Tag: black-history

Challenges of Teaching African American History in Secondary Schools

Challenges of Teaching African American History in Secondary Schools

There are Four Perspectives in this article

Teaching the APâ African American Studies Course By Imani Hinson

Students Hunger for Cultural Knowledge By Romelo Green

Emphasizing Cultural Relevancy & Providing Different Cultural Perspective By Nefe Abamwa

Focus on Mass Struggle, Not Just the Black Elite By Adam Stevens

Imani Hinson, Romelo Green, Nefe Abamwa, and Adam Stevens

Imani Hinson, Romelo Green, Nefe Abamwa, and Adam Stevens presented on a panel at the 2025 conference of the American Historical Association. Hinson is a social studies teacher in the Howard County Maryland School District who formerly taught in Brooklyn and an item writer for the College Board AP African American Studies program. Green and Abamwa teach at Bellport High School in Suffolk County, New York and Stevens teaches at Brooklyn Technical High School. The session was chaired by April Francis-Taylor of Hofstra University and also included papers by Alan Singer of Hofstra University and Justin Williams of Uniondale High School.

Teaching the APâ African American Studies Course

By Imani Hinson

“History, despite its wrenching pain, cannot be unlived, but if faced with courage, need not be lived again.” – Maya Angelou

Each year I start my students off with a week of lessons to understand why we study history in the first place and to get students specifically to understand why varied viewpoints are so important. This year I had my students reflect on a quote from Maya Angelou and asked them why they thought some political leaders across the United States did not think African American history was important and why they thought this history was considered controversial.

My students responded with the understanding that by learning history we can hope to not repeat it but also that learning this history does not aim to make individuals feel bad for the deeds done but rather understand the historical situations in which our country was founded and the continued history that is shaping the way our country is moving forward today. Despite the pain and suffering lived by many in this country, especially African Americans, it is important to uncover truths about our shared history. The APâ African American Studies curriculum provides students with a chance to do just that; tackle tough questions, tough realities, glean an understanding of the world that they live in today, and it gives them a chance to acknowledge a history that many of them have not learned before.

The APâ curriculum has a fantastic starting place with the African Kingdoms of Mali, Songhai, the Hausa States, and more. Students are able to do a deep dive into the history of Africa that many of them had never been taught about before. A question I get often from my students is “Ms. Hinson why are we not taught this in World History or any other history class?” The truth is that a lot of this history was unknown or kept secret for many years. In my classroom, we delve into the nuances of this history so that students understand how it differs from the traditional documents and writings they usually learn about in Eurocentric history classes. I introduce them to griots and students learn that different cultures pass down history in different ways. Much of the early history we know from African civilizations was passed down orally making it much harder for historians to uncover truths about these societies.  My students learned that Christianity was in Africa before European arrival when they study about places such as Lalibela. They learn about trade starting in the 8th century along the East Coast of Africa that connect places with the Mediterranean region and Central and East Asia. Students uncover truths about the Great Zimbabwe and amazing structures, built not by Greeks or aliens, but by the local Zimbabwean people who garnered their wealth from the Indian Ocean trade routes. Timbuktu is not a fictional place, but a nation where trade, advanced institutions of knowledge, and wealth resided.

Before being exposed to this curriculum, my students were taught that Africa was backward, a continent ripe for exploitation. They saw Africa, not as the birthplace of humanity with rich cultures, but rather a place that Europeans conquered and a continent that continues to have issues to this day.

Challenging misleading notions continues as students learn about the African diaspora. Before being exposed to this curriculum, they believed African Americans had no culture and were only brought to the Americas for harsh work and enslavement because of the color of their skin. I overheard an exchange in my classroom in which one student of color was poking fun at another. A West African student asked another Black student, “Hey, where are you from?” The student responded, “Oh well, I am just Black.” The West African student laughed and said “Oh, I’m so sorry y’all don’t have any culture.” That was an eye-opening exchange. I joined the conversation and asked, “What do you mean by that?” The student explained that they never heard of any African American culture and that Black people did not know where they came from. The conversation continued:

“Well why do you think that African Americans don’t know where they come from?”

“Well, I am not sure I guess slavery.”

“Correct, but do you know about all that Black people had to do to overcome of the obstacles of enslavement? Do you know the years of oppression that then followed enslavement that African Americans continued to make strides towards crafting a new identity?”

“The music you listen to is African American culture, some of the pieces of clothing or slang that you use are African American culture. The food that you eat, a lot of is African American culture.”

“Wow I never thought about that.”

“You should take the APâ African American studies course so you can learn more about Black culture!”

The sad reality is that so many of our students think this way. They believe that Black people are a people without history and this misleading notion really stems from the fact that we have not done a good job as a society to unpack these misconceptions. In some states they still teach that slavery was a benevolent work system where the enslaved learned important skills, sugarcoating the reality of what enslavement was. Why don’t students learn that there was slavery in New York and in other northern localities? Why don’t students learn that Free Blacks and people who escaped from slavery played a crucial role in the abolitionist movement and that African Americans have fought in every war in the United States even before its inception, that 200,000 Black soldiers and sailors fought in the Civil War to end slavery and the right to be full citizens of the nation of their birth?

The hardest part about teaching APâ African American studies course is getting students to relearn the history that was taught to them over and over again since they entered school. Black people were slaves, the Civil War happened, Lincoln signed the Emancipation Proclamation, Reconstruction took place, African Americans got some rights, then skip to the Civil Rights Movement, and that’s Black history. But there is so much more to African American history. Students truly do not understand that African Americans as a people continuously strove to be accepted as valuable contributors to this great nation. Even when they were told to “go back to Africa,” they stayed and fought for equality. It is hard to teach history in a society that try to erase the African American past by making it seem Un-American to shed light on the contributions of Black people to this county.

As a society we have prevented students of color from learning the truth about their heritage and culture and permitted all students to believe in a factionalized past. As a corrective, APâ African American studies is not just a class for students of color. Ideally, African and African American history should be interwoven into World History and United States history classes, not just relegated to an elective.  Black history truly is both World and U.S. history.

It is challenging for many young people to see the correlation between history and the world that we live in today. I started a lesson on sugar being the driver for enslavement in the Americas showing students newspaper headlines discussing chocolate companies using child slave labor and asked students would they still eat chocolate knowing where it came from. Many of the students had to think long and hard about it, but eventually most of them confessed that “yes, they would still eat it.” After a gallery walk showing various documents about the correlation between sugar and enslavement and economics, we came back together to have a discussion. I asked my students how the legacies of sugar plantations and slavery continue to impact economic disparities and race relations today? A student raised her hand and said, “what we see is that enslaved people were working for free and that their enslavers were making loads of money because of their hard work.” I asked, “What does that mean for the Black community today?” Another student responded, “Well this means that many Black communities don’t have the same amount of money as white people because they got rich while we didn’t get anything.”

Another student added, “Well that is the reason why so many Black people have struggled to make generational wealth. It is almost as if we started at a different place” and then another explained “they basically had a 300-year start.” This is the reality that people who criticize the APâ African American studies curriculum are afraid of students uncovering; uncovering how this history continues to play out in America today.

Some people fear the acquisition of knowledge because they know that with knowledge can come change. The APâ African American studies course should not be labeled controversial or Un-American; in fact, it is the exact opposite. African Americans fought to be a part of this country and continue to fight for the country to stand true to its democratic values of all people having the right to life, liberty, and pursuit of happiness. The course does not blame students for the past but rather brings them into the conversation about how we can continue to hold America to its promise by including the history of all of the people who helped to build this great nation. Thank you.

Students Hunger for Cultural Knowledge

By Romelo Green

My name is Romelo Green. I am a social studies teacher in the South Country Central School District located on Long Island, Bellport, New York. I teach 11th-grade U.S. History & Government and 12th-grade AP U.S. Government & Politics. In both courses, African American history is a component of the course framework. Being a social studies teacher in the contemporary societal and political landscape presents various challenges. As historians and educators, we are entrusted with the responsibility of addressing topics that can often be sensitive and complex. It is imperative that we present these subjects in a balanced manner, offering to our students various perspectives. Many of these topics are deeply rooted in political discourse, requiring us to navigate these discussions with care.  Moreover, we face the ongoing challenge of countering the misinformation that our students see daily through various social media platforms. We also must remain informed about rapidly evolving current events. We must be equipped to respond to our students’ questions with a neutral stance. Additionally, it is essential for us to remain compliant with state standards, ensuring that we cover all mandated material effectively, and thereby preparing our students for state assessments.

As an African American growing up, I did not hear many lessons pertaining to the deep roots of my own culture. This would include my high school and college experience. Many of the more nuanced topics in (African) American history were only brought to the surface for me once I became a teacher and began to conduct my own research, or through collegiate circles within my own department. This would include the Tulsa Race Massacre, the Haitian Revolution, the true history of policing in America, and the fact that Africans sold other Africans into slavery. I almost never heard of the achievements of African Americans except for the popular few who are always brought to light at certain points in American History (MLK, W.E.B Dubois, Malcolm X, etc…) The drastic omission from our curriculum and our textbooks leaves us with a very limited view of the African American experience.

When we learn about our culture in a public setting, it is usually generalized and only discusses the traumatic experience of African Americans rather than highlighting the achievements of individuals representing our culture. In my school some of the teachers (who are here with us in the audience today) conducted a study using focus groups to try and create a more culturally responsive classroom. Through their research they found that students representing various cultural groups have high interest in learning more about their own culture, however, the students stated that when it is taught in the classroom it is either generalized or just taught wrong. In other words, they know more about their own culture than their teachers.

What I see is that we have two factors at play.

  • Our students hunger for cultural knowledge.
  • Many teachers are unable to conduct such discourse freely and/or accurately.

For example, the legacy of slavery, reconstruction, Jim Crow laws, and the Civil Rights Movement are pivotal components that require a sensitive and comprehensive examination. Inaccurate or incomplete teachings risk perpetuating misunderstandings and stereotypes. What we then need to do is find a balance where teachers are enabled to speak freely in the classroom providing students with facts and hard truths about historical cultural experiences. The students need to be inspired to think critically and be leaders of inquiry-based research. As such, the role of the teacher extends beyond mere instruction to include being a facilitator of dialogue, ensuring a supportive educational environment that encourages critical thinking and open discussion, while carefully steering conversations to be constructive rather than polarizing.

A teacher’s freedom of speech in the classroom is one that is of great complexity, although we all have freedom of speech under the first amendment, our right to freedom of speech in educational settings is not absolute. The question then becomes what must we do as educators? With greater political pressure from the media, parents and the community, how do we still educate and fulfill the students’ drive for knowledge, while maintaining accordance with school or state policy? I think this is where we lean on our students and allow them to be leaders in the classroom. Allow our students to ask the questions and conduct the research, allow them to present information to each other and to hear the perspectives of their peers. As I mentioned our job is now to facilitate and ensure dialogue proceeds in a constructive manner. In order to do this successfully, our students need lessons on misinformation, fact-based research, and evaluating reliable sources. All of which is in alignment with NYS standards. Our teacher preparation programs also need modules on culturally responsive teaching, equipping our prospective teachers with the tools needed to navigate sensitive material respectfully and effectively.

Lastly, professional development for educators is also essential. Teachers need training and resources to confidently navigate the difficult and often sensitive topics inherent in African American history. By investing in their development, schools can create more informed educators who are better equipped to address the diverse needs of their students.

Emphasizing Cultural Relevancy and Providing Different Cultural Perspectives

By Nefe Abamwa

Good morning, my name is Nefe Abamwa. I teach 9th and 10th grade Global History, as well as Pre-AP World at Bellport High School on Long Island. Today’s panel is geared towards the challenges of teaching African American history and how to make the content more relevant. However, I believe it is also a part of a larger conversation on how to make the classroom culturally relevant as well.

As a first-generation Nigerian-American, my culture has greatly shaped me. My parents immigrated from Nigeria to America in the 80’s and early 90’s for better employment opportunities. My father became an accountant for the NYC Comptroller’s Office, while my mother became an RN, ultimately practicing at Pilgrim State Psych Ward. They’ve always emphasized and instilled the value of education in my siblings and I. We were raised to view education as an essential tool for success and advancement. Nigerians often tend to joke that we have three options for careers; to either become a lawyer, doctor, or engineer. In our culture, an advancement in education and an outstanding career is nothing short of an expectation. Growing up in a household and with family where these values were the norm, you could understand the confusion I faced when I began to attend Amityville Public Schools. A district notoriously known for violence, poor academics and administration, and its low-income community.

Throughout my educational career in Amityville, there were many issues I observed that made an impact on me, in regard to the staff and students. I noticed a cultural disconnect between teachers, who were predominantly white, and students, who were predominately black. I noticed that many of my peers did not value school and did not seem to understand, or care, that it could lead to endless opportunity and an escape from their environment. Lastly, the most impactful observation I noticed was that many students and staff were very ignorant and uneducated about African culture. Unfortunately, many of these observations continued to trend throughout my college, postgraduate, professional, and personal life overall. From interactions with colleagues, college professors, church members, peers, and most recently a NYSUT a union member; African culture and history tends to be stigmatized, stereotyped, and homogenized. As I faced these experiences, I would often have conversations with my parents unpacking these interactions and how disappointing it was to have these encounters so often. During these discussions, my parents would share their own experiences in America, where they too have faced racism and ignorance from people of all races, backgrounds, and levels of education.

My cultural values and upbringing, compared to my educational experiences, inspired me at a very young age to go into education. I felt there was a strong need and lack of support for students in low-income communities that may not have proper guidance otherwise; I wanted to show students of color that there are opportunities beyond their environment; and I wanted to make the classroom experience more culturally relevant. I began to instill these changes during my student teaching assignment in a 6th grade classroom at Washington Middle School in Meriden, Connecticut. The demographics there were very similar to Amityville Public Schools, as were the observations I made initially throughout my primary and secondary educational experience. In my class, I began a daily segment at the beginning of the period called “Figure of the Day”. “Figure of the Day” started off as a daily 5-minute black history lesson, during Black History Month, after learning that students knew very little about any historical black figures. These 5-minute sessions would often unintentionally run over time due to the conversations and engagement it brought out of students. Soon enough, students were so intrigued, they would request people they wanted to learn more about. Eventually, that grew into wanting to conduct their own research and present their own projects. And it ended with us expanding “Figure of Day” to cover other races and cultures, well after Black History Month had ended. With each lesson presented, whether it was from me or their peers, I could tell each student found a connection, was inspired, and genuinely excited by what they were being taught because not only was it interesting, but very relatable. Many would go home and discuss what they learned with their parents and share more with their peers the following day.

During my first year at Bellport High School in 2020, I taught my very first Global 10 class. To describe that experience as challenging would be an understatement. 10th graders and 6th graders are quite different, as you can imagine. And this was during covid. Half of my students were in person, half of them online and I’ve never met, and engagement was at an all-time low. That year I decided to conduct a project to reflect on revolutions, a prominent topic in Global 10. Throughout the year, students learn about many revolutions including the French, Haitian, and Latin American revolutions, as well as unifications such as the German and Italian. All of these movements highlight the effects of nationalism, or pride in one’s country or culture. I wanted to show that many of the issues that lead to revolutions still endure today. At the time, the #EndSARS movement was occurring in Nigeria. This was a campaign to stop police brutality led by the Nigerian youth and made international news. I felt learning about this movement was a great way to connect students to issues outside of America as well as bring awareness to some African culture and societies. Students watched a cover of Childish Gambino’s “This is America” called “This is Nigeria”, which highlights political, economic, and social issues Nigerians face. Then, my students produced questions to ask one of my cousins in Nigeria about his experience there. He was able to respond to the questions with a series of videos. Through this and document analysis, students realized many of their own experiences and issues were similar. Many were also surprised to learn that my cousin had an iPhone and could make videos. For these students, this project helped humanize a continent that is often seen as lesser than and irrelevant.

Lastly, during the Imperialism unit, for Global 10, I emphasize the long-lasting effects of White Man’s Burden and eurocentrism, as many students are unaware of how these concepts influence many aspects of our lives. I include how these concepts have impacted the world’s view of anyone that is not a WASP. This is done through document analysis, where students study different events, letters, and political cartoons. I teach them to focus on tone, POV, and how images are portrayed. When conducting these lessons, it’s easier to find the British view of imperialism versus Africans. For African perspectives I use sources such as Jomo Kenyatta’s “Gentleman of the Jungle”, documentaries, primary documents, and my own parents and grandparents’ experiences of living in Nigeria and having government positions while under British occupation. We discussed how Europeans had many negative impacts, disregard and ignorance towards natives because they had different lifestyles and only cared for profit. We also study how ignorance and stereotypes play out in modern society, pop culture, and their own personal lives today. These activities often lead to discussions about common stereotypes and misconceptions about different races, cultures, and religions. When beginning these activities, students are often embarrassed and resistant to participate at first; but it opens up important dialogue about why it is dangerous to think that way. I find that not only are most students genuinely intrigued by history behind many of these misconceptions and stereotypes, but they often notice that these lasting impacts have affected them as well. What is most rewarding is when they are able to identify and call out these issues in their own lives and well after the lesson has been taught.

As a social studies teacher that emphasizes cultural relevancy and providing different cultural perspectives, I fear retaliation, being silenced, or accused of pushing certain agendas. I believe teachers must maintain a certain level of academic freedom and it is an absolute necessity for students to learn how to have hard and constructive conversations without having to agree with one another, especially in today’s climate. Unfortunately, I never experienced a teacher that brought these things to my attention but, I was fortunate enough to have a support system and grow up in an environment where I had exposure, which then fostered my own curiosity. I would like to pay that forward and not only be a support and role model for students, but to help them make the connections and realize the importance of education.

Focus on Mass Struggle, Not Just the Black Elite

By Adam Stevens

“Is Black resistance the highest form of Black excellence?” During Black history month the past few years this has been the focusing question in the Black history class I teach at Brooklyn Technical High School. By February we have been together since September, and the range of opinion on this question is wide. The room crackles with intellectual energy.  Scholarship and emotion combine to produce forceful arguments. Radical and conservative traditions contend. Outside the classroom we are saturated by a media environment where images of Black wealth are iconic, think Beyonce and Jay-Z. From time to time these Black images compete for our attention with images flowing out of what I’ll call a Black radical or activist tradition – think ‘End Racism’ appearing in NFL end zones or black screens on social media in the wake of the killing of George Floyd.

Inside our K-12 school buildings Black achievement is generally embodied in homage to great Black individuals, our unspoken mission is to lift our students out of the working class into the middle class or to keep them firmly planted in the American middle class. We may even provide a platform for a handful to become truly rich, to achieve ‘generational wealth.’. This unspoken mission is shared by parents, and if we are being honest, we hold it as a mission for our own children as well.

Our schooling involves an implicit renunciation of working-class life; under capitalism, workers are not winners. Yet workers are what most of our students will be. Black history in the United States is, by and large, the history of a working people. I have my students read passages from Barbara Fields’s seminal essay “Race, Slavery and Ideology in the United States.” Fields is careful to remind us that plantations in the American South existed to produce cotton first, not white supremacy. In small groups my students are taken aback by a passage that describes the numerous recollections of planters, overseers and enslaved persons of circumstances where the ‘smooth running’ of the plantation required the planter taking the word of the enslaved over that of the overseer, or of overseers being dismissed because of their management practices.

The power of economic development and class goals continued after the end of slavery. During a century of Jim Crow, a Black middle class and Black elite clawed their way up out of economic precarity, even as state-sponsored and vigilante racist terror haunted them. In the post-Civil Rights Movement era, a Black middle class was consolidated.  In April of 1968 elite institutions threw open their doors to the Black in a cynical but consistent response to the mass uprisings after the shooting of Dr. Martin Luther King, Jr. in April of 1968.

Should curriculum focus on the history of a Black elite? The tenets of ‘social history’ seek to ground historical investigation in the lived reality of the masses of the people, to get us away from understanding history as the work of ‘great men.’ When the masses are white, the rules of American racism have meant that we are studying a group that, over time, has experienced great chances for uplift, for rising in social status. Social history of the white working-class rests on a certain implicit substrate of hope. The problem in Black history is that for the whole era of slavery and much of the period after that ‘hopeful narrative’ is by definition closed.

This continent would not house a world power if it were not for the stolen  labor and amassed capital of the slavery era. Silence on slavery and its afterlife suits a ruling class that would have us forget this one fact. This is why the hysteria over Critical Race Theory. Forget slavery. Forget Jim Crow. Forget George Floyd. The U.S. ruling class knows what they did to get where they are, what they do to stay there, and they don’t want the next generation being reminded of it.

In the face of these stark facts of history and given the political headwinds, teaching of Jim Crow by retreating into the salve of figures of Black Excellence such as Madam CJ Walker feels safer not just in the face of conservative school boards, but as a way to boost the morale of a room where the course material can otherwise feel like a catalogue of Black suffering. Of course, by neglecting struggle, we don’t know what to do with Nat Turner, let alone John Brown, or Paul Robeson, or Claudia Jones, or W.E.B. DuBois.

That’s why historians and teachers matter so much. We need historians and teachers who can foreground the majesty of the Black struggle for liberation, for justice. We need historians and teachers who invite us to have pride in the broad masses of our ancestors, not just the elites. We grasp intuitively, perhaps, that it was the action of these broad masses that formed the motive force behind every great liberation movement of our history.  Black history as hero worship of great leaders disempowers every student who can’t see themselves becoming the next Martin Luther King. This problem is one that King grappled with himself on the day he died, there in Memphis, binding himself more closely to the cause of the sanitation workers of that city. He was building a Poor People’s Movement with a strong anti-imperialist element. The images of those Black workers with signs reading “I Am a Man” are iconic but they are iconic as protesters, not just as workers.

Eugene Genovese (Roll, Jordan Roll, Book Three, Part Two) helps my students understand slavery as a world where far more choice was exercised by the enslaved than we are given to imagine. I teach the returning veterans from World War I and World War II whose refusal to accept the business as usual of Jim Crow. Their energy gave birth to a Harlem Renaissance and a Civil Rights Movement. To see Black workers gathered in their masses, politicized, in motion against racism as the most powerful force in history, to see honor and glory in joining such a movement, this is an alternative view of Black Excellence and approach to curriculum. Teaching the struggles of ordinary Black people for dignity and equality is the curriculum focus we need to empower our students to survive and defeat the growing threats of fascism and war and to avert climate disaster. 

 

 

Governed by Despots: John Swanson Jacobs Chronicles Enslavement and Resistance

Governed by Despots: John Swanson Jacobs Chronicles Enslavement and Resistance

By Alan Singer (reprinted from New York Almanack)

Governed by Despots: John Swanson Jacobs Chronicles Enslavement and Resistance

The University of Chicago Press recently published a unique account of an escape from enslavement in North Carolina decades before the Civil War. The United States Governed by Six Hundred Thousand Despots (2024) by John Swanson Jacobs tells of his escape from enslavement by North Carolina plantation owner and Congressional Representative Samuel Sawyer in 1838 while he and the slaveholder were in transit through the City of New York. Jacobs eventually made it to Australia where his story was published serially in 1855 by the Sydney Empire. It was later republished in 1861 in London, UK under the title “A True Tale of Slavery” by The Leisure Hour: A Family Journal of Instruction and Recreation. The 1861 version of Jacob’s story is available online at the website Documenting the American South.

John Swanson Jacobs was born in 1815 in Edenton, North Carolina, the younger brother of his better-known sister Harriet Jacobs, author of Incidents in the Life of a Slave Girl (1861). Harriet Jacobs originally published her book under the pseudonym Linda Brent, possibly to protect those who remained enslaved at home. In the book she referred to her brother John as “William” and Samuel Sawyer, the white father of her two children who “owned” both them and John, as “Mr. Sands.” John Swanson Jacobs, safely in Australia, published under his own name.

In 1838, Sawyer traveled north because he and his fiancé planned to be married in Chicago, Illinois where she had family. He was able to bring an enslaved John Swanson Jacobs with him to New York State because although slavery had been abolished there in 1828, state law permitted enslavers visiting or residing in New York part-time to maintain slaves within their households for up to nine months. This statute was not repealed until 1841.

The following is an excerpt from chapter 5 of A TRUE TALE OF SLAVERY that was published in The Leisure Hour: A Family Journal of Instruction and Recreation (No. 478–February 21, 1861). In this excerpt, Jahn Swanson Jacobs describes his escape from slavery while in New York City.

“THE latter end of the third year after I was sold, my master was elected Member of Congress. I was ordered to get ready for Washington . . .  After my master had been there a short time, he went to board with Mrs. P—-, who had two young nieces here, to one of whom he was soon engaged to be married. As good luck would have it, this young lady had a sister living in Chicago, and no place would suit her like that to get married in . . . Everything was ready, and the hoped-for time came. He took his intended, and off we started for the West. When we were taking the boat at Baltimore for Philadelphia, he came up to me and said, “Call me Mr. Sawyer; and if anybody asks you who you are, and where you are going, tell them that you are a free man, and hired by me.”

We stopped two or three days at the Niagara Falls; from thence we went to Buffalo, and took the boat for Chicago; Mr. Sawyer had been here but a few days before he was taken sick. In five weeks from the time of his arrival here, he was married and ready to leave for home. On our return, we went into Canada. Here I wanted to leave him, but there was my sister and a friend of mine at home in slavery . . . I tried to get a seaman’s protection from the English Custom-house, but could not without swearing to a lie, which I did not feel disposed to do.

We left here for New York, where we stopped three or four days. I went to see some of my old friends from home, who I knew were living there. I told them that I wanted their advice. They knew me, they knew my master, and they knew my friends also. “Now tell me my duty,” said I. The answer was a very natural one, “Look out for yourself first.” I weighed the matter in my mind, and found the balance in favour of stopping. If I returned along with my master, I could do my sister no good, and could see no further chance of my own escape. I then set myself to work to get my clothes out of the Astor House Hotel, where we were stopping; I brought them out in small parcels, as if to be washed. This job being done, the next thing was to get my trunk to put them in. I went to Mr. Johnson’s shop, which was in sight of the Astor House Hotel, and told him that I wanted to get my trunk repaired.

The next morning I took my trunk in my hand with me: when I went down, whom should I see at the foot of the steps but Mr. Sawyer? I walked up to him, and showed him a rip in the top of the trunk, opening it at the same time that he might see that I was not running off. He told me that I could change it, or get a new one if I liked. I thanked him, and told him we were very near home now, and with a little repair the old one would do. At this we parted. I got a friend to call and get my trunk, and pack up my things for me, that I might be able to get them at any minute. Mr. Sawyer told me to get everything of his in, and be ready to leave for home the next day. I went to all the places where I had carried anything of his, and where they were not done, I got their cards and left word for them to be ready by the next morning. What I had got were packed in his trunk; what I had not been able to get, there were the cards for them in his room.

They dine at the Astor at three o’clock; they leave the room at four o’clock; at half-past four o’clock I was to be on board the boat for Providence. Being unable to write myself at that time, and unwilling to leave him in suspense, I got a friend to write as follows: — “Sir–I have left you, not to return; when I have got settled, I will give you further satisfaction. No longer yours, JOHN S. JACOB.”


This note was to be put into the post-office in time for him to get it the next morning. I waited on him and his wife at dinner. As the town clock struck four, I left the room. I then went through to New Bedford, where I stopped for a few months . . . The lawyer I have quite a friendly feeling for, and would be pleased to meet him as a countryman and a brother, but not as a master.”

Once free, John Swanson Jacobs moved to New England where he became an active abolitionist. His efforts took him to Rochester, New York and vicinity on a number of occasions and to New York City at least three times, in May 1849, October 1850, and July 1862. On May 11, 1849, the New York Herald printed an account of a speech by Jacobs at an American Anti-Slavery Society meeting where he called on attendees to make it “disreputable” for people who claimed to be Christians to hold other people in bondage. According to North Star on October 24, 1850, Jacobs spoke in New York City calling for active resistance to fugitive slave laws following the seizure of James “Hamlet” Hamilton by slavecatchers and on July 28, 1862, New York Independent reported on an interview with Jacobs where he recounted his experience as a cook on a British ship, with the support of British authorities in the Bahamas, that was attempting to enter the port of Charleston, South Carolina in violation of the federal blockade of Southern ports (252-258). Excerpts from these articles follow.

American Anti-Slavery Society (New York Herald, May 11, 1849)

“A slaveholder named Skinner, who was a skinner in every sense of the word, was in the habit of coming every year, to visit his brother, Re. Dr. Skinner, who . . . lived at 160 Green[e] street; and yet the baby-stealing, women-whipping tyrant never received a rebuke from his reverend brother, at whose table he sat . . . If anyone asked him what must be done to abolish slavery, his answer was, that it must cease to be respectable. They must make it disreputable, and then slaveholders would be ashamed of it . . . If they had less of religion, and more of Christianity, it would be all for the better” (252-254).

Meeting of the Colored Citizens of New York (North Star, October 24, 1850)

“My colored brethren, if you have not sword, I say to you, sell your garments and buy one . . . I would, my friends, advise you to show a front to our tyrants, and arm yourselves; aye, I would advise the women to have their knives too . . . I advise you to trample on this bill, and I further advise you to let us go on immediately, and act like men” (256).

Running the Blockade (New York Independent, July 28, 1862)

“[A] very intelligent colored man, formerly a slave in North Carolina, but recently for several years a resident of England, called at our office the other day, and related facts showing that British vessels are stilled engaged in running our blockade, and that the British officials in the Bahamas are, if possible, more inimical to our Union than are the same class of people at home . . . He shipped as a cook on board the steamship Lloyds, at London . . . ‘for Havana and any of the West Indies Islands’ . . . the captain (Smith) announced to the crew that he designed to run the blockade before Charleston, and offered three months pay extra to such as would remain with the ship . . . Jacobs refused to go to Charleston at any price whatever, and demanded, what was his undoubted right, that he be sent home to London. After various efforts on the part of Capt. Smith to indure (sic) Jacobs to either go to Charleston or to settle and sign a satisfaction, he attempted coercion. He had Jacobs taken before a police magistrate to answer the charge of having deserted the ship . . . The law was all on the side of Jacobs, but the public sentiment of Nassau was so strongly against him, and in favor of the unlawful and contraband trade with the Rebels” (257-258).

Teaching the APâ African American Studies Course

Teaching the APâ African American Studies Course

By Imani Hinson

“History, despite its wrenching pain, cannot be unlived, but if faced with courage, need not be lived again.” – Maya Angelou

Each year I start my students off with a week of lessons to understand why we study history in the first place and to get students specifically to understand why varied viewpoints are so important. This year I had my students reflect on a quote from Maya Angelou and asked them why they thought some political leaders across the United States did not think African American history was important and why they thought this history was considered controversial.

My students responded with the understanding that by learning history we can hope to not repeat it but also that learning this history does not aim to make individuals feel bad for the deeds done but rather understand the historical situations in which our country was founded and the continued history that is shaping the way our country is moving forward today. Despite the pain and suffering lived by many in this country, especially African Americans, it is important to uncover truths about our shared history. The APâ African American Studies curriculum provides students with a chance to do just that; tackle tough questions, tough realities, glean an understanding of the world that they live in today, and it gives them a chance to acknowledge a history that many of them have not learned before.

The APâ curriculum has a fantastic starting with the African Kingdoms of Mali, Songhai, the Hausa States, and much more. Students are able to do a deep dive into the history of Africa that many of them had never been taught about before. A question I get often from my students is “Ms. Hinson why are we not taught this in world history or any other history class?” The truth is that a lot of this history was unknown or kept secret for many years. In my classroom, we delve into the nuances of this history so that students understand how it differs from the traditional documents and writings they usually learn about in Eurocentric history classes. I introduce them to griots and students learn that different cultures pass down history in different ways. Much of the early history we know from African civilizations was passed down orally making it much harder for historians to uncover truths about these societies.  My students learned that Christianity was in Africa before European arrival when they study about places such as Lalibela. They learn about trade starting in the 8th century along the East Coast of Africa that connect places with the Mediterranean region and Central and East Asia. Students uncover truths about the Great Zimbabwe and amazing structures, built not by Greeks or aliens, but by the local Zimbabwean people who garnered their wealth from the Indian Ocean trade routes. Timbuktu is not a fictional place, but a nation where trade, advanced institutions of knowledge, and wealth resided.

Before being exposed to this curriculum, my students were taught that Africa was backward, a continent ripe for exploitation. They saw Africa, not as the birthplace of humanity with rich cultures, but rather a place that Europeans conquered and a continent that continues to have issues to this day.

Challenging misleading notions continues as students learn about the African diaspora. Before being exposed to this curriculum, they believed African Americans had no culture and were only brought to the Americas for harsh work and enslavement because of the color of their skin. I overheard an exchange in my classroom in which one student of color was poking fun at another. A West African student asked another Black student, “Hey, where are you from?” The student responded, “Oh well, I am just Black.” The West African student laughed and said “Oh, I’m so sorry y’all don’t have any culture.” That was an eye-opening exchange. I joined the conversation and asked, “What do you mean by that?” The student explained that they never heard of any African American culture and that Black people did not know where they came from. The conversation continued:

“Well why do you think that African Americans don’t know where they come from?”

“Well, I am not sure I guess slavery.”

“Correct, but do you know about all that Black people had to do to overcome of the obstacles of enslavement? Do you know the years of oppression that then followed enslavement that African Americans continued to make strides towards crafting a new identity?”

“The music you listen to is African American culture, some of the pieces of clothing or slang that you use are African American culture. The food that you eat, a lot of is African American culture.”

“Wow I never thought about that.”

“You should take the APâ African American studies course so you can learn more about Black culture!”

The sad reality is that so many of our students think this way. They believe that Black people are a people without history and this misleading notion really stems from the fact that we have not done a good job as a society to unpack these misconceptions. In some states they still teach that slavery was a benevolent work system where the enslaved learned important skills, sugarcoating the reality of what enslavement was. Why don’t students learn that there was slavery in New York and in other northern localities? Why don’t students learn that Free Blacks and people who escaped from slavery played a crucial role in the abolitionist movement and that African Americans have fought in every war in the United States even before its inception, that 200,000 Black soldiers and sailors fought in the Civil War to end slavery and the right to be full citizens of the nation of their birth?

The hardest part about teaching APâ African American studies course is getting students to relearn the history that was taught to them over and over again since they entered school. Black people were slaves, the Civil War happened, Lincoln signed the Emancipation Proclamation, Reconstruction took place, African Americans got some rights, then skip to the Civil Rights Movement, and that’s Black history. But there is so much more to African American history. Students truly do not understand that African Americans as a people continuously strove to be accepted as valuable contributors to this great nation. Even when they were told to “go back to Africa,” they stayed and fought for equality. It is hard to teach history in a society that try to erase the African American past by making it seem Un-American to shed light on the contributions of Black people to this county.

As a society we have prevented students of color from learning the truth about their heritage and culture and permitted all students to believe in a factionalized past. As a corrective, APâ African American studies is not just a class for students of color. Ideally, African and African American history should be interwoven into World history and United States history classes, not just relegated to an elective.  Black history truly is both World and U.S. history.

It is challenging for many young people to see the correlation between history and the world that we live in today. I started a lesson on sugar being the driver for enslavement in the Americas showing students newspaper headlines discussing chocolate companies using child slave labor and asked students would they still eat chocolate knowing where it came from. Many of the students had to think long and hard about it, but eventually most of them confessed that “yes, they would still eat it.” After a gallery walk showing various documents about the correlation between sugar and enslavement and economics, we came back together to have a discussion. I asked my students how the legacies of sugar plantations and slavery continue to impact economic disparities and race relations today? A student raised her hand and said, “what we see is that enslaved people were working for free and that their enslavers were making loads of money because of their hard work.” I asked, “What does that mean for the Black community today?” Another student responded, “Well this means that many Black communities don’t have the same amount of money as white people because they got rich while we didn’t get anything.” Another student added, “Well that is the reason why so many Black people have struggled to make generational wealth. It is almost as if we started at a different place” and then another explained “they basically had a 300-year start.” This is the reality that people who criticize the APâ African American studies curriculum are afraid of students uncovering; uncovering how this history continues to play out in America today.

Some people fear the acquisition of knowledge because they know that with knowledge can come change. The APâ African American studies course should not be labeled controversial or Un-American; in fact, it is the exact opposite. African Americans fought to be a part of this country and continue to fight for the country to stand true to its democratic values of all people having the right to life, liberty, and pursuit of happiness. The course does not blame students for the past, but rather brings them into the conversation about how we can continue to hold America to its promise by including the history of all of the people who helped to build this great nation. Thank you.

Book Review: Breaking the Chains: African American Slave Resistance

Breaking the Chains: African American Slave Resistance

William Loren Katz

(reprint of the 1990 edition with a new introduction by Robin D.G. Kelley)

Reviewed by Imani Hinson

When various localities are seeking to return to rhetoric of enslavement being beneficial or benevolent, Breaking the Chains: African American Slave Resistance is a book that is timely and beneficial for both teachers and students to understand the story of African Americans in their time of bondage. William Loren Katz did an amazing job of telling the story of African American enslavement through the eyes of the enslaved. Katz does this by describing a life in which enslaved people were not complacent but rather fought for every freedom awarded to them by their enslavers.

Katz explains, through this history, that African Americans were not only dealt physical blows but also had to fight against the master’s version of history after enslavement ended.

For much of American history enslaved people were described as complacent, willing to work, not upset about their condition or, as historians Allan Nevins and Henry Steele wrote, enslaved people
“were cared for and apparently happy” (9).

In other historical texts historians such as W.E. Woodward falsely stated that African Americans “were the only people in the history of the world who became free without any effort of their own” (234).

Although this had been a standard narrative for many years, Katz pushed back on this idea saying that historians had not done enough to find the stories of the enslaved in order to tell the true story of their resistance and their disdain for enslavement. He even goes as far as to say that “most scholars
have ignored this mountain of evidence” (13). But Katz refused to be another historian who gets history wrong and he wrote this book to detail the lives of the enslaved through the beginnings of the slave trade in Africa up to the passing of the Emancipation Proclamation.

Shown through many different angles and time periods, Katz described a people who resisted enslavement in every way. The book is broken up into four parts with a varying number of chapters in each part. The book begins with two introductory chapters, one written in 2023 in which Robin G. Kelley does the introduction and the other in which the author opens up the book setting the stage for the first chapter.

With the use of large print and historical images this book could easily be used to teach secondary students in grades 7-12 or could be used in an undergraduate college course. The writing is impeccably understandable and uses various sorts of sources including narratives of the enslaved,
accounts from white enslavers, foreign visitors to the United States, reports from the military and government, newspapers, and legal documents. In a society where it feels taboo to talk about the enslavement of African Americans, Katz’s thorough research is paramount to telling the story of
African Americans and their refusal to accept bondage.

Chapter two sets up the rest of the book by detailing why African Americans felt they needed to resist. In this chapter, Katz details the re-enslavement of African Americans on a daily basis and the horrors of what enslavement meant to them. He begins the chapter by stating “The reason for enslaved people’s resistance was slavery” (35). Enslavers understood that in order for them to achieve their goal of assimilating formerly free people into bondage, they would need to assert a form of dominance that denied African Americans the right to be human. Enslaved people were viewed as animals, chattel, property, and were purposefully kept from any knowledge beyond the plantations they toiled in. Chapter 2 details the fact that African Americans were not allowed to mourn, to be educated, to have their own thoughts, and were met with violence when they sought to
show any form of disobedience to Whiteness. In two narratives shared in this
chapter, one Louisiana woman was whipped for saying “‘My mother sent me’” (40) because calling her mother “mother” was akin to claiming the status of Whiteness.

In another story, Roberta Manson expressed that “They said we had no souls, that we were like animals’” and this was shown when her father was whipped for shedding tears after looking at an enslaved person who had been killed (40). Settlers thrived off of this system as they reaped the benefits of this free labor. As Katz explains that the South’s economy depended on the labor of
enslaved people and would not have thrived without them. White settlers were not willing to lose their power or control because they understood how vital enslaved people were to their economic prosperity.

While enslavers were concerned about enforcing and safeguarding their dominance, African Americans sought to play on this thought of enslaved people as inferior, dumb, and senile. Enslaved people deceived their masters into thinking they were joyfully working companions who looked forward to plantation labor. As Katz says “Black people pretended to be meek, happy, and dumb. They learned to answer an enslaver’s questions with the words they wanted to hear” (47). While enslavers were working to suppress the knowledge of the world around them, enslaved people worked to combat this through deception. Enslaved people would “forget” about tasks they were
told to perform or play dumb stating that they didn’t understand the job they were coerced to do. Enslaved people became the best actors claiming to be ill, not able to work due to a physical body strain, or in some cases even pretending to be pregnant. Enslaved people would smile and laugh with their enslavers before possibly running away that exact night. Although African Americans may have seemed dumb and senile, in reality this was a part of them reclaiming their agency to combat the
institution of enslavement.

In the wake of rhetoric that denies African Americans worked tirelessly to undermine the institution of slavery, this book does a great job of bringing to light the various ways in which African Americans resisted. Through the words of the enslaved themselves, as well as other primary source
documents, this book does the work of a historian, by uncovering the truth about African American resistance and their role in obtaining their own freedom.

The Exploitation of Enslaved Women During The 18th Century Colonial America

The Exploitation of Enslaved Women During The 18th Century Colonial America

Logan Stovall

Logan Stovall is an eighth grade student at Montclair Kimberley Academy in Montclair, NJ

The 18th century represents a dark period in American history when the institution of slavery thrived, and the exploitation of enslaved Black women flourished. The cruel realities endured by Black women during this time were not only a consequence of their enslavement but were magnified by both their race and gender, perpetuating a cycle of inequality and suffering. Beyond the physical captivity, these women endured a complex oppression that not only involved grueling labor but also made them victims of sexual violence. The harsh reality of this oppression becomes evident when one reflects on how the clothing worn by enslaved Black women served as a physical manifestation of their fragile existence. The clothes they wore were not just rags or pieces of fabric used to cover their bodies; they represented a system that dehumanized and abused them.  During the 18th century, an enslaved Black woman’s gender and race primarily affected the way she lived and thrived in an illiberal society. Understanding the exploitation of enslaved Black women during the American colonial era requires a closer look into the sweat of their daily labor, the sexual abuse they endured, and the clothing they wore that bound them to such a harsh life.

However, before any analysis regarding the exploitation of enslaved Black women is made, one must first consider that the racial stereotypes and discriminatory practices against enslaved Black women during the colonial era were the underlying causes of their mistreatment. The widely accepted racist ideas of Antebellum white slaveholders led them to think of their enslaved people as both biologically and culturally inferior. Due to their understanding of the social hierarchy at this time, slaveholders often whipped and physically mistreated enslaved women under their supervision.[i] In addition to the racist beliefs they held, slaveholders also created various stereotypes about enslaved Black women. One such popular stereotype was the “Mammy” caricature. The “mammy caricature” depicted enslaved Black women as enjoying their servitude, being physically unattractive, and only fit to be domestic workers.[ii]

In contrast to the “mammy caricature”, slave owners also created a more promiscuous stereotype of enslaved Black women: the “Jezebel” figure. The Jezebel caricature was used during slavery to justify a slaveholder’s objectification and sexual exploitation of enslaved Black women.[iii] The Mammy and Jezebel caricatures, along with various other derogatory stereotypes that plagued enslaved Black women, heavily influenced how the rest of the White population during the Antebellum period perceived and treated Black women. Sadly, these caricatures endured for decades even after colonial times.

With racial stereotyping forming the underlying cause of discrimination against Black women, a significant amount of White slave masters often subjected Black women to harsh labor conditions. Enslaved women were often forced to work in the fields from sunrise to sunset where they endured physical and emotional abuse. On larger farms and plantations, for example, women were forced to perform tasks like hoeing and ditching entire fields. These were the most exhausting and uninteresting forms of fieldwork.[iv] Slaveholders also held enslaved women accountable for cleaning and tidying communal areas like stables and expected them to spread manure as a fertilizer.[v] Moreover, slave owners frequently questioned how much time off enslaved women needed to adequately take care of their families and children. When not offered any downtime by their slaveholders, enslaved women had to bring their children with them to the fields and strap them to their backs as they worked tirelessly. [vi]

Black women’s exploitation extended beyond the fields. In many instances, the labor performed by enslaved women was prolonged and complicated. For example, many enslaved women began to work for slaveholders at a very young age. There was little free time for enslaved women to rest, given that most women worked for their master five to six days a week. This included keeping the owner’s homes clean, cooking food, and washing their clothes.[vii] In short, enslaved women were expected to work tirelessly, both in the fields and in the house. The slave masters did not care about  the well-being of their enslaved women and exploited them for their free labor.  For Black women, slavery in the southern colonies meant long days performing menial, exhausting tasks, sometimes in the hot, baking sun.  After working prolonged, hard days for the slaveholders, these women had to care for their own families, which was often a physical and mental challenge due to the absence of time to rest. When enslaved women did not meet the expectations for their work by their enslaver, they would oftentimes be taken advantage of sexually or physically assaulted as a form of punishment. Unfortunately, this possibility became a reality for many enslaved Black women.

Indeed, as the slave population in America grew larger through the importation of slaves, enslaved Black women primarily as reproducers of a valuable labor force rather than merely a part of the labor force.  The sexual exploitation of Black women extended from sexual gratification of their White slaveholders to include reproducing offspring that would expand their workforce. Though slave owners valued enslaved women as laborers, they were also well aware that female slaves could be used to successfully reproduce new labor (more children who would grow up to be slaves) by continuing their role as full-time mothers.[viii] This presented slaveholders with a dilemma because West African women usually had some prior agricultural experience (like growing tobacco and rice) which could be used to the slaveholders’ benefit.[ix]

In 1756, Reverend Peter Fontaine of Charles City County, Virginia, stated that Black females were “far more prolific than…white women.” This form of racial stereotyping made enslaved women extremely vulnerable to physical assault.[x] Many white enslavers raped Black women for sexual pleasure, as well as for their ability to produce children who would become slaves and ultimately increase their wealth. Instead of perpetuating the stereotype that all enslaved Black women were unattractive and were only fit to be domestic workers, they now were feeding into the stereotype that Black women were promiscuous and desired for the reproduction of enslaved children who could be used or sold. This form of physical exploitation was pervasive throughout the Antebellum South.

In addition to labor and sexual exploitation, clothing was another form of exploitation that enslaved Black women were forced to endure. While these women often knitted or otherwise made beautiful garments for White women and their children, the fabrics that enslaved Black women wore themselves offered minimal protection from the weather and had to be inexpensive and easy to make.[xi] Their clothing was so cheap in quality that it often disassembled or tore within weeks. As a result, enslaved women often borrowed clothing from one another or even stole clothing from the slave master’s house. They did this to give themselves or their families warm, sustainable garments, and sometimes, to blend into the free population. Oppressors often made enslaved women wear poor, rugged clothing to symbolize a Black woman’s low status and to cultivate racial stereotypes depicting Black women as inferior. Indeed, one reason why enslaved women wanted to steal White people’s clothes was because they wanted to appear as free Black people with increased status.[xii]

Despite being subjected to clothing exploitation, many enslaved women nevertheless tried to continue to be connected to their former culture by wearing West African garments. Enslaved women working in slaveholders’ homes were expected to cover their heads with lightweight white caps, which other members of the household also wore. However, to continue the West African tradition, many enslaved women also chose to wear brightly colored head wraps that surrounded their heads and were secured with knots and tucking’s.[xiii] They also sometimes wore cowrie shells in their hair; which were very expensive and far more valuable than money. These cowrie shells also appeared in spirit bundles as parts of clothing and jewelry, implying their use as amulets.

Black women not only wore these West African garments to remain connected with their former cultures, but they also wore the garments as a form of resistance against enslavement.[xiv] Enslaved Black women despised their status as slaves but were able to feel proud about and connect to their former West African heritage when they wore their cultural headdresses. The significance of these garments likely gave Black women a feeling of strength and empowerment as they were emotionally frightened by the abuse they faced from their enslavers.

During the 18th century, the exploitation of enslaved Black women through their gender and race greatly influenced the way they survived and flourished in a prejudicial society. Enslaved women were exploited in numerous ways and were expected to address the needs of others to the detriment of caring for themselves and their families. They worked extremely hard, both in the house and in the field, and did whatever they were commanded to do withstanding both physical and emotional abuse. They were often raped through their shabby clothing and physically assaulted by their master’s for punishment, as a means to increase their profit in human labor. But still, an enslaved Black woman was able to overcome these acts of exploitation non-violently and create her own peace by wearing and displaying garments that were distinct to her West African culture. Given all that these enslaved women endured, we should respect and admire their ability to overcome such incredible hardships.

Bibliography

Primary Sources:

Smithsonian, and National Museum of African American History and Culture. “Cowrie Shells and Trade Power.” National Museum of African American History and Culture. Accessed November 15, 2023. https://nmaahc.si.edu/cowrie-shells-and-trade-power#:~:text=Europeans%20in%20the%2016th%20century,at%20their%20use%20as%20amulets .

[i] LDHI, “Hidden Voices: Enslaved Women in the Lowcountry and U.S. South,” LDHI, accessed November 27, 2023, https://ldhi.library.cofc.edu/exhibits/show/hidden-voices/enslaved-womens-work.

[ii] LDHI, “Hidden Voices,” LDHI.

[iii] LDHI, “Hidden Voices,” LDHI.

[iv] Jennifer Hallam, “The Slave Experience: Men, Women & Gender,” Slavery and the Making of America, accessed November 27, 2023, https://www.thirteen.org/wnet/slavery/experience/gender/history.html.

[v] Emily West, Enslaved Women in America: From Colonial Times to Emancipation (Lanham: Rowman & Littlefield Publishers, 2017), 29

[vi] West, Enslaved Women, 28.

[vii] LDHI, “Hidden Voices,” LDHI.

[viii] West, Enslaved Women, 28.

[ix] West, Enslaved Women, 29

[x] West, Enslaved Women, 31.

[xi] Daina Ramey Berry and Deleso A. Alford, eds., Enslaved Women in America: An Encyclopedia enhanced credo edition ed. (Santa Barbara, CA: Greenwood, 2012), 34 and 35.

[xii] Katherine Gruber, ed., “Clothing and Adornment of Enslaved People in Virginia,” Encyclopedia Virginia, last modified December 7, 2020, accessed November 5, 2023, https://encyclopediavirginia.org/entries/slave-clothing-and-adornment-in-virginia/.

[xiii] Gruber, “Clothing and Adornment,” Encyclopedia Virginia.

[xiv] Smithsonian and National Museum of African American History and Culture, “Cowrie Shells and Trade Power,” National Museum of African American History and Culture, accessed November 15, 2023, https://nmaahc.si.edu/cowrie-shells-and-trade-power#:~:text=Europeans%20in%20the%2016th%20century,at%20their%20use%20as%20amulets.

Secondary Sources:

Berry, Daina Ramey, and Deleso A. Alford, eds. Enslaved Women in America: An Encyclopedia. Enhanced Credo edition ed. Santa Barbara, CA: Greenwood, 2012.

Gruber , Katherine, ed. “Clothing and Adornment of Enslaved People in Virginia.” Encyclopedia Virginia. Last modified December 7, 2020. Accessed November 5, 2023. https://encyclopediavirginia.org/entries/slave-clothing-and-adornment-in-virginia/.

Hallam, Jennifer. “The Slave Experience: Men, Women & Gender.” Slavery and the Making of America. Accessed November 27, 2023. https://www.thirteen.org/wnet/slavery/experience/gender/history.html.

LDHI. “Hidden Voices: Enslaved Women in the Lowcountry and U.S. South.” LDHI. Accessed November 27, 2023. https://ldhi.library.cofc.edu/exhibits/show/hidden-voices/enslaved-womens-work.

West, Emily. Enslaved Women in America: From Colonial Times to Emancipation. Lanham: Rowman & Littlefield Publishers, 2017.