student learning that service learning can have on their own future students. In year two, this cohort participated in the virtual service learning experience with UGRR, and one student who developed lesson plans reflected on his learning experience as

This semester we had a chance to interact with the Niagara Falls Underground Railroad Museum; I found it an enriching and meaningful experience. For my final project, I created lesson plans to focus on using language and imagery, and how they affect how we think, view, and feel about a historical topic, specifically the Underground Railroad. The museum encourages visitors to rethink how we use language and imagery. Some of the lesson plan resources that I used included documents and videos from the Niagara Falls Underground Railroad Museum (Don).

The reciprocal deed is reflected upon in this student’s statement as he expressed his own learning from UGRR resources and desired to create lesson plans which aligned with the Heritage Center’s belief system of freedom seekers.

According to the educational specialist, connecting history to the present is a paramount goal of the Heritage Center. He/she explained the impact of conversations between UGRR specialists and visitors, like students, can have when “learners make their own connections with history while UGRR staff help to deepen their understanding and probe more challenging questions” during a Heritage Center experience. Similarly, UGRR specialists, like teachers, aim to engage participants in discourse in order to enhance their learning experience, especially when seeking to take action about social justice.

Next Steps and Conclusion

            To meet and exceed the new NCSS teaching standards (2017), social studies education programs must provide purposeful learning experiences about social justice and service learning in order to develop civically, and social justice mindful educators. In attaining this goal, one potential next step is re-designing the methods course and formalizing it as a service learning course, which would entail:

a credit-bearing educational experience in which students participate in an organized service activity that meets identified community needs and reflect on the service activity in such a way as to gain further understanding of the course content, a broader appreciation of the discipline, and an enhanced sense of civic responsibility (Bringle & Hatcher, 1996, p. 222).

Even though not yet an official service learning course, another student’s reflection statement demonstrates that some of these attributes are already in place with the course project. She stated:

During the research stage I learned that there are many organizations trying to help those in need, and a service-learning project would impact high school students in a positive way. I never had the chance to do a project like this and I wish I did (Yvonne).

Yvonne recognizes the impact service learning can have on her future students; thus, indicating the course project’s learning intention were met.

Another next step is a continued community partnership with UGRR. As expressed by Michael Broccolo, “the museum is always looking to make connections with schools and educational institutions; collaborating with service learners offers UGRR an exciting role in sharing its mission and continued advocacy for modern day freedom seekers.” Ultimately, the participants, including the pre-service teachers, instructor, and community partner, found the social justice, service learning project worthwhile.

In conclusion, the notion of doing social studies begins with better equipping future social studies teachers with service learning experiences, including social justice mindfulness. It is imperative that teacher educators continue to focus on developing future teachers as “democratic social justice” leaders(Bickmore, 2008, p. 155; Tannebaum, 2015) in order to achieve the endeavor of fostering adolescents’ civic mindfulness for democratic social justice.

References

Adams, M. E., Bell, L. A. E., & Griffin, P. E. (2007). Teaching for diversity and social justice. Routledge/Taylor & Francis Group.

Bacon, C. (2018). Interpretive Plan. Niagara Falls Underground Railroad Heritage Center.

Breakstone, J., McGrew, S., Smith, M., Ortega, T., & Wineburg, S. (2018). Teaching students to

navigate the online landscape. Social Education82(4), 219-221.

Bickmore, K. (2008). Social justice and the social studies. In L.S. Levstik, & C.A. Tyson (Eds.), Handbook of research in social studies education. (pp. 155-171). Routledge.

Bringle, R. G., & Hatcher, J. A. (1996). Implementing service learning in higher education. The Journal of Higher Education67(2), 221-239.

Center for Civic Education. (1996). In Project Citizen. Retrieved from www.new.civiced.org/programs/project-citizen

Cuenca, A. (2017). Preparing Teachers for a New Generation of Social Studies Learners: Introducing the National Standards for the Preparation of Social Studies Teachers. Social Education81(6), 370-375.

Davis, K. C. (2020). The American contradiction: Conceived in liberty, born in

shackles. Social Education84(2), 76-82.

Evans, R. W. (2004). The social studies wars: What should we teach the children?. New York: Teachers College Press.

Evans, R., & Passe, J. (2007). Dare We Make Peace: A Dialogue on the Social Studies Wars. The Social Studies98(6), 251–256. https://doi.org/10.3200/TSSS.98.6.251-256

Furco, A. (1996). Service-learning: A balanced approach to experiential education. In B. Taylor (Ed.), Expanding boundaries: Serving and learning (pp. 2–6). Washington,

DC: Corporation for National Service.

Hess, D. E., & McAvoy, P. (2014). The political classroom: Evidence and ethics in democratic education. New York: Routledge.

Ho, L. C., & Barton, K. C. (2020). Preparation for civil society: A necessary element of curriculum for social justice. Theory & Research in Social Education48(4), 471-491.

Journell, W. (2021). Taking a reasoned stance against misinformation. Phi Delta Kappan102(5), 12–17.  https://doi.org/10.1177/0031721721992559

Kawai, R., & Cody, J. (2015). Civic zines: Writing, discussing, and doing citizenship. Social Studies and the Young Learner28(2), 22-25.

Kendi, I. X. (2016). Stamped from the beginning: The definitive history of racist ideas in America. New York: Nation Books.

LaMorte, S. (2017). A context for teaching and learning social studies. NYSED Social Studies Statewide PD. Albany, NY: Rochester City Schools.

McGrew, S. (2020). Learning to evaluate: An intervention in civic online reasoning. Computers & Education145, 1-13.https://doi.org/10.1016/j.compedu.2019.103711

National Council for the Social Studies. (2017). National standards for the preparation of social studies teachers.Washington, DC: National Council for Social Studies.

National Council for the Social Studies. (2013). The college, career, and civic life (C3) framework for social studies state standards: Guiding for enhancing the rigor of K-12 civics, economics, geography, and history. Washington, DC: National Council for Social Studies.

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National Park Service. (2020, October 15). What is the Underground Railroad?. In Underground Railroad. Retrieved from https://www.nps.gov/subjects/undergroundrailroad/what-is-the-underground-railroad.htm

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Niagara Falls Underground Railroad Heritage Center. (n.d.). Our Mission and Vision. In About: Niagara Falls Underground Railroad Heritage Center. Retrieved from https://www.niagarafallsundergroundrailroad.org/about/

Niagara Falls Underground Railroad Heritage Center. (2021, February 15). On Site – Niagara Falls Suspension Bridge. In YouTube. Retrieved from https://youtu.be/v–49r6kpaE

Niagara Falls Underground Railroad Heritage Center. (2020, March 25). One More River to Cross. In Facebook. Retrieved from https://www.facebook.com/NiagaraFallsUGRR/videos/one-more-river-to-cross/203025981129517/

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Local History: Jacob Wynkoop and Black New Paltz

Local History: Jacob Wynkoop and Black New Paltz

Reprinted with permission from https://www.huguenotstreet.org/exhibits

Jacob Wynkoop (1829-1912) was born in New Paltz two years after slavery was legally abolished in New York State. Jacob had an exceptional and varied life for any man of his time, black or white. Among the first African Americans to buy land in the community, he also served in the Union Army during the Civil War, organized politically on behalf of black citizens in town, and built a series of homes that today still define a neighborhood in the village of New Paltz. Unlike countless other Africans and African Americans from the dawn of European colonization through the 19th century and beyond, Jacob’s story is fairly well documented in the historical record. This exhibit, curated by Josephine Bloodgood, Director of Curatorial and Preservation Affairs, was originally installed in the DuBois Fort Visitor Center in 2019, but has been expanded online.

Huguenot Street is proud to offer a new walking tour app titled “Jacob Wynkoop: Building a Free Black Neighborhood,” narrated by Chaundre Hall-Broomfield, a Newburgh native and performer known for his dual roles as Hercules Mulligan and James Madison in the national tour of “Hamilton” with the Angelica company. This new addition to the app (available now at the App Store and Google Play) takes visitors on a guided tour of the Broadhead-Church-Mulberry neighborhood of New Paltz, highlighting the houses built by 19th-century Black carpenter and Civil War veteran Jacob Wynkoop (https://www.huguenotstreet.org/app).

The Historic Huguenot Street Walking Tour app provides succinct narratives for each of the historic buildings on the street with information about the architecture, past residents, and multicultural history of New Paltz. While using the app, you can view archival photos, images of the buildings’ interiors, and the collections pieces within. The tour features the Crispell Memorial French Church, the replica Esopus Munsee wigwam, and all seven historic house museums. Development of the app was made possible in part through support from the County of Ulster’s Ulster County Cultural Services & Promotion Fund administrated by Arts Mid-Hudson. Narration by Grace Angela Henry.

Local History – Hinchliffe Stadium in Paterson

Source: http://friendsofhinchliffestadium.net/FriendsII/HInchliffe_Overview.html

Hinchcliffe Stadium – Paterson, NJ

Hinchliffe Stadium near the Great Falls in Paterson, New Jersey, was placed on the State and National Registers of Historic Places in 2004. It has a permanent niche in the nation’s sports and social history as one of a handful of surviving stadiums that were home to professional black sports during the “Jim Crow” era. At a time when baseball was an indisputable game of greats, Hinchliffe featured some of the greatest ballplayers in America, players who ironically had no access to the major leagues

Hinchliffe was built by public funds at the start of the Great Depression. It was meant as a sports haven for a generation of working-class kids struggling through hard times in a city dependent on industry. But financial reality demanded it also be a “paying investment,” and the City made it one. Its 10,000-seat capacity (more with temporary bleacher seating) proved an instant draw not just for baseball but for a wide range of sports: football, boxing, auto-racing, and major track and field meets, plus star-studded musical and entertainment events. The stadium’s heyday lasted well into the 1950s.

Local History – Underground Railroad in New York

Source: https://parks.ny.gov/historic-preservation/heritage-trails/underground-railroad/default.aspx

Journey to the North Exhibit

The Journey to the North is a six-panel traveling exhibit about the Underground Railroad. The exhibit uses the story of one fictitious character to convey real events experienced by freedom seekers during their journey to freedom. Much of the narrative is told from the point of view of Sarah, a fifteen-year-old fictional escaped slave. As students read the text they are encouraged to imagine themselves in her situation and faced with her decisions. Each of the 6 panels are 84”h x 40”w. with an approximate overall Footprint of 18’ in length.

The exhibition was developed for the New York State Historical Association by the Cooperstown Graduate Program in History Museum Studies.  Generous support for the exhibition came from the NY Council for the Humanities and Heritage New York. 

New York State was at the forefront of the Underground Railroad movement. It was a major destination for freedom-seekers for four main reasons:

  • Destination & Gateway: New York was a gateway to liberation for freedom-seekers (often referred to as escaped slaves). Its prime location, with access to Canada and major water routes, made it the destination of choice for many Africans fleeing slavery along the eastern seaboard.
  • Safe Haven: Freedom-seekers knew they would be protected in New York’s many black communities as well as Quaker and other progressive white and mixed race communities. A large and vocal free black population was present after the manumission (freeing) of slaves in New York State in 1827.
  • Powerful Anti-Slavery Movement: Anti-slavery organizations were abundant in New York State – more than any other state. The reform politics and the progressive nature of the state gave rise to many active anti-slavery organizations.
  • Strong Underground Railroad Leaders: Many nationally-known and locally influential black and white abolitionists chose to make their homes in New York. Among them were: Harriet Tubman, Frederick Douglass, Gerrit Smith, Henry Ward Beecher, Sojourner Truth and John Brown.

The “Journey to the North: New York’s Freedom Trail” exhibit is available for loan to not-for-profit educational institutions. Those interested must meet the loan requirements. For exhibit details and a loan application please contact Cordell Reaves at Cordell.Reaves@oprhp.state.ny.us.

Documenting New Jersey’s Overlooked Black History

Documenting New Jersey’s Overlooked Black History

Jennifer Schuessler

Reprinted with permission from The New York Times, December 23, 2020 (https://www.nytimes.com/2020/12/22/arts/black-cemetery-new-jersey-history.html)

Photograph from the Stoutsburg Sourland African American Museum

History can seem thick on the ground in Hopewell, a quaint, prosperous town of 2,000 in semirural central New Jersey, not far from where Washington crossed the Delaware. A cemetery on the main street holds a grand obelisk honoring John Hart, a signer of the Declaration of Independence. Next to it stands a monument topped by a stone on which another patriot stood to give a fiery speech supporting the cause of liberty. But one afternoon in late summer, a group from the Museum of the American Revolution in Philadelphia drove right past those landmarks, and followed a winding road up to a burial ground with a different story to tell.

Stoutsburg Cemetery, tucked in a clearing about halfway up Sourland Mountain, is one of the state’s oldest African-American burial grounds. It may also be one of its best chronicled, thanks to Elaine Buck and Beverly Mills, two self-described ordinary small-town, middle-aged women turned “history detectives” who have spent more than a dozen years combing through wills, property deeds, tax records and other documents to recover the area’s overlooked Black history. Plenty of people research their genealogy, or undertake local history projects. But few create their own museum, as Ms. Buck and Ms. Mills did when they founded the Stoutsburg Sourland African American Museum, which opened in 2018 in a one-room 19th-century African Methodist church not far from the cemetery. The museum may seem to tell just one hyperlocal story, but it’s part of a broader effort to paint a fuller, more accurate picture of early America. And notably, at Sourland, the story is being told by descendants themselves.

In the 19th century, Sourland Mountain — named, some say, for the poor quality of its soil — had a reputation as a remote, hardscrabble, even dangerous place. And its Black settlements did not go unnoted by white chroniclers, who sometimes peddled exaggerated stories. In 1883, a white doctor and local historian published an oral biography of Sylvia Dubois, a formerly enslaved woman who ran a rough-and-tumble tavern on the mountain (and who was said to have lived to the age of 115). A few years earlier, in 1880, a correspondent from The New York Times had come through. He was there to cover a sensational murder trial, but ended up filing a long dispatch under the blaring headline “A REMARKABLE COLONY OF BARBARIANS IN THE MIDST OF CIVILIZATION.” The article traced the settlement’s origins to William Stives, a “mulatto” Revolutionary War veteran who had married a Native American woman and built a cabin in the “bleak and uninhabited” hills. But it mostly expressed horror at the inhabitants’ “lawless character” and their reputation for rampant “miscegenation,” as evidenced by the appearance of many couples he saw. “That one really got to me,” Ms. Buck, whose husband’s aunt is a descendant of Stives, said of the article. “They’re calling my in-laws barbarians?”

Ms. Buck and Ms. Mills never located Stives’s grave, as they had hoped. But they did find records of his military pension application and his discharge papers — signed, they were stunned to see, by George Washington. They also uncovered the story of another pioneer, Friday Truehart, Mills’s fourth-great-grandfather, who arrived from Charleston, S.C., in 1780 at age 13 with his enslaver, a minister named Oliver Hart. A 19th-century newspaper article said Truehart had been born in Africa, and named for Friday in “Robinson Crusoe” by a ship’s captain. But then Ms. Mills found Hart’s transcribed diary, which included an entry noting the purchase of 4-year-old Friday and his mother, Dinah, along with the child’s precise birth date — Friday, May 29, 1767. Ms. Mills calls learning how Truehart (who was freed in 1802) arrived in Hopewell “one of the most exciting discoveries of my life.”

Through their research, the two women have connected with white people whose history is intertwined with the cemetery. Among them is Ted Blew, the fifth-great-grandson of the man who enslaved Tom Blew, whose son Moses is buried at Stoutsburg. Mr. Blew met Ms. Buck and Ms. Mills in 2018, when they spoke at a Blew family reunion. He had known from wills that his ancestors owned slaves. But until he visited Stoutsburg, he said, that fact was just “words on a page.” “The cemetery has really opened our eyes to this part of our family history,” he said.

When the Museum of the American Revolution sent Ms. Buck and Ms. Mills the 1801 poll list with Hagerman’s name, the two women immediately spotted Tom Blew’s name, along with that of another Black man from the community. And the researchers are still puzzling over how to read a third name. Is it “Isaac Blew”? Or “Jude Blew” — as Tom’s wife, Judith, who is also buried at Stoutsburg, was referred to in other documents? If so, it would be an anomaly. Under the law at the time, only widows and unmarried women could vote. And in 1801 Tom Blew was still alive.

A Graveyard’s Link to the “Most Photographed Slave Child in History”

A Graveyard’s Link to the “Most Photographed Slave Child in History”

Chris Connell

Piedmont Journalism Foundation

Reprinted with permission from https://www.fauquier.com/lifestyles/a-rectortown-graveyard-s-link-to-the-most-photographed-slave-child-in-history/article_2deb32d8-9716-11eb-a138-c310ca021a59.html

A fallen tombstone in an old cemetery on a farm outside Rectortown, Virginia marks the grave of a man who killed a neighbor in 1859 and set in motion events that made a little blue-eyed, flaxen-haired enslaved girl a poster child for abolition during the Civil War. In 1863, when Fannie Lawrence was 5, a famed abolitionist preacher in New York had her pose Shirley Temple-like in fancy dresses, then the photos were sold to raise money from sympathizers of the movement. The Library of Congress has an online exhibit on Fannie Lawrence. And her tale is detailed in a 2015 account, “A Sad Story of Redemption,” written by Page Johnson, editor of a newsletter for Historic Fairfax City, a group dedicated to preserving local heritage.

Johnson drew largely on the 1893 autobiography of Catherine S. Lawrence, an ardent anti-slavery and temperance crusader from upstate New York who had come to Virginia to nurse Union soldiers at a tent hospital on the grounds of the Episcopal Seminary in Alexandria. Fannie and two older sisters, Viana and Sally, were among several children of three enslaved women who had been impregnated by their owner, Charles Rufus Ayres. He was a wealthy young Virginian, who studied at Yale and the University of Virginia to practice law, but instead owned a mill and farmed 500 acres outside Rectortown with at least 12 enslaved workers. Despite his dependency on slavery, he was “a Union man,” Johnson wrote, and in his will, the 32-year-old Ayres promised the three women their freedom and money for them to move north and to pay for their children’s education when he died.

The 1857 will came into force sooner than Ayres could have imagined. A bitter quarrel with a neighbor, William Wesley Phillips, over a gate ended in an exchange of gun fire on Nov. 11, 1859. Ayres – whose shot missed – was mortally wounded by Phillips and his 18-year-old son, Samuel. Father and son were convicted of manslaughter and sentenced to three years in the state penitentiary in Richmond, which was soon to be the capital of the Confederacy.

Ayres’ testamentary wishes did not go to plan. The women – including Fannie’s mother, Mary Fletcher, who had still-enslaved children in the area – at first forsook freedom and elected to remain in Virginia, living with Ayres’ kindly mother. When she died, Fannie, Viana, Sallie and many others escaped Rectortown, eluded Confederate patrols and wild hogs for more than 40 miles, and made it safely behind Union lines to Fort Williams in Alexandria near the seminary.

According to Lawrence’s autobiography, Viana, at 10 or 12 the eldest sister, pleaded for her to adopt 4-year-old Fannie. The nurse agreed to temporarily take the “beautiful child and I soon became very much attached to her.”

Lawrence wound up keeping her and taking her to New York, where she had Fannie christened at Plymouth Church in Brooklyn by the Rev. Henry Ward Beecher, brother of Harriet Beecher Stowe, author of “Uncle Tom’s Cabin.” Beecher paraded the “redeemed slave child,” as he called her, before his congregation, baptized her as Fannie Virginia Casseopia Lawrence and took up a collection reportedly of $1,200, although Lawrence said she never received any of the money. He warned that her light skin put her in danger of being abused by slave-masters or sold into prostitution.  “Look upon this child,” the preacher urged. “Tell me, have you ever seen a fairer, sweeter face? This is a sample of the slavery which absorbs into itself everything fair and attractive. The loveliness of this child would only make her so much more valuable as a chattel.”

Fannie Virginia Casseopia Lawrence

He sent Fannie to the studio of a Brooklyn photographer to pose in formal dresses, sometimes with her adoptive mother. The daguerreotypes, photographs developed on special silvered plates, were mounted on “cartes de visite,” calling cards that were popular in that era, and sold to abolitionist sympathizers. Fannie posed at least 17 times in Brooklyn and elsewhere. The cards “were wildly popular in the North, making Fanny the most photographed slave child in history,” Johnson wrote in “A Sad Story of Redemption.” Lawrence took Fannie on tours to sing at churches and may have profited herself from sales of the cards.

The story has no happy ending for Fannie or her sisters. Lawrence went back to Virginia to retrieve Viana and Sallie with the idea of placing them in “good Christian families” in New York who promised to educate them.

Instead, they used them as servants. Sallie died of consumption in 1867. Viana lived just four years more. Fannie reached adulthood, but against her adoptive mother’s wishes “married one whom I opposed, knowing his reckless life rendered him wholly unfit for her,” Lawrence said. The husband abandoned Fannie with an infant daughter, leaving them to destitution. When Fannie died, her “double orphan” child was left “unprotected and unprovided for, only as far as the small savings of her mother’s hard labor will go.” “My three Southern children are all laid away, for which I thank my heavenly Father,” Lawrence wrote in the autobiography, titled “Sketch of the Life and Labors of Miss Catherine S. Lawrence, Who in Early Life Distinguished Herself as a Bitter Opponent of Slavery and Intemperance.” The Civil War nurse died at 84 in 1904. It is not known how or when Fannie died or where she is buried.

Teaching the 1898 Wilmington Race Massacre using the History Lab Model

Teaching the 1898 Wilmington Race Massacre using the History Lab Model

Cara Ward and Lisa Brown Buchanan

Instances of racial violence towards Black Americans have a longstanding history in the United States. Though a few events and names are recalled most often in textbooks (e.g., Freedom Rides, Nat Turner) their retellings are generally presented from a White viewpoint; in fact, some events have been completely omitted from formal curriculum. This article discusses the teaching of racial violence in the United States, explores how Black historical principles of power and oppression can frame the study of events of racial violence, and outlines a concrete history lab designed to study the 1898 Wilmington Race Massacre (also commonly called the Wilmington Coup or Wilmington Insurrection).

An Overview of the Teaching of Racial Violence

Scholars of teaching Black history have documented the teaching and omission of racial violence towards Black and African Americans for decades (see, for example, Brown, Brown, & Ward, 2017; Busey & Walker 2017; Love, 2019; Vasquez Heilig, Brown, & Brown, 2012). Most research on teaching Black history has focused on PK-12 teaching and knowledge (Woodson, 2017), with some analysis of preservice teachers’ knowledge of Black history (King, 2019). More recently, resources for classroom teachers have become available that are focused on centering the Black experience and perspectives, particularly in experiences of racial violence (see, for example, Learning for Justice’s Teaching Hard History podcast series, New York Times’ 1619 Project, Facing History and Ourselves’ Race in US History collection) and some scholars have described pedagogical approaches to teaching Black history with accuracy and intention in K-12 (Simmons, 2016; Vickery, & Rodríguez, 2021; Vickery & Salinas, 2019).

Some have argued Black history is American history, suggesting a shared legacy between Black and White Americans (King, 2021) which is generally untrue. Others have taken this sentiment to task, pointing out that while the teaching of Black history altogether has been sidelined or disregarded, at best, the teaching of racial violence has been overwhelmingly avoided or if taught at all, with tremendous gaps and inaccuracies (Brown & Brown, 2010a, 2010b, 2011; Woodson, 2017).

In order to improve Black history education historical and contemporary racial violence must be taught as part of American history and Black history (King, 2021). As Brown, Brown, and Ward (2017) explain, classroom investigations of racial violence taught within the context of students’ lives presents a curriculum that “acknowledges race and racism in their present lives.” Using a framework of Black historical consciousness is one way to study racial violence within the context of Black history.

Teaching the Wilmington Race Massacre through Principles of Black Historical Consciousness

Scholars have described the need for teaching a more complete story of Black history (e.g., King, 2021; Muhammad, 2020; Rodríguez & Vickery, 2020) and using a Black historical consciousness framework centers the Black experience and perspective, both largely missing from traditional retellings of Black history. King describes six principles of Black historical consciousness (see King, 2021). While all are in some way directly related to racial violence, in this article, we focus on the principle of power and oppression (King, 2021). King (2021) suggests racial violence as a potential topic for the principle of power and oppression, and similar to our use of the history lab below to examine racial violence, suggests the use of compelling questions that align with interrogating systemic racism. Recognizing that “it is important to understand that Black people have been victims or victimized by oppressive structures, but have never been solely victims (King, 2021, p. 338)” teaching the Wilmington, NC Race Massacre of 1898 through the lens of power and oppression provides a historical context and conscious that is missing in traditional teaching of Black history and illustrates how power and oppression are created and sustained through society (King, 2021, p. 338). Complex ideas like power and oppression are often difficult knowledge for learners, and in concrete examples like the Wilmington Race Massacre, content may be taboo, rendering it obsolete in curricula and standards. Often coined as “hard history”, such content can be taught in powerful and productive ways. We posit that the history lab model, focused on evidence-based answers, offers the structure to unpack complex ideas of power and oppression while identifying the lasting impact of racial violence through the use of historical sources.

History Labs as an Instructional Strategy for Teaching Difficult Knowledge

Teachers are often wary of including instances of “hard history” as these events can be unsettling and spark tense discussions, especially in the current era of political polarization (McAvoy, 2016). In addition to building a cooperative and supportive classroom community before covering such events, there are instructional methods that can lead to productive classroom discussions and a deeper understanding of complex history. One such method is a history lab; first described by Bruce Lesh (2011), this form of instruction includes three main components:  a compelling question, sources to examine, and an evidence-based answer. This teaching method is inquiry-based and includes components of Swan, Lee, and Grant’s (2015) Inquiry Design Model which is now widely used in the field of social studies.

To create a history lab, teachers develop an overarching, open-ended question called a compelling question for students to consider. Swan, Lee, and Grant (2018, 2019) have devoted a chapter in each of their books on the Inquiry Design Model to the topic of compelling questions and how to develop them. After question development, teachers select related sources for students to examine, often a mix of primary sources for details and secondary sources for background information and clarification. After presenting the question and sources to students, teachers facilitate the examination of the documents, reminding students to cite evidence from the documents while formulating their answer to the compelling question (Lesh, 2011).

Careful facilitation of discussion is the key to the effectiveness of this teaching method since it is critical for students to cite evidence in their answers. The most effective history labs are structured in ways that allow student interaction and opportunities to share thoughts throughout instead of just working through a “packet” and writing an individual response. An important first step is determining how to have students examine the primary and secondary sources that are presented. This can be done via gallery walks, jigsaw grouping, small group analysis, and whole group seminar style examination (Author, 2017; Author, 2018; Authors, 2020). Creating guiding questions, prompts, or a graphic organizer to help guide students through a lab can also be beneficial.

Another important consideration in the pandemic-induced era of increased online learning is whether a lab will take place synchronously or asynchronously. While the traditional face-to-face classroom setting is ideal, labs can also work well in either the fully virtual or hybrid classroom. Online synchronous methods such as breakout rooms can be used as a method for having small groups examine sources together. Another effective synchronous method is a whole class seminar-style discussion where students can speak one at a time or even use the chat to respond. For asynchronous course delivery, teachers can put the question and sources in a Google Doc or Jamboard and ask students to share thoughts by adding comments. Another option is to use the discussion board feature in a learning management system such as Google Classroom or Canvas for students to respond to individual sources. Teachers can also use video response and sharing tools such as Flipgrid for students to record their evidence-based answer to a compelling question. For hybrid models, teachers can ask students to examine sources ahead of time, using some of the online tools mentioned above, and then use face-to-face time in class for a whole group discussion.

The 1898 Wilmington Massacre

One example of hard history that can be effectively examined through the use of a history lab is the 1898 Wilmington Massacre. November 10, 1898 was a day of horrific racial violence inflicted upon the thriving, successful Black community in the coastal town of Wilmington, North Carolina. An election year, 1898 had been filled with White supremacist propaganda in local and state newspapers which ultimately led to intimidation of Black voters and a rigged election in Wilmington on November 8th. Two days later, a White mob armed themselves, burned the office of the local Black newspaper The Daily Record to the ground, and took over the city’s biracial government by violent force. During the chaos, the mob killed approximately 60 Black citizens (likely more as an official death toll was impossible to determine) and forced untold numbers out of town. The mayor and members of the board of aldermen were replaced by White supremacists. The event holds great historic significance not only on a local and state level, but also on a national scale. It is the only successful coup d’état in the history of the United States (McCluskey, 2018; Everett, 2015; Tyson, 2006; Umfleet, 2009) and is an example of the extreme violence and resulting large-scale loss of life that could occur as a result of the rise of angry White supremacists in the Jim Crow era. The 1898 Massacre has been compared to what happened in Tulsa in 1921 (Everett, 2015; Umfleet, 2015) and has been referenced multiple times in coverage of the January 6, 2021 attack on the US Capitol (Butler-Arnold, 2021; Cornish, 2021; Hayes, 2021; Ingram, 2021; Meyers, 2021).

The significance of this event is ever-increasing and the economic, social, and political impact is still apparent in Wilmington, NC today. As with other events of racial violence, this event has been largely overlooked and rarely taught, even in North Carolina, due to a lack of information about the event (Everett, 2015). Even the terminology used to describe the event is still evolving – originally called a race riot, in recent years, it has been referred to as an insurrection, massacre, and coup d’état (Fonvielle, 2018; Tyson, 2006; Zucchino, 2020). For all of these reasons, the Wilmington Race Massacre should be taught with middle and secondary students and we believe a history lab is the most appropriate method for studying the event.

A History Lab about the 1898 Wilmington Massacre

We offer the following example of a history lab about 1898 that we developed for students to demonstrate how the work described above can be done. The lab described below can be found at https://tinyurl.com/1898historylab  and is formatted as a view-only Google Slides presentation. This format allows teachers who would like to use the lab either a ready-made version that can be used right away or the flexibility to make a copy of the document to edit for their specific instructional needs. The original sources are linked in the speaker notes area for each slide.

While there are many questions that could be asked about this event, we feel that asking students to examine the long-term impact of the 1898 is most critical to their comprehension of the scale and significance of this event. Therefore, our compelling question is “What is the lasting impact of the 1898 Wilmington Massacre?”

In order to introduce the lab, we have included two sources, one primary and one secondary to give students some background information before they begin analyzing sources. The first source (slide 2) is a photograph of the mob in front of the burnt remains of The Daily Record newspaper office. The next source (slide 3) is a 12-minute video published by Vox which gives a brief, but informative summary of the event. These two sources give students some sense of what happened so that they have some frame of reference for the additional sources.

We selected three guiding questions to help direct student thinking and analysis throughout the lab. For each of these questions, we selected three sources for students to examine. In terms of format for this lab, we recommend dividing the class into three groups (1, 2, 3) and having each group thoroughly examine one of the questions and the accompanying sources, thus allowing a group of students to become “experts” on their assigned question. After this analysis, the class should “jigsaw” into three new groups (A, B, C) which each include members from groups 1, 2, and 3. In groups A, B, and C, the representatives for each question should take turns sharing their analysis of their assigned question with the group so all can gain a sense of what happened and begin to consider what the lasting impact is.

What were the events that led to the 1898 Wilmington Massacre?

For this question, we selected a photograph of the waterfront in downtown Wilmington in the late 1800s which shows the prominent display of White supremacy banners (slide 7). We also selected an excerpt from a speech by Rebecca Lattimore Felton during which she endorsed lynching as a punishment for Black men who had relationships with White women (slide 8). The third source we selected for this question was an editorial written by Alexander Manly in response to Felton’s speech where he points out the unjust and hypocritical nature of her stance (slide 9). These sources should give students a glimpse of the extent to which White supremacy impacted daily life and conversations. While all of the sources in the lab are about a violent event, it should also be noted that Felton’s full speech and Manly’s full editorial which are linked include references to rape. We recommend that teachers thoroughly examine all the sources themselves before presenting them to students.

What happened during the event?

The first source for this question is a telegram sent to then President of the United States, William McKinley warning him of the volatile situation in Wilmington (slide 11). The next source is a map marking the location of those wounded and killed during the event (slide 12). The final source for this question is an interactive timeline and map which gives a comprehensive overview of the events (slide 13). These sources outline the seriousness of the situation and how violent it became.

What was the economic and social impact of the 1898 Wilmington Massacre?

We selected three charts from Umfleet’s (2009) book A Day of Blood for students to examine. The first chart compares the 1897 and 1900 occupations by race for Wilmington citizens (slide 15). The second chart shows the census population by race from 1860 to 1910 for Wilmington (slide 16) and the third chart shows the same data for North Carolina (slide 17). These charts show the loss of economic opportunities for Black Wilmingtonians as well as the decline in the city’s Black population.

We recommend concluding this lab with a whole class discussion focusing back on the compelling question: “What is the lasting impact of the 1898 Wilmington Massacre?” and the evidence that students examined in their groups. Students will likely reference the rise of White supremacy, the loss of human life and the impact on population, economic repercussions such as decreased employment for Black citizens, voter intimidation, and lack of Black political leaders in Wilmington in years that followed the event. Since this is an open-ended question, other responses may be offered as well, but students should back up their ideas with evidence from the sources.

Additional Teacher Resources

We understand that most teachers are unfamiliar with the 1898 Wilmington massacre and may need additional resources to improve their content knowledge of this series of events. We suggest the resources in Table 1 for a more in-depth history of the Wilmington Race Massacre. Teachers may find these sources useful as they study 1898 alongside their students.

  Table 1: Additional Teacher Resources for 1898 Wilmington Race Massacre
Umfleet, L.S. (2009). A day of blood. Raleigh: North Carolina Office of Archives and History.
Zucchino, D. (2020). Wilmington’s lie. New York: Atlantic Monthly Press.
Everett, C. (2015). Wilmington on fire [Documentary film]. United States: Speller Street Films.
Oliver, N. (2016). The red cape [Motion picture]. United States.
Footnote: this lab is available for viewing at https://tinyurl.com/1898historylab (tiny URL view only Google Slides)

Conclusion

While this lab focuses on the Wilmington Race Massacre, we would be remiss to not recognize the abhorrent number of massacre events in United States history to date similar to 1898. If we are committed to teaching the story of Black America (King, 2021), we must be willing to navigate a more complete story of race and racism in the United States, which we believe includes studying “hard history”. Bringing together a Black historical consciousness framework and history lab structure is one powerful and productive approach to a more complete story of Black history.

References

Brown, A.L., Brown, K.D, & Ward, A. (2017). Critical race theory meets culturally relevant pedagogy: Advancing a critical sociohistorical consciousness for teaching and  curriculum. Social Education, 81(1), 23-27.

Brown, K.D. & Brown, A.L. (2011). Teaching K-8 students about race: African Americans, racism, & the struggle for social justice in the U.S. Multicultural Education, 19(1), 9-13.

Brown, A. L., & Brown, K. D. (2010a). Strange fruit indeed: Interrogating contemporary textbook representations of racial violence toward African Americans. Teachers College Record, 112(1), 31-67.

Brown, K. D., & Brown, A. L. (2010b). Silenced memories: An examination of the sociocultural knowledge on race and racial violence in official school curriculum. Equity & Excellence in Education, 43(2), 139-154.

Busey, C. L., & Walker, I. (2017). A dream and a bus: Black critical patriotism in elementary social studies standards. Theory & Research in Social Education, 45(4), 456-488.

Butler-Arnold, A. (2021). Why my students weren’t surprised on January 6th. Social Education, 85(1), 8-10.

Cornish, A. (2021, January 8). Race and the Capitol riot: An American story we’ve heard before [Radio Broadcast]. NPR. Retrieved from https://www.npr.org/transcripts/953286955   

Everett, C. (2015). Wilmington on fire [Documentary film]. United States: Speller Street Films.

Fonvielle, C. (2018, January 24). Email correspondence.

Hayes, C. (2021, January 6). Trump must be lawfully removed from office as fast as possible. MSNBC. Retrieved from https://www.msnbc.com/msnbc/watch/chris-hayes-trump-must-be-lawfully-removed-from-office-as-fast-as-possible-99014213834

Ingram, H. (2021, January 7). 1898 Wilmington massacre and Capitol Hill: Historical parallels at nation’s capital. Star-News. Retrieved from  https://www.starnewsonline.com/story/news/local/2021/01/07/history-shows-parallels-between-1898-wilmington-coup-and-capitol-hill-riot/6579616002/

King, L. (2019). Interpreting Black History: Toward a Black History Framework for Teacher Education. Urban Education, 54(3), 368-396.

King, L. (2021). Black history is not American history: Toward a framework of Black historical consciousness. Social Education, 84(6), 335-341.

Lesh, B. A. (2011). “Why won’t you just tell us the answer?”: Teaching historical thinking in grades 7-12. Portland, ME: Stenhouse.

Love, B. (2019). We want to do more than survive: Abolitionist teaching and the pursuit of educational freedom. Beacon Press.

McAvoy, P. (2016). Preparing young adults for polarized America. In Journell, W. (Ed.)

Teaching social studies in an era of divisiveness: The challenges of discussing social issues in a non-partisan way. Lanham, MD: Rowman & Littlefield Press, 31-46.

McCluskey, M. (2018, August 5). America’s only coup d’état. Retrieved from https://www.splcenter.org/fighting-hate/intelligence-report/2018/americas-only-coup-detat  

Meyers, S.. (2021, January 7). Seth Meyers calls for Trump’s removal after violent insurrection at Capitol. [Video]. Youtube. Retrieved from https://www.youtube.com/watch?v=UOIFBKB4mIE

Muhammad, G. (2020). Cultivating genius: An equity framework for culturally and historically responsive literacy. Scholastic.

Rodríguez, N.N. and Vickery, A.E. (2020). More than a hamburger: Disrupting problematic picturebook depictions of the Civil Rights Movement. International Journal of Multicultural Education, 21(2), 109-128.

Simmons, D. (2016, February 29). Black history month is over. Now what? Learning for Justice. Retrieved from https://www.learningforjustice.org/magazine/black-history-month-is-over-now-what

Swan, K., Grant, S. G., & Lee, J. (2019). Blueprinting: An inquiry-based curriculum. National Council for the Social Studies and C3 Teachers.

Swan, K., Lee, J., & Grant, S. G. (2015). The New York state toolkit and the inquiry design model:  Anatomy of an inquiry. Social Education, 79(5), 316-322.

Swan, K., Lee, J., & Grant, S. G. (2018). Inquiry design model: Building inquiries in social studies. National Council for the Social Studies and C3 Teachers.

Tyson, T. B. (2006, November 17). The ghosts of 1898: Wilmington’s race riot and the rise of White supremacy. Retrieved from http://media2.newsobserver.com/content/media/2010/5/3/ghostsof1898.pdf  

Umfleet, L.S. (2009). A day of blood. Raleigh: North Carolina Office of Archives and History.

Vasquez Heilig, J., Brown, K.D., & Brown, A.L. (2012). The illusion of inclusion: A Critical Race Theory textual analysis of race and standards. Harvard Educational Review, 82(3), 403-424.

Vickery, A.E. & Rodríguez, N. N. (2021). “A woman question and a race problem”: Attending to intersectionality in children’s literature. The Social Studies, 112(2), 57-62.

Vickery, A.E. and Salinas, C. (2019). “I Question America…. Is this America”: Centering the narratives of Black women in the Civil Rights Movement. Curriculum Inquiry, 49(3), 260-283.

Woodson, A. N. (2017). There ain’t no White people here”: Master narratives of the Civil Rights Movement in the stories of urban youth. Urban Education, 52(3), 316-342.

Zucchino, D. (2020). Wilmington’s lie. Atlantic Monthly Press.

Does China Make the World Flat? Using Compelling Questions and Creating C3 Inquiries for the Social Studies Classroom

Does China Make the World Flat? Using Compelling Questions and Creating C3 Inquiries for the Social Studies Classroom

Starlynn Nance

Tension engulfs the room and faces begin to crinkle into frowns as a collective look of confusion crosses thirty seventh grader’s faces as they read the slide “Does China make the world flat?” Students look at each other and then back at the slide.  Several verbal exclamations of “what?’ and “the world is round!” bellows across the room.  Smiling sweetly, the teacher only states, “write it in your journal” before the bell rings and the bewildered seventh graders are dismissed from world history class. This exchange is the end of dimension one from the C3 unit titled Ancient China.  

National Council for the Social Studies: C3 Inquiry Framework

In How We Think (1910), Dewey discusses how important inquiry is to children.  He stressed that children need to learn by doing and trying different things not just memorizing and repeating the information to the teacher. 

Inquiry is simply, investigating.  In social studies, teachers should set up lessons of inquiry to include diverse historical content and let students ask questions, then investigate to find the answers.  Once a student has a firm foundation of the content, they can then begin to start connecting the past to the present. They may start to ask questions about their own community after learning about civil rights concerning injustice, voting rights in the community, or lack of representation on city council. Once that connection is made, students need guidance to develop skills to research, answer questions, and learn how, for example, to start a grassroots campaign for change.

An inquiry framework to teach these skill sets is called the College, Career, and Civic Life (C3) from the National Council for the Social Studies (NCSS).  The framework (2017) uses concepts, facts, tools, disciplinary and content literacies to successfully complete an inquiry in a social studies classroom (p. 17). It consists of four dimensions that build an inquiry arc and move the students through questioning, content, evaluation of sources, and eventual action to make change. Studying social studies, especially the four content areas highlighted in dimension two (history, civics, economics, geography), show students that the precepts of democracy have not applied to all people in their history book. This connection is key to inquiry. For students to learn to speak out against bullying, discrimination, systemic racism and other abuses against themselves or democracy, teachers need to use inquiry so students can learn skills to “take action”. 

That’s All Well and Good, But HOW Do I Create One?

            This article will feature a thorough explanation of creating C3’s in the social studies classroom.   Most teachers fit the C3 around a premade unit, such as the Ancient China unit in the introduction or create a C3 that is a stand-alone multiple day lesson plan like “Why Vote?” (This C3 can be found in Teaching the College, Career, and Civic Life Framework: Exploring Inquiry-based Instruction in Social Studies published by NCSS.)  The “Why Vote” C3 has been taught in a social studies methods course, tenth grade civics, ninth and tenth grade government, eighth grade United States history and other courses by teachers in the past several years in a midwestern state following their graduation from the social studies program.  

The C3 contains an inquiry arc and consists of four dimensions and subsections of those dimensions. The first dimension develops two types of questions, compelling and supporting. Questioning is a main component of inquiry and allows students to develop both styles of questions to increase critical thinking and knowledge of content. Dimension two is the mainstay of the framework and encourages multidisciplinary (history, civics, geography, and economics) content literacy to emerge. Students use relevant sources, in dimension three, to develop claims and counterclaims while dimension four supports inquiry and disciplinary literacy by retrieving and analyzing data, answering student developed questions, communicating conclusions, and taking informed action. Moving the students through these four dimensions can teach democratic skills and hopefully develop a more skilled, active, and responsible citizen. 

Dimension One

This dimension is instructing students to answer and develop questions that are compelling and supporting. A compelling question consists of a long-lasting issue, such as war, civil rights, or privacy while supporting questions include extracting answers from a source, finding definitions, or establishing a series of steps. An example of a compelling question would be “is the Revolutionary War really revolutionary?” Supporting questions deal with the content directly and help students analyze documents or any other sources. Supporting questions could be “is there bias in the document?”, “who wrote the document?”, or “how long did it take the Native Americans to move from X to Y in the removal process?” Supporting questions from all documents or sources help answer the compelling question by extracting evidence from all sources retrieved. 

Step 1: Selection of content.  As the title suggests, content is the first step to beginning dimension one. Gather the curriculum map, state standards, objectives, and premade unit or specific stand-alone topic to begin the C3 and develop dimension one.  Using the objectives, begin to create a compelling question and supporting questions for the unit.  Both are used throughout the C3 to develop students thinking and give substance to the essay written after dimension four. 

Step 2: The compelling question and supporting questions. From experience, creating a compelling question that has an element of good confusion gets the students to think.  As suggested by the C3 text, “is the Revolutionary War really revolutionary?” is a question that needs research to answer.  Just from presenting the compelling question, supporting questions begin to emerge from the students, like, “what is a revolution?” “have there been any other revolutions in history?” “when was the revolution?”, etc.  Students will use their textbooks, appropriate internet sources, etc. to find the answers to their questions.  The teachers will facilitate this activity and fill in gaps of content when necessary. 

Concerning compelling questions, the goal is not to have a textbook cookie cutter answer that all the students cut and paste from their notes or from an internet section of content.  The goal is for students to be able to answer yes or no and then develop their argument using sources that are given or gathered throughout the C3.  There is no correct answer, only evidenced based answers.  Compelling questions are asked after every dimension as a formative assessment to gather information about the students learning of the content and sources. At the end of dimension four, the compelling question essay is the summative or the authentic assessment.

Step 3: The hook. After the compelling question is designed, the teacher needs a hook to get the students interested in the unit topic.  Hooks can look different depending on the topic or content objectives pulled from the curriculum map.  Hooks can be a song, a poem, a picture, a painting, an excerpt of a primary source, a game, a simulation, or part of a movie/documentary.  Usually, the hook relates to the compelling question in some aspect.  The goal is to spark interest in a topic and connect it to the compelling question.  For example, to start a Cold War C3, one teacher used gamification to begin the unit where students became CIA agents trying to catch a Soviet sleeper agent in the United States.  The goal was to get the students to feel stress and tension while going through the gamification CIA missions.  The teacher asked the students about their feelings and one student exclaimed, “I was stressed!”  This led to a whole class grand discussion about tension between the two nations and eventually at the end of the class, the teacher displayed the compelling question, “How hot was the Cold War?”

Dimension Two 

Dimension Two is applying disciplinary concepts and tools using the four disciplines of history, geography, civics, and economics. In the framework (2017), teachers work with conceptual concepts, such as “explain the powers and limits of the three branches of government, public officials and bureaucracies at different levels in the US and other countries” rather than curricular content that would state, “identify every form of government” (p. 29). The curricular content will be found in the state standards and/or local curriculum maps. 

Step 1: Gather curricular and conceptual content.  Since each state and district is different, gather what you need for your unit.  This could include, pre-made units, state standards, district curriculum maps, lesson objectives and/or unit goals.  If you need to take the state standards and develop goals, objectives, etc.  please do that during this step.

Step 2: Disciplines.  Once you have what you need, make sure that the unit covers the four main disciplines of history, geography, civics, and economics inside the unit.  The C3 text has standards to help focus your unit and is found at https://www.socialstudies.org/standards/c3.    

Step 3: Create dimension two unit and lessons. Dimension Two is designed for the teacher to use content literacy to teach the facts, generalizations, concepts, etc. of the content required by the district and/or the state.  Teachers can use pre-made units containing different instructional strategies and activities for students to accomplish the objectives.  Display the compelling question before starting dimension two, so the students have a lens to “look” through as they learn about content and accomplish the objectives.  Remember to include all disciplines in the content.

Step 4 Assessment.  At this time in the C3, give the students a content assessment.  This could be your own test from the pre-made unit or the common assessment used by your data team.

Dimension Three 

This dimension is skill based by evaluating sources and using evidence. Students use the questions from dimension one to gather and evaluate sources that help answer those questions. After this is complete, students will develop claims (arguments) and counterclaims (arguments) using the evidence to support those claims. Students develop their own supporting questions and begin to gather evidence asking those questions along the way. This allows them to progress through the inquiry and begin to develop solutions to a problem they see in the community. Dimension three and four are student centered where the teacher becomes a facilitator. 

            Step 1: The primary sources and skill sets. Prior to evaluating the primary sources, teachers need to start with historical thinking skills of sourcing, close read, annotation, contextualization, and corroboration.  (Teacher tip: teach these skills at the beginning of the school year for students to use in every C3. More skills for historical thinking skills can be found at https://www.historians.org/teaching-and-learning/teaching-resources-for-historians/teaching-and-learning-in-the-digital-age/the-history-of-the-americas/the-conquest-of-mexico/for-teachers/setting-up-the-project/historical-thinking-skills)

            Step 2: Evidence. After students have mastered the historical thinking skills, the teacher will transition to dimension three by gathering resources for a balanced set of evidence or have a list of appropriate texts and websites for research.  This dimension is for students to take control over their learning to develop claims/arguments for compelling questions students create in addition to the compelling question from the beginning of the unit.  Focusing on the content from dimension two and the new sources presented or collected, the teacher will take a facilitator role asking students questions when students get in a bind, rather than giving any answers.

            Step 3: Writing an essay or other type of authentic assessment.  After completion of dimensions one through three, students are ready to write an essay (authentic assessment) about what their claim is to the compelling question and use evidence found and connect content from dimension two.  Many different methods can be found to help the students complete the essay but one, has been efficient in working with the C3 framework and is called the P.E.E.L.  One example from online can be found at, https://www.virtuallibrary.info/peel-paragraph-writing.html.   

Dimension Four 

Civic engagement is a very important part for students to encounter as a developing citizen. Dimension four is the authentic assessment for students to communicate conclusions and take informed action. In dimension four, the students usually show the connections from dimension two, curricular and conceptual concepts, to today and their own lives. Then they develop a plan and act on that plan to solve a problem they found with the school or local community. The teacher continues to facilitate during this dimension as the students gain agency and sophistication to solve problems in a democracy. 

Step 1: The essay and then the issue.  Using the essay as a jumping off point, ask the students to connect claims made in the essay to today’s current events.  Have the students discuss this in small groups, like Think, Pair, Share, four-to-five-member small groups, or as a whole class discussion.  The teacher, only a facilitator, lists the issues on the board, and all are considered equal.  Students discuss and narrow down the list of issues to one that works within school policy, time frames, COVID-policies, etc.  The students narrow the issue and then create a plan to implement to solve the issue/problem that has arisen from understanding the content in dimensions two and three.  For example, the seventh-grade class studying Ancient China decided that the world was flat because of globalization and trade as far back as the Silk Roads.  Students began to learn about economics and sweat shops in China.  After doing research, they wanted to bring the issues of unfair wages, bad working conditions, and child labor of sweatshops in China to their community. 

Step 2 Research, creating a plan, communicating conclusions, and implementing action.  After the students have decided on an issue, they need to research the issue.  Using dimensions two and three as a format, the students need to create a compelling and supporting questions concerning their issue.  Student research, answering their questions, and then create a plan to combat the problem/issue they chose.  This needs to be written in another P.E.E.L because it will be shared to groups or individuals that are stakeholders.  Then the students need to implement the action. 

For example, the seventh graders found what fair trade meant, how to find fair trade businesses and then began to list clothing they wore, stores they shopped at, and business in the town.  They then researched to see if these were fair trade or not.  After finding the answers, the class wrote a P.E.E.L and presented it to the teacher and principal.   The P.E.E.L described their compelling question and gave evidence of why they needed to create a public service announcement (PSA) for the community concerning fair trade.  Due to restrictions, the students decided to communicate through social media and tagged all the fair-trade companies for consumers to consider. 

Why Vote?: A C3 Example Lesson Plan for Teachers

            NCSS has published two bulletins titled Teaching: The College, Career, and Civic Life (C3) Framework: Exploring Inquiry-Based Instruction in Social Studies I and II. In the first bulletin, number 114, it states, “teachers will need to be intentional about making space in the curriculum, selecting sources, building in scaffolding, and incorporating related assessments in order to support students in this process…teachers will need to provide experiences that allow students to practice gathering information from sources and making claims supported with evidence” (p. 5). This bulletin is the perfect guide to assist teachers in making the space to practice inquiry and for students to develop an action plan and follow through to make change.  These C3 topics can be implemented in pre-made units or as stand-alone C3s to enhance a topic taught in the social studies classroom.

 A course taught at a midwestern university incorporates a chapter from this text to teach future social studies teachers how to implement the C3 Framework into units and practice the inquiry during a mid-level teaching observation and student teaching requirement. Student and first year teachers (from the program) have adapted this framework and taught it from middle school through high school. The chapter is titled Why Vote? Understanding Elections, The Candidates, and Why Any of This Matters and was created by the Mikva Challenge. The chapter moves the students through the four dimensions of the C3 Framework to answer the compelling question: Why Vote? The next few paragraphs will take the reader through the C3 as it was taught in the methods course and then in seventh through twelfth grade classrooms by graduates of the program.

Dimension One

Dimension One begins with a bell ringer on the first day of the unit titled Civil Rights. On the screen, a picture of two young men is shown to the students. The picture is black and white and shows one with his face painted white with VOTE on his forehead with the other standing behind him, holding an American flag. The students are asked to fill in a graphic organizer about the photograph. Then the students are asked to source the photograph. After finding the answer using a search engine, a grand conversation begins to discuss key questions about the photograph and the compelling question is displayed at the end of the class. The teacher facilitates another grand conversation, instructing the students to develop another graphic organizer to help map out the compelling question: Why Vote?

Dimension Two

Dimension Two consists of learning stations and curricular content. Teachers teach the local and state standards regarding the Civil Rights unit. This content is connected to examples from today about civil rights and voting through learning stations. The teacher uses primary sources to connect the past to the present. Different categories, such as, “I vote…because I care about issues,” are introduced in the stations. Students work in groups using the sources connecting the curricular content to the contextual content from both state/local and national standards.

Dimension Three

Dimension Three is more student centered. Students begin to ask other questions in addition to Why Vote? One of the most popular questions is: why do people not vote? This requires students to search for the answer to this question using data from different governmental sources. Then to check this data, the students create their own data set from the community they live in. From the data set, other supporting and compelling questions arise, and the students begin to find problems about voting in their community. The students write an essay answering the compelling question.

Dimension Four

Students develop an action plan and carry it out after completing dimension four communicating the conclusions found through their inquiry. The students then carry out their plan that answered the question: Why Vote?

Although the paragraphs seem to make the inquiry simple and quick, it is not. Inquiry is messy and sometimes very frustrating. Some questions that arise are hard to answer or cannot be answered. Students must have the space and time to follow the inquiry to the end. This does take many days but with the right amount of planning it will fit with pre-made units already in the curriculum.

As a side note, from the many classrooms I have observed, including my own, when this framework is presented, the middle or high school students love it. They get very excited to see their plan take root and feel pride in their accomplishments as developing citizens.  They also learn to compromise and evaluate their own thinking and work with others.  It is a truly a collaborative process.  A hard process, a learning process, but a very rewarding process.   

Conclusion

            C3 is an inquiry framework from NCSS that takes the students through a hook of interest to implementation of action in four dimensions.  Through the process, students learn a variety of historical thinking skills, collaboration, resilience, evaluation, writing, and how to develop questions and research answers.  Having the students move through this process is what Dewey may have envisioned in How We Think.  Getting the students attention, teaching content, facilitating student learning, and watching students complete a plan of action to implement it can be the spark students need to develop as a citizen and start to make change in home town communities.

References

Dewey, J.(1910). How We Think. Boston: D.C. Heath & Co.

Herczog, M. (2013) Social Studies for the Next Generation: Purposes, Practices, and Implications of the College, Career, and Civic Life Framework for Social Studies State Standards. Bulletin 113, National Council for the Social Studies, Washington, D.C. Retrieved from https://www.socialstudies.org/standards/c3

Historical Thinking Skills. Retrieved from https://www.historians.org/teaching-and-learning/teaching-resources-for-historians/teaching-and-learning-in-the-digital-age/the-history-of-the-americas/the-conquest-of-mexico/for-teachers/setting-up-the-project/historical-thinking-skills

P.E.E.L paragraph. Retrieved from https://www.virtuallibrary.info/peel-paragraph-writing.html

Swan, K and Lee, John (2014). Teaching the College, Career, and Civic Life Framework:

Exploring Inquiry-based Instruction in Social Studies, Bulletin 114. National Council for the Social Studies.

Authentic Assessment in Social Studies: A Guide to Keeping it Real, by David Sherrin

Authentic Assessment in Social Studies: A Guide to Keeping it Real, by David Sherrin

Providing opportunities for authentic assessment is not just about putting on an “innovation” badge; instead, it is a teaching and learning strategy grounded in educational theory and research that will lead to deeper learning and a fairer and more democratic educational system. In fact, traditional assessments are some of the primary causes of academic anxiety for students. Many students find some pleasure in the day-to-day of school, but dread the test-taking experience.

This book is partly a call to social studies educators to allow our next generation of artists, singers, poets, activists, web designers, museum curators, historians, and non-profit leaders to make their arguments in social studies classes using a wide and rich array of mediums: the same mediums through which people actually produce history (and political action) in our world. It is also a guide to how to successfully do so in your classroom. For some of our students, this may take the form of traditional writing, for others it may be painting, and for others it may be dance, video, discussion, podcast, poetry, narrative perspective pieces, or even civic action.

David Sherrin teaches Social Studies at Scarsdale High School in Westchester. He formally taught at Harvest Collegiate in New York City. This book shows teachers how to move beyond tests and essay writing to implement authentic assessments in middle or high school social studies classroom. It explains the value of authentic assessments and offers practical ways to get started and dive deeper in your practice. Real-life stories of classroom successes and failures illustrate points throughout the book. The chapters cover a range of categories, including different types of written, creative, and civic action assessments. The book includes planning charts and rubrics showing how to use, grade, and give feedback on assessments so they truly aid student learning and progress; specific examples, useful tips, and ready-to-go instructions that you can use immediately with your class; and open-ended assessments encourage scaffolding or adaptation for individual or group work to fit your classroom needs.

Whether you are a first-year social studies teacher curious about how to move beyond multiple choice tests to assess learning, or you have long used authentic assessments and are looking to take your practice to the next level, this book has thoughtful insight on steps you can take to deepen and enrich teaching and learning in your classroom by incorporating authentic assessments.” ― Randi Weingarten, President, American Federation of Teachers

“A real page-turner, this engaging book illustrates the wonderfully varied ways students can express themselves in social studies class. David Sherrin presents a wide range of projects to embed in the curriculum, drawing from his own content knowledge of history and other social sciences as well as his deep pedagogical knowledge honed by teaching in a uniquely diverse set of schools. Teachers will find a text that is thought provoking and practical thanks to ample assignment descriptions, rubrics, and discussions of classroom practice.” ― Shira Eve Epstein, Associate Professor of Curriculum and Instruction, The City College of New York (CUNY)

The American Flapper Through Media

The American Flapper through Media

Kaitlyn Ford

The American flapper, a “new woman”, a change in society, oftentimes overlooked inside history. The flapper did not provide any legal change for women, did not gain them more political rights in her time. She did something else entirely. The American flapper held change in the role of women, the appearance of women, and the way women were looked at inside society. Their power was in their style, their actions, and the culture time period they lived in. When it comes to teaching the flapper, she many times will be brushed over and not paid enough attention. Inside this paper, I will explain a way to place the flapper inside the social studies classroom that will be engaging for the students.

            The flapper emerged during a time in American history where much of society and culture was undergoing change. Historians Kathleen Drowne and Patrick Huber wrote “According to many historians, the Jazz Age marked the birth of Modern America” (Drowne & Huber, 2004). Meaning that during this time considered “the Jazz Age” is what truly began what many consider to be modern American, many of our modern themes came about and can be traced to begin with this time period in America. This time period in American history was one of change, prosperity, and modernization. Many people look here and can see the beginning of the modern times Americans would soon enjoy. So, what exactly happened in this time? A positive aspect of the 20s was the consumer culture. In 1922 the economy had a reboot due to consumer goods being manufactured in industries (Drowne & Huber, 2004). This made products faster, easier, and cheaper. More people would be able to afford a top since it was mass produced by machines. One major reason for consumer goods spreading quickly inside America was through the new media. “Consumer goods revolution fueled the nation’s flourishing economy and increasing reliance on new technologies and mass media transformed the daily lives of ordinary Americans” (Drowne & Huber, 2004). The media was able to influence the lives of Americans across states, classes, and genders aiding in influencing this new consumer culture. People began to use the media and technology to grasp what consumer goods they should purchase during this time period. All of this would be useful information to provide for students to prepare them for the flapper and why the media plays a role in her fame. If the students come into the lesson I explain later one, with a background of the consumer culture and the new media outlets for Americans, it can make learning about the flapper better.

            Who was the American flapper? Historian Joshua Zeitz provided a description of the flapper in Flapper. He states “… the notorious character type who bobbed her hair, smoked cigarettes, drank gin, sported short skirts, and passed her evenings in the steamy jazz clubs, where she danced in a shockingly immodest fashion” (Zeitz, 2006). Inside this activity, I am not trying to convince them of who the flapper is or what she is trying to gain, but more so how she became a household name inside America during the 1920s. After taking the time to explain the 1920s, it is time to begin the flapper movement.

            As a way to engage the students and allow them to move about the classroom, you can create a station activity. This would be a group activity but their review will be independent to see each student’s understanding of the material. Throughout the research done around the American flapper, I have been able to find numerous sources from the time period that can help express the flapper. The goal of this activity is to allow the students to engage with the primary sources and develop their own interpretations. Another goal would be for the students to see how the media during this time could change an opinion of a subject, for them to see bias using the flapper as an example. At the end of the lesson, the students should be able to explain the various types of media sources during the 1920s allowed ideas, opinions, and themes to spread throughout America.

            You can add more sources if you deem necessary but for my lesson I have two newspaper sources and three magazine covers from LIFE. Day One will be the introduction to the 1920s and the mass media (as discussed above). For the review and to check for understanding, they will have a brief response to compare the primary sources they interacted with and explain how those sources depicted the flapper and what influence these would have on the American people then. If it is an honors class, it would be useful to also add for them to describe how these sources affect Americans today in comparison to the 1920s.

            The first newspaper was from the Library of Congress. It was a fashion page that describes the latest trends in dressing, shoes, and hats. A famous actress Clara Bow who portrays a flapper in the film “IT” in 1927 is shown modeling her own hat. It was labeled “the latest for girls” (Evening Star, 1927).  The second newspaper was NYS Historic Newspaper. This paper as well was centered on Clara Bow but instead of her fashion, it was her movie “IT” (The Massena Observer, 1927), showing the times the movie was playing at and the theater it was located in. It allowed Americans to find the film easier by simply reading the paper. As well, this paper promotes the film to the people and could influence a person to attend the theater that day. With these two newspapers, it allows the students to interact with the primary source material on their own and come to understand the type of sources written about the flapper during this time.

The three magazine covers by John Held can be found in numerous books such as Carolyn Kitch’s The Girl on the Magazine Cover; The origins of visual stereotypes in American Mass Media. However, these images can also be discovered on the web. The first one “The Sweet Girl Graduate” depicts the flapper with a cap on her head and diploma in her hand. This expresses the view that the American flapper was educated to some degree. It allows the students a different perspective on the flapper from simply the fashion and actress inside the newspaper.

The next magazine cover was labeled “Sitting Pretty”. This picture shows a flapper and dog both sitting. It expressed the dress, appearance and appeal of the flapper to the students. The newspaper did not do a great job at seeing the flapper since it was more grain like, whereas this cartoon makes it more clear. It helps to show just another aspect of the flapper that would be displayed to the American public.

The final magazine to look into was titled “Teaching Old Dogs New Tricks”. This image shows a young flapper dancing with an older man. They both appear to be enjoying their time and having fun. During this Jazz Age, there was music and dancing, this image helped bring that to life. Part of the flapper was going out and having a good time, so to fully understand this flapper, they would need this side as well.

“The Sweet Girl Graduate”
“Sitting Pretty”
“Teaching Old Dogs New Tricks”

For the setup of the lesson. I would create the five stations. Have the desk preorganized with the primary source already at the table, however it would be hidden inside a folder and they would be told not to touch it yet to keep them from being distracted. Then I would start with a Do Now. Personally, I would begin with asking the students what is a flapper. It would be interesting to see what they do and do not know about this term. Then, pass out the paper they will be using for the activity. The first section on their paper will be filled with questions from the 1920s review. I would have, define the consumer culture, what mass media is, and why this period is considered “Modern America”. This way, as they continue through the stations they can reference if needed and can use this after watching the film. Then, after the review, they can begin their stations. They would be given questions to answer at each station. What type of source are you looking at? When was the source created? What is the source attempting to convey or show the reader? How do you think this influenced a person’s view on the flapper? Depending how long the block is would determine how much time they are given at each station. Allow roughly 10 minutes to briefly go over what they learned and their opinions on the primary sources. I would bring up bias at this point in the lesson.

            Overall, the students should be able to use the primary sources and develop their own understanding of how media affected Americans during this time. The students would use the flapper to better understand the media and the power it could have over this time period. As stated before, the flapper is commonly overlooked. However, she can be used to not only show the changing of women inside society and creating a modern woman, but the flapper can also show them how the media played a role inside the lives of Americans.

References

Drowne, K., and Huber, P. (2004), The 1920s: American Pop Culture Through History 3-28.

Evening Star. [volume], (Washington D.C.) September 23, 1927, page 22, Image 22. https://chroniclingamerica.loc.gov/lccn/sn83045462/1927-09-23/ed-1/seq-22/

Kitch, C. (2001), The Girl on the Magazine Cover; The origins of visual stereotypes in American Mass Media, 121-135.

The Massena observer. (Massena, St. Lawrence County, N.Y.) June 2, 1927. Page 12, Image 12. http://nyhistoricnewspapers.org/lccn/sn84031311/1927-06-02/ed-1/seq-12/

The Power of Propaganda: Using Disney’s Wartime Films in the Classroom

The Power of Propaganda: Using Disney’s Wartime Films in the Classroom

Annamarie Bernard

Film in the classroom is always engaging to students. It provides them with a new perspective of events from the past. Rather than have students read or listen to their teacher speak on an event, putting on a movie can break up class time while appealing to even the most reluctant of learners. Films also help identify and highlight the deeper motivations of the producers, directors, or sponsors. There is always a motivation or a reason behind each piece, whether it be to share a personal story, to provide entertainment, or to spread a political message. Throughout history, political messages have been deeply embedded in movies, creating a new form of propaganda to reach a wider audience and spread their messages.

During the time the United States was involved in World War II (1941-1945), filmmakers such as Walt Disney were recruited by the United States government to spread specific messages.  In January 1943, Disney released three popular short films: “The Spirit of 43,” “Der Fuehrer’s Face,” and “Education for Death.” Each of these cartoons unveils a complex political message to gather support for the United States war effort. Because World War I was extremely unpopular with Americans, the need for citizen support in this new war, mentally and monetarily, was essential to be successfully involved (Steele, 1978, p. 706).  Disney’s three propaganda films can be incorporated easily into the social studies classroom to teach deeper lessons, especially when discussing the American home front during World War II.

The first of Disney’s more popular propaganda films is “The Spirit of 43.” This cartoon shows Donald Duck as he navigates what to do with his money on payday. First, Donald meets Thrifty Duck, who encourages him to save his money to pay the upcoming national income taxes for the benefit of the war effort. Next, he meets Spendthrift Duck, who advocates for spending his paycheck to buy material objects, thus going against the war effort and supporting Nazi Germany. The final scene of the film shows the guns, planes, and tanks that were created because of the tax money. The repetitive saying, “Taxes to defeat the Axis” is one of the lasting impressions of the cartoon, signaling the need for the funds to be given to the government in order to end the war (Disney, “The Spirit”, 1943).  By showing this film, students will come to realize that this six-minute propaganda film was used in a way that directly motivated Americans to do their part in the war effort. The need for income taxes is evident through this piece, and, by using Donald Duck, a classic Disney character, the film is engaging while still being informative.  This illustrates the lack of support for the war at the home front and the mindset the Americans needed to be in. Using “The Spirit of 43” in the classroom can be a great way to demonstrate the direct link between entertainment and politics. It is not commonly known that Disney used their art for the promotion of war, but through this film, the connection is undeniable; it captures the home front mentality and advocates for a call to action.

Like “The Spirit of 43,” one of Disney’s other films, “Der Fuehrer’s Face,” aimed to raise money for the war through war bonds. While it further illustrates the need for monetary support for the war, it also can be used to show students the life of a German worker.  This short film follows Donald Duck as he navigates his day in Nutzi Land, a spoof on Nazi Germany. From the moment he wakes up, Donald Duck lives a life very different from most Americans: he has to ration his food, work “48 hours shifts” in artillery manufacturing, and salute pictures of Hitler every time he sees him. This life becomes so intense and overwhelming that Donald suffers a mental breakdown and passes out. When he wakes up, he is back in America, relieved to find that his adventure was a nightmare (Disney, “Der Fuehrer”, 1943). As illustrated in the film, the German home front was drastically different from America’s home front, and viewing it can allow students to compare the wartime efforts in the two countries. In Nazi Germany, all concepts of individualism and personality are gone, as seen through a now passive Donald Duck, one of the most boisterous Disney characters with an overwhelming personality.  In America, a sense of individualism was kept, even when working in factories. The comparisons and contrasts that can be made are endless. While the film was created to raise money and support for the war, it can be further utilized in the classroom to supplement a lesson about the American home front, specifically through the differences of the two countries and the fear of losing personal freedoms, a defining characteristic of being American. “Der Fuehrer’s Face” has multiple applications for teaching World War II in the classroom.

The third Disney propaganda film that can be used in the social studies classroom is “Education for Death.”  It is a cautionary tale to warn the American public about the dangers of Nazism. In the classroom, it can be incorporated into the American Homefront with the motivating factors for fighting Germany, but it can also be used as a way to illustrate perspective.  Throughout the film, young Hans grows up in Nazi Germany and becomes indoctrinated in the ideology until he is a full Nazi soldier. The way he was raised illustrates how he sees his reality. For example, when Hans is in school, he learns about “natural law” through the analogy of a bunny and a fox. The weaker bunny was trapped and eaten by the fox, showing superiority. Hans immediately feels sorry for the bunny, a reaction that gets him punished by his Nazi teacher. The goal was to praise the strong fox for preying on the weak bunny, a mindset that the Nazis used in everyday life (Disney, “Education”, 1943). This is the perspective of a Nazi, something so different than that of the American soldiers. It demonstrates how the way they were brought up influences their actions as an adult.  While this film is specific to Nazi Germany propaganda, it can be used for students to gain a deeper understanding of how one’s beliefs change the way the world is perceived.  This skill of seeing events from a different perspective is essential in social studies classes to understand the purpose of a text, event, or action. This animation was created to entertain, but it also incorporated deeply embedded messages that are valuable to students. Through the film “Education for Death,” Disney’s short film can lend itself to multiple usages in the classroom.

Propaganda in the form of mass entertainment, such as short films, was essential in shaping the mentality and deeper sentiments of the American home front to be one that was more receptive and supportive of World War II.  Through “The Spirit of 43,” “Der Fuehrer’s Face,” and “Education for Death,” Disney was able to convey deeper, inspirational, educational messages to the audience about the war effort. In a 1943 New York Times interview, Disney stated:

“The war” he said, “has taught us that people who won’t read a book will look at a film… you can show that film to any audience and twenty minutes later, it has learned something- a new idea, or an item of important information- and it at least has stimulated further interest in study.” (Strauss, p. 168).

Disney sums up perfectly what any good piece of mass media should do- teach the audience and get them motivated to act on the information, whether it be to learn more about it or actively make the change it calls for.  All entertainment has a crafted message the creators want to express, whether it be to buy a new product, to illustrate a universal theme of life, or to persuade people to support the war effort.  Within these pieces, there are deeper themes that can relate to the classroom and everyday life. As teachers, it is important to show students how influential mass media is, whether it be from today or seventy years ago. Mass media as a form of entertainment will not go away, and it can be used in any form, especially in short, engaging Disney films, inside the classroom to provide a deeper outlook into the lives, motivations, and wants of those who created it.

References

Disney, W. (1943). Der Fuehrer’s Face. [Video file]. Retrieved from https://archive.org/details/DerFuehrersFace

Disney, W. (1943). Education for Death. [Video file]. Retrieved from https://archive.org/details/EducationForDeathTheMakingOfTheNazi

Disney, W. (1943). The Spirit of 43. [Video file]. Retrieved from https://archive.org/details/TheSpiritOf43_56

Lee, S. H. (2009). Herr Meets Hare: Donald and Bugs Fight Hitler. ArtUS, 26, 70–75.

Steele, R. (1978). American Popular Opinion and the War Against Germany: The Issue of Negotiated Peace, 1942. The Journal of American History, 65(3), 704-723.

Strauss, T. (1943, February 7). Donald Duck’s Disney. The New York Times, 168.