What You Need to Know about Plagiarism

This article was reprinted with permission from https://njsbf.org/wp-content/uploads/2017/03/plagiarism_2016.pdf

            What is plagiarism? Generally speaking, plagiarism is the taking of someone else’s ideas or means of expression and passing them off as your own work. In some cases, educational institutions define plagiarism in faculty or student handbooks.

Is plagiarism a crime? There is a fair amount of misunderstanding about this. For an act to be criminal and punishable by law, legislation would need to be passed by either a state legislature or the U.S. Congress. Some sources refer to plagiarism as an “academic crime,” but that should not be confused with state or federal law. If a state were to pass a criminal law that described behavior understood to be plagiarism, that behavior would be a crime under that particular state’s statute. As a matter of federal law, while there is no national crime of plagiarism, there is criminal liability for certain copyright infringement.

Is plagiarism fraud? Plagiarism could be considered a form of “fraud” because you are misrepresenting as your own someone else’s ideas or work product, with the intention that others rely on it. Whether or not it is actionable and can subject you to liability would depend upon the rules and regulations of your academic institution or the laws of the state in which the act occurs. It may also be deemed “misappropriation,” which may also be actionable.

Is plagiarism cheating? The online version of Merriam-Webster Dictionary lists one definition of “cheat” as “to practice fraud or trickery.” Since you are acting dishonestly or fraudulently when you plagiarize, it could be considered cheating. Whether it subjects you to punishment in an academic context would depend on your school’s rules and regulations. Some academic institutions may deem it a “breach of contract” based on an expressed or implied contract between student and school.

Is it considered plagiarism if someone takes parts of an old research paper turned in last year and uses it for a current assignment? Some teachers will look upon plagiarism in its broad sense as representing that you have done work that you really have not done, and may view you as plagiarizing yourself to the extent you try to pass off a paper in one class as new and original, when you previously submitted it in another class. Some may not view this technically as plagiarism since you are not taking someone else’s work product. However, if you do not reference that it is a prior paper, then some may consider it a different form of cheating. Even if you are expanding on a prior paper, it is better to cite your own prior work rather than simply recycle it as a “new” paper. If you are using certain information from your prior paper in an entirely new way it may not need to be referenced, but it is probably better to err on the side of caution and cite it.

How can someone avoid plagiarism when doing research? How can information be rewritten without using some of the original writer’s words? Many academic institutions offer advice on their websites on how to avoid plagiarism. Your teachers may have their own ideas as well. In general terms, you should: (1) take careful notes and citations; (2) put quotation marks around any direct quotations; (3) identify specific citation information when you paraphrase; (4) indicate in your notes where you have injected original thoughts or comments. Because plagiarism can occur even when it is not intentional, you need to be thorough not only in your note taking but in how you reference your sources. Direct quotations, paraphrases, reference to another’s ideas or theories, and use of another’s charts or graphs, for example, must be acknowledged. Common facts do not have to be cited, such as the fact that Abraham Lincoln was assassinated on April 14, 1865. There is probably no one definitive statement as to what is common knowledge; if in doubt, consult your teacher. Even when you use attribution, if you overdo it, and have very little of your own work, it may be considered inappropriate, if not actually plagiarism.

What is the distinction between summarizing and paraphrasing? When you summarize, you are condensing the main points or ideas from someone else. When you paraphrase, you are restating the way someone else expressed something in your own words.

If information is summarized or paraphrased, must the source still be cited? Yes, unless you are summarizing or paraphrasing common facts.

Is an author’s permission needed to use long passages from his or her book or article in a report? The Copyright Act permits you to use appropriately cited material from someone else’s work as “fair use,” if the use is for “purposes such as criticism, comment, news reporting, teaching…scholarship, or research…” However, whether you need permission from an author is not simply a function of the length of a particular passage; it would depend upon the “purpose and character of the use,” the “nature” of the other work, the amount and substantiality of the passages used in relation to the other work as a whole, and the effect of the use on the market or value of the other work. Different journals and academic institutions themselves may have rules of thumb as to how substantial the passage must be in order to require permission. When in doubt, consult your teacher.

What source material needs to be cited in a report to avoid a charge of plagiarism? Different teachers will have different requirements. There are certain reference works, such as The MLA Handbook for Writers of Research Papers, (MLA), The Chicago Manual of Style, (CMS), or A Manual for Writers of Term Papers, Theses, and Dissertations, (Turabian). These books will tell you what information you’ll need for your bibliography and your footnotes or endnotes, and how citations are used internally and in bibliographies, and in different subject areas. For example, you will generally need to cite in a bibliography the author, title of the work, publisher, city of publication and year of publication.

If parents help to write a paper, is that cheating? Your paper must be your own work product. Most would probably agree that if you write a 20-page paper and ask your father or mother to read it and they say, “It was interesting, but I suggest you rewrite these paragraphs since they are not clear, and you have some spelling errors,” this would not be cheating. However, to the extent your parents actually write part of the paper for you, or give more than the kind of suggestion a teacher might, you are probably crossing the line. Because of the vagueness of the term “help,” there is no hard and fast rule, other than the work must be your own.

What does it mean when someone says to “use your own voice?” You should try to interpret things in your own words and bring your own independent thinking to the subject.

Does writing about personal experiences or thoughts ever require citations? Generally not, unless you are referring to an earlier published or submitted work of your own.

Can you plagiarize facts? Generally, you cannot plagiarize commonly known facts or items of common knowledge, but if the fact itself is someone else’s work product, then failure to cite it appropriately could be considered plagiarism. The University of Pennsylvania calls common knowledge “information that the average, educated reader would accept as reliable without having to look it up.”

What if something is considered common knowledge and is found in several sources? Must each source be cited to avoid a plagiarism charge? You should have a bibliography that refers to all the books you consulted. One school of thought is that if identical information is found in five different sources, then it is common knowledge and does not need to be cited. If the common fact or knowledge, however, is expressed in a particularly different way and you express it that way, you should cite the source of that expression. Again, if in doubt, consult your teacher.

What is the public domain? The public domain refers to works that are no longer copyrighted as a matter of law and that are open to use by anyone. For example, all works published in the United States before 1923 are in the public domain as a result of expiration of copyright.

Is citing material in the public domain necessary? Yes. While you are not subject to copyright infringement issues, if you do not appropriately cite the source, you would be plagiarizing. Consider, in an extreme example, if you are given a creative writing assignment and you turn in Charles Dickens’ A Tale of Two Cities, passing it off as your own. You would not be liable for copyright infringement in that instance, but you would be plagiarizing, because you have passed off someone else’s book as your own.

How do you know if you have “substantially rewritten” information you obtained through research? This is very fact sensitive. There has to be some level of common sense and good judgment. One way to approach this is to ask yourself whether the average, objective reader would think that you have simply copied the passage. If, for some reason, the issue reached the courts, various technical tests would be used to determine if there was any type of infringement. If you have any doubts, you should probably try to rework your writing and/or consult your teacher.

Is copying material from the Internet considered plagiarism? Copying material from the Internet and passing it off as your own and not appropriately explaining it is plagiarism. The same rules apply in determining whether you have engaged in copyright infringement. The words appearing on a website are someone else’s product and should be treated the same as a hard copy source. There is no difference between copying from the Internet and copying out of a book. The only thing that matters is whether or not you are passing off someone else’s work as your own, and the same tests will apply. The fact that it is easier because you can cut-and-paste does not change the principle.

What is the appropriate use of Internet material? The same rules apply as for hard copy sources. It’s another published source. Consult the style manuals noted above for the particular format of such a citation.

Is it illegal to purchase an entire term paper from the Internet? If you purchase a term paper and pass it off as your own product, then it is plagiarism. If you wish, however, to purchase the legitimate work product of another for your own reference, you may do so, assuming that work itself is not infringing and the website or company selling the paper is legitimate. For example, you may be able to purchase a student’s unpublished thesis that is in the library of a university and use it as another source. Note: In some states it is illegal to sell terms papers to students.

Can a teacher tell if a term paper came from the Internet? If so, how? In many cases, teachers can tell. First, there are software programs that teachers may use to analyze your paper. Another way the teacher can tell is if the writing or quality of work is uncharacteristic of the particular student; for example, if the vocabulary reflects words that the teacher has never heard the student use or the writing style is inconsistent with prior work. In other instances, the teacher may be familiar with the idea or theory being passed off as the student’s own.

Can someone be suspended or expelled for purchasing a term paper off the Internet and passing it off as their own? If your school’s disciplinary code indicates that one of the penalties for plagiarism could be suspension, then it doesn’t matter from what source you got the paper. What matters is whether you have plagiarized and violated the school’s rules. Plagiarizing someone else’s work and passing it off as your own can be a serious offense, depending upon your school’s rules. Other penalties may apply depending upon the teacher’s rules or policies, particularly in a high school setting.

Is copying information out of the encyclopedia considered plagiarism? Encyclopedias are treated no differently than any other source. While a fact is a fact and you are entitled to use that fact, you cannot simply copy word for word an entry in an encyclopedia and pass it off as your own.

Is copying information from a sourcebook considered plagiarism? There are two different issues here. If someone has prepared a table or chart of data, you should cite the source of that chart or data. On the other hand, if you are citing a particular fact that is a common fact, it would probably not be plagiarism. For example, if the sourcebook contains the annual rainfall over 10 years in the Brazilian rainforest, you should not just copy that chart and pass it off as your own. If you wanted to refer to the rainfall in one year, that, too, may not be a commonly known fact, and you probably should cite the source—not only for protection against plagiarism, but to identify the source for other interested persons. If the sourcebook places information in a particular or creative form, that, too, should be acknowledged. On the other hand, if the sourcebook lists the presidents of the United States and their terms of office, that information in and of itself is commonly known and should be able to be utilized without concern. Again, when in doubt consult your teacher or your school’s website and plagiarism policies.

How can it be proven that someone did not plagiarize? The proof is going to be a comparison of the source or sources to what you wrote. You would seek to prove that either you documented the source and that you’ve given credit, or that you did not need to because you were referring to common facts, or that you have appropriately utilized your own language and thoughts. In essence, you would need to prove that you did not do any of the things that have been discussed in this brochure.

What are the consequences of plagiarism? It depends on an individual school’s policies. Apart from personal embarrassment and damage to reputation, you may be subject to discipline that could include suspension, expulsion or delay in obtaining your degree; or receive a failing or reduced grade on the paper or in the course.

What does “ignorance of the law is not a defense” mean? What this means is that even if you have inadvertently plagiarized, you may still have a problem. Schools have made clear in their rules and regulations, and on their websites, what is and is not permitted, so it is probably not going to help you to say you did not know, particularly if you have had the opportunity to find out. While it is an oversimplification to say in all instances that ignorance of the law is not a defense, it generally means that you cannot rely on ignorance when you have a responsibility to find out what your obligations are. In some instances where intent is required, ignorance may be a mitigating element.

What if you accidentally plagiarized a passage because you couldn’t remember if you copied it from somewhere or rewrote it in your own words? Are you still liable for plagiarism? Yes, you can be liable for accidental or inadvertent plagiarism. While it might be a mitigating factor, in other words the school may take into account the fact that your plagiarism was accidental, depending upon the school’s rules, you might still be subject to disciplinary procedures.

Who is hurt by plagiarism? You are hurt by plagiarism because you are not learning proper research habits or disciplining yourself in proper research and writing techniques, and you are not fully thinking through your arguments. The integrity of the academic institution is hurt if this kind of behavior is tolerated. Other students are hurt because they are competing against someone who is taking unfair advantage and otherwise cheating.

If someone is accused of plagiarism, must the accuser prove that he or she plagiarized, or must the accused prove that he or she didn’t plagiarize? In an academic context, the institution needs to show that you plagiarized. If someone accuses you of copyright infringement, they have the burden of proof. However, once they prove ownership and substantial copying, you have the burden of proving your defense, such as fair use.

Is it better to try to turn a paper in on time even if you have to plagiarize, rather than get an “F” on an assignment? No, since there is no guarantee you’ll get a failing grade if you discuss the situation with your teacher prior to submitting the assignment. Moreover, if you are caught plagiarizing, you can still receive an “F” anyway. If it is a true emergency, most teachers will probably work with you. If you have simply waited until the last minute, however, then you have brought the problem on yourself. You cannot justify plagiarism to cure your own lack of planning.

If caught, should the plagiarist be publicly identified, or should the matter be handled privately? An honor code may provide for a type of private intervention by one student to another as a means of ensuring compliance, and the school’s disciplinary proceedings may have confidentiality requirements. Sometimes dealing with a situation privately does more good than publicly embarrassing someone. On the other hand, the particular institution may have different policies on how public or private a particular incident becomes. Certainly, in a civil lawsuit for copyright infringement, the allegations are generally public.

What is an honor code? An honor code is a set of commitments you make to honor certain principles, whether you’re at a company or in an academic environment. In some circumstances it might take on contractual status, which if breached can trigger consequences in accordance with a school’s rules and regulations.

Is plagiarism a violation of the honor code? Most honor codes would make plagiarism a violation, but each school’s code would have to be consulted for the particulars. The penalty for plagiarism under an honor code would be for an individual school to decide. An honor code may provide for sequential and increased penalties for subsequent offenses. Offenses can include getting a zero or the equivalent of receiving a failing grade on the particular assignment, withdrawal of school privileges, and suspension or delay in receiving a degree, and may depend on whether the institution is a public or private school.

Steven M. Richman, a commercial lawyer whose practice includes aspects of copyright and international law, provided the legal information contained in this brochure. The New Jersey State Bar Foundation thanks Mr. Richman for his time and diligence in the production of What You Need to Know About Plagiarism. For more information or copies of program materials, visit the New Jersey State Bar Foundation online at http://www.njsbf.org or call 1-800 FREE LAW. Please follow the Bar Foundation on Social Media and invite your friends to like and follow us as well. @NJStateBarFdn can be found on Facebook, Instagram and Twitter. The Foundation also has a YouTube channel.

Enhancing Student Learning with AI-Powered Image Features

Andy Szeto

Plaza de Toros de la Real Maestranza de Caballería de Sevilla, a Bullring in Seville, Spain. Photo Credit: Andy Szeto

Artificial[HB1]  intelligence (AI) is transforming the way we approach education, providing tools that enhance student engagement and make abstract concepts more accessible. One such innovation is AI-powered image recognition, which has the potential to revolutionize real-world learning experiences, from understanding historical documents to visualizing complex ideas.

My recent experience in Seville, Spain, underscores how AI can make learning more dynamic and personal.  While traveling with my family in Seville, Spain in August 2024, my soon-to-be teenage daughter turned to me as we stood inside a bullfighting ring and asked, “Hey dad, what do the two red circles mean?” I acknowledged my lack of knowledge on the matter but soon recognized that AI could provide valuable assistance. 

Using my paid version of ChatGPT, I uploaded a picture of the bullring, and within moments, the answer appeared. The red circles in the Plaza de Toros de la Real Maestranza are reference points used during bullfighting events, helping the matador and participants position themselves during key stages of the fight. ChatGPT’s photo upload feature, available in its paid version, allowed artificial intelligence to analyze the image quickly and provide a detailed answer to my question, which amazed us both. My daughter was excited to learn this fact, while I marveled at the power of AI in delivering such precise information. This moment highlighted how AI could revolutionize education, by promoting independent learning and engaging students with real-world questions, both inside and outside the classroom.

This small but powerful moment made me reflect on the broader implications of AI in education. Beyond answering real-world questions, AI can also assist students in engaging with historical materials in new ways, such as transcribing handwritten documents or visualizing historical events.  Students can utilize AI image recognition features to enhance their understanding of historical archival materials by uploading images of primary sources, such as draft cards, census records, or letters, into an AI system. These AI tools can process and analyze a wide range of documents, extracting key details such as names, dates, locations, and occupations that are often embedded in handwritten or faded text. This process allows students to work more independently with primary sources, reducing the manual effort needed to transcribe difficult-to-read documents, particularly those written in older or cursive styles.

While the technology is not flawless—certain handwriting styles, ink smudges, or document wear can cause errors—it offers substantial support, especially for novice researchers who might otherwise find these documents inaccessible. For example, students could create a prompt like, ‘Find attached an image, and extract every piece of information from the draft card,’ to encourage the AI to analyze the content in detail. This could include not just the soldier’s name and registration date, but also contextual clues like regional differences in draft registration forms or patterns in the types of exemptions requested.

Furthermore, by leveraging AI’s ability to scan and highlight particular elements, such as identifying a certain region mentioned or flagging unfamiliar terms, students can dive deeper into their analysis. In a classroom setting, teachers can encourage students to compare their own interpretations of a primary source with the AI-generated output, sparking discussions on the reliability and limits of technology in historical research. Through this process, students gain a more hands-on approach to examining archival documents, enhancing their critical thinking skills and historical inquiry capabilities (UTSA Institute of Texan Cultures, 2017)

Similarly, AI can help students transcribe historical handwriting, assisting them in reading handwriting from primary sources. For instance, a student may struggle to read government records, such as those about the Governor’s Mansion in North Carolina, detailing the cost of a house in Raleigh for the governor. In this case, AI can assist with the transcription (North Carolina Digital Collections, 2024). Additionally, AI can help students with cursive handwriting, making it easier for them to understand cursive text, which is often seen in older documents. Again, this technology, like extraction, is not perfect but is useful in supporting students as they delve into historical records. This allows for a deeper exploration of historical documents by aiding in the extraction of text and details that might otherwise be difficult to read manually.

WWI Draft Registration Certificate for Ernst Fritz Schuchard, issued June 5, 1917, in Bexar County, Texas

Governor’s Mansion: Payment to Penitentiary for Construction of Governor’s Mansion and Payment for Yard Work  An AI-generated Image depicting Election Day, November 1884, inspired by Walt Whitman’s poem.  

Beyond text recognition, AI’s image generation capabilities further enrich student learning by bringing historical concepts to life. By transforming abstract texts, like Whitman’s poetry, into visual scenes, students can engage more emotionally and intellectually with the material.  Using AI’s image generation feature to create an illustration inspired by Walt Whitman’s poem Election Day, November 1884 offers a powerful and engaging experience. The poem reflects the importance of civic duty and voting rights during a significant moment in 19th-century America, when the concept of suffrage was expanding, but not yet fully inclusive. Through imagery rooted in historical contexts—voters gathered at polling places, and the somber, reflective mood of Whitman’s work—the visuals deepen students’ understanding of the era’s political and social dynamics.

This process highlights how visual learning can enhance comprehension of abstract or complex ideas, such as the evolution of voting rights and the struggles for representation. By turning Whitman’s words into visual scenes, students can grasp the weight of these moments in American history more profoundly. The combination of poetry and historical imagery helps students emotionally engage with the topic, making the importance of suffrage and the responsibilities of citizenship more tangible.

Beyond aiding comprehension, AI-generated image tools offer creative opportunities for students to engage with historical texts and events. For example, students can generate visuals that reflect their interpretations of political movements or historical milestones, giving a personal touch to their learning. By visualizing historical settings, they can immerse themselves in the world of 19th-century America, imagining what it might have felt like to be at the center of political change. This not only brings history to life but also encourages students to think critically about the significance of voting rights in a democratic society.

Using the image analysis feature to teach data interpretation and visualization is an effective way to engage students in real-world data analysis across multiple disciplines, including economics. For instance, beginning with a handwritten data table, such as voter turnouts for a local election by demographic groups from 2011 to 2015, teachers can guide students in reading, interpreting, and analyzing the data from the image. This activity can extend into mathematics by encouraging students to calculate growth rates, percentages, and year-over-year comparisons. For example, students might calculate the percentage increase in voter turnout for Asian Americans in the five-year period or determine the rate of decline for another demographic group, applying key concepts from algebra and statistics.

Once the data is understood, it can be converted into a graph using tools like Python, Excel, or other data analysis software. In this case, a line graph might be created to visualize trends in voter turnouts. 

As another example, students can use data analysis tools to explore economic principles, such as by examining a company’s online sales data. They can utilize the image feature to create graphs that illustrate trends, such as a clear rise in online sales alongside a decline in phone sales over the years. This step could serve as a foundation for discussions around key economic concepts like supply and demand, market shifts, and consumer behavior. Students can also analyze the economic factors that may have driven the increase in online sales, such as the availability of faster internet services or changing consumer preferences for convenience.

From answering spontaneous questions in a bullring to transcribing historical documents, AI tools help make learning more relevant and personalized. These innovations empower students to interact with their studies in a hands-on way, fostering critical thinking and independent exploration.

AI-powered tools, such as image generators and recognition features, are transforming education by making abstract concepts more tangible and promoting real-world problem-solving. From my personal experience using AI to answer a question in a bullfighting ring in Seville, to students transcribing historical documents or interpreting data, AI fosters engagement and critical thinking across disciplines. It enhances inclusivity by providing personalized support, particularly for multilingual learners. As educators integrate AI into their practices, they can create more dynamic, interactive, and meaningful learning experiences that equip students with the skills needed to thrive in a complex world.

North Carolina Digital Collections. Governor’s Mansion: Payment to Penitentiary for Construction of Governor’s Mansion and Payment for Yard Work, Raleigh, North Carolina. Accessed October 6, 2024. https://digital.ncdcr.gov/Documents/Detail/governors-mansion-payment-to-penitentiary-for-construction-of-governors-mansion-and-payment-for-yard-work/5836538.

UTSA Institute of Texan Cultures. (2017). Object: Draft card. Retrieved from https://texancultures.utsa.edu/collections-blog/object-draft-card/


Museums in New York and New Jersey

New York and New Jersey are home to many historical landmarks and sites, some better known than others. Below are several such sites which may not be as familiar to teachers and students.

30 West Main Street
Oyster Bay, NY 11771

Video tour: https://www.youtube.com/watch?v=tSZVM6-qEbw

In 1740, 23-year-old Samuel Townsend purchased the property now known as Raynham Hall, moving from his father’s place in nearby Jericho. His move to Oyster Bay allowed him easier access to the waterfront and benefited his growing shipping business, co-owned with his brother, Jacob, who moved in next door on Main Street. Samuel’s property consisted originally of a four-room frame house on a sizable plot of land, with an apple orchard across the street, hundreds of acres of nearby pasture and woodlands for his livestock, and a meadow leading down to the harbor, where he and Jacob kept their ships.

In short order, Samuel had enlarged the house to eight rooms by building a lean-to addition on the north side, creating a saltbox-style house. This property, then known simply as “The Homestead,” would have been a hub of activity during the years leading up to the Revolutionary War, and was home to Samuel, his wife Sarah Stoddard Townsend, their eight children, and 20 enslaved people.

By 1769, Samuel and his brother Jacob owned five ships, which sailed to Europe, Central America, and the West Indies. They traded in an impressive range of goods, including most importantly logwood (which was and continues today to be a crucial ingredient in the dyeing of textiles), tea, lumber, molasses, sugar, china, wine, textiles, dye and rum. In addition to the shipping business, Samuel operated a general store, providing local access to a wide variety of imported wares. He was an active member of local and state government, as Oyster Bay’s Justice of the Peace and Town Clerk, a member of the New York Provincial Congress from 1774 to 1777, and, after the Revolution, a New York State Senator from 1786 to 1790.

Although most of Oyster Bay sided with the British during the American Revolution, Samuel’s sympathies were with the Patriots, despite the far greater risks those sympathies posed to his position, family and fortune. Following the Patriots’ decisive defeat in 1776 at the Battle of Long Island, British forces occupied all of New York City and Long Island, often brutally. Many people in the area who ran afoul of British authorities were confined to prison ships on which more than 12,000 people would die of illness or starvation by the end of the war in 1783, at a time when Manhattan’s entire population was around 20,000. The Townsend family, unlike many Patriots who fled, decided to stay in their home throughout the occupation.

Typical of wealthy New York families, the Townsends of Raynham Hall held many enslaved people who labored to maintain the house and grounds, the livestock and the fields, as well as possibly working on the Townsends’ ships. Samuel Townsend’s business interests also were intertwined with the economics of slavery, including, as they did, trade in such products as logwood, sugar, rum and tobacco.

The earliest slave record concerning the Townsends is a receipt of the purchase of a man bought by Samuel in 1749 for 37 pounds. No name is listed on the receipt. A Bible in Raynham Hall Museum’s collection contains entries from 1769 to 1795 recording the names, births and deaths of seventeen people held enslaved by the Townsends, as well as a partial genealogy. The record lists first names only, including Hannah, Violet, Susannah, Jeffrey, Susan, Catherine, Lilly, Harry, Gabriel and Jane. When the oldest Townsend son, Solomon, married his cousin Anne in 1782, they were given two people, Gabriel and Jane, as wedding presents. Gabriel and Jane’s children, Nancy, Kate, Jim and Josh, also became enslaved to Solomon, as did several others not listed in the Bible, named Charles, Shadwick, Pricilla, and her unnamed son. Additionally, letters show Samuel also owned a young woman named Elizabeth, who escaped Oyster Bay with the British Queen’s Rangers when they decamped in 1779. Samuel’s daughter Audrey and her husband Capt. James Farley owned a woman named Rachel Parker, and Audrey’s sister Phebe’s husband Ebenezer Seeley held a man named Amos Burling as his property. Interestingly, Robert Townsend was a member of the New York Manumission Society, founded in 1785, which worked towards the abolition of slavery.

Other enslaved people from the Oyster Bay area are recorded as having come to the Townsends’ store to purchase goods for their masters or for themselves, and a ledger now in the collection of the New-York Historical Society, but kept back in the day by sons William and David, records many purchases made during the 1760s and 1770s. In 2015, Raynham Hall Museum’s historian Claire Bellerjeau discovered a document at the New-York Historical Society that was revealed to be the sixth known poem by Jupiter Hammon, the first published African-American author in America, also an enslaved person owned by the Lloyds of Lloyd Harbor.

In September of 1776, British soldiers came to Samuel Townsend’s home in Oyster Bay to arrest him for his outspoken Patriotic beliefs, and to imprison him on one of the notorious prison ships in New York Harbor, where horrendous conditions would result in the deaths of over 12,000 captives by the end of the war. According to the recollection of family members, a British officer in the home smashed a hunting rifle that was mounted above the mantle, declaring that a rebel had no right to possess such a weapon, and then motioned to a portrait of the Townsends’ oldest son, Solomon, demanding to see him as well. When told that Solomon was at sea, he expressed regret that they could not arrest him as well. Outside the house, wife Sarah and daughters Sally and Phebe were frantic, afraid they might never see Samuel again.

Samuel was led away through the village and towards Jericho, traveling up the long hill in Pine Hollow. Coming down the hill in the opposite direction were Thomas Buchanan and his wife Almy, Samuel’s brother Jacob’s daughter, riding in a Phaeton carriage, with Samuel’s daughter Audrey alongside on horseback. Though he was considered a Tory, Buchanan was very close to the Townsends. He was also in the shipping business with the Townsends and had hired Samuel’s oldest son Solomon to captain his merchant ship, the Glasgow.

According to family history, when Buchanan saw Samuel being led away, he took Audrey’s horse and followed the soldiers to Jericho, where he paid a huge sum of money — several thousand pounds — to secure Samuel’s freedom. To the great relief of family and friends in Oyster Bay, Samuel returned home, unharmed, though he was then compelled to sign an oath of allegiance to the king, foreclosing any overt action against the crown. Following the end of the war in 1783, when all British were required to evacuate, Thomas Buchanan’s great loyalty and friendship were remembered, and he was allowed to stay and continue his successful merchant business in New York, unlike many Loyalists who were forced to emigrate, forfeiting their property.

For a six-month period from 1778 to 1779, the Townsend home served as headquarters for a regiment of over 300 British troops called the Queen’s Rangers, and their commander, Lt. Col. John Graves Simcoe, who quartered himself in the house, alongside the family. Daily officers’ meetings were held in the front parlor, and the presence of British officers in the house became an everyday fact of life. In March of 1779, Simcoe was visited for several weeks by a close friend, British officer and intelligence chief Maj. John André, who would later be hanged as a spy for his role in helping Benedict Arnold turn traitor in 1780. André, by all accounts a remarkable charismatic person, and an accomplished amateur artist, was 29 years old at the time of his death. After the war, Lt. Col. Simcoe founded the city of Toronto, where he served as Governor of Upper Canada.

At the time he accepted to join George Washington’s intelligence network in 1779, Robert Townsend operated a Manhattan-based merchant shipping firm with his brother William and cousin John. Using his work as a merchant as a cover, Robert could move about the coffee houses, social events, shops and docks of Manhattan, eavesdropping and observing British troop movements, without arousing suspicion.

Under the code name “Culper Junior,” Robert formed the first link in a chain of agents who came to be known as the Culper Spy Ring. Using a special invisible ink formula, invented by John Jay’s brother Sir James Jay, as well as an elaborate numeric code, the spies supplied Washington with critical information about New York City and Long Island.

Robert Townsend served his country well, and at great risk to himself and his family. Though he moved back to Raynham Hall following his father’s death in 1790 and lived for years with his sisters Sarah and Phebe, he kept his involvement in the Culper Spy Ring a total secret from his family and friends for the remainder of his life. Indeed, Robert’s involvement in the Culper Spy Ring was not uncovered until the 1930s, when historian Morton Pennypacker hired a well-known handwriting analyst to prove the true identity of Culper Junior.

1003 Morris Avenue
Union, NJ 07083

In 1760, when lawyer William Livingston, a member of the prominent Livingston family, was planning to build a country home, he bought 120 acres in what was then sleepy bucolic Elizabethtown, New Jersey, just across the river from his New York home. For the next twelve years, Livingston developed the extensive grounds, gardens and orchards. and oversaw the building of a beautiful fourteen-room Georgian-style home. In 1774, Livingston and his wife, the former Susannah French of New Brunswick, moved to Liberty Hall on a full-time basis with their children and the several people he and his family enslaved. The peace and quiet Livingston sought was short-lived. From 1774 to 1776, Livingston put his retirement on hold and served as a member of the First and Second Continental Congress and as Brigadier General of the New Jersey militia. On August 31, 1776, Livingston became New Jersey’s first elected governor. The ensuing war years were difficult ones for the governor, who spent them on the run from British troops. Finally, after the war in 1783, he was able to return to his home, which was heavily damaged by both British and American troops. Livingston also signed the United States Constitution, in addition to chairing two major committees at the Constitutional Convention. While juggling the demands of governing, Livingston also managed to pursue his great love of gardening and agriculture, utilizing the labor of free and enslaved individuals. Governor Livingston served as governor for fourteen years until his death on July 25, 1790. He is credited with making the New Jersey governorship one of the strongest.

At Liberty Hall, our goal is to deepen our visitors’ understanding of history and nature through the lens of the people who lived and worked in our over 250-year history. We strive to engage with our broader community by providing entertaining and educational programming that will inspire curiosity about the world around them and how that world has changed over time.

Liberty Hall stands at the center of the American Revolution and academic excellence. Home to trailblazing governors, congressmen, senators, assembly persons, philanthropists, and entrepreneurs, its plush gardens have spurred civic change and social innovation for centuries. Inhabited by William Livingston, New Jersey’s first elected governor and a signer of the United States Constitution, the 14-room Georgian-style home evolved over time into a 50-room Victorian mansion.

Liberty Hall began welcoming the public to experience its history and participate in its future in the year 2000. The museum has hosted educational programs, community events, civic ceremonies, and holiday celebrations.

The site is not just home to the stories of public servants and bold industrialists, its magnificent grounds also include an elegant English parterre garden and maze. Visit to view the scenery or explore the collections of antique furniture and decorative artifacts collected by the seven generations, including both the Livingston and Kean families, who called Liberty Hall home.

45 Macculloch Ave. Morristown, NJ 07960

Newly arrived British immigrants George and Louisa Macculloch built Macculloch Hall in 1810. They expanded their Federal-style mansion in 1812 and 1819, tripling its size, as their family’s prominence in local, state, and national affairs grew. Come explore the largest collection of original work of political cartoonist Thomas Nast (1840-1902), art, and American history where it happened.

In 1810 George and Louisa Macculloch purchased a 26-acre parcel of land on which they built Macculloch Hall. The Maccullochs cultivated the land primarily to feed their family, planting a traditional kitchen garden as well as apple and pear orchards. George Macculloch (1775-1858) loved the gardens and kept meticulous journals. From them we know what was planted when and where, how crops did and what the family ate. Some of Louisa Macculloch’s (1785-1863) recipes are among the family’s papers in the Museum’s Archives. Modern adaptations of many of them are under “Interactive Activities.”

In the span of five generations, the Macculloch/Miller/Post family members went from owning enslaved men, women, and children to donating land for one of Morristown’s first Black churches, to speaking out on the national stage against the expansion of slavery, to commanding Civil War African American soldiers, and to raising money to support an African American industrial school in Georgia—all while the family lived at Macculloch Hall. George and Louisa Macculloch arrived in Morristown in 1810 with their daughter Mary Louisa and son Francis. They also brought with them three enslaved adults: Cato, Susan, and Betty, as well as a toddler, Emma. Since no legal requirements existed to record slave sales, it is not known when or where George purchased them. The Morris County manumission records have not survived, so there is no record of their being freed.

We know from the family Bible the names of the children born into slavery at Macculloch Hall: William (1811), Henry (1814), and Helen (1817). Their Bible does not name the parents. However, there is some additional information in birth certificates filed with the county clerk. This registration was required by the 1804 Gradual Emancipation Act. On January 8, 1812, George Macculloch registered the births of Emma “on or about September 1809, mother Susan”, and William “April 18, 1811, mother Susan”. No record is noted about the father. It also seems that Henry and Helen’s birth were not registered.

Very little is known about the enslaved men, women, and children at Macculloch Hall. With one exception, they are not mentioned in the surviving archive of family letters and documents. Although not mentioned, we know that their forced servitude, together with the paid labor of men and women in the area, enabled the Maccullochs to run their house and farm. Mary Louisa Macculloch Miller (1804-1888), George and Louisa’s daughter, spent her entire life at Macculloch Hall. She and her husband Senator Jacob Miller raised their nine children there. The fact that her family had owned enslaved men, women, and children and that Mary Louisa grew up in a house with enslaved servants, did not preclude her from supporting the African Methodist Episcopal Church, one of the first independent Black churches in Morristown.

Jacob W. Miller (1800-1862), a lawyer from Long Valley, N.J., married Mary Louisa Macculloch in 1825. In 1838 he was sent to the New Jersey Legislature and was elected to the U.S Senate in 1840 where he served two terms as a member of the Whig party. After his defeat in 1852, he joined the newly formed Republican party. Although never a full-fledged abolitionist, he remained a staunch supporter of the Union and was opposed to the extension of slavery into the territories. Views he shared in common with Abraham Lincoln in the 1850s. His feelings on the burning issues of the day were expressed in speeches he delivered on the annexation of Texas, the Mexican War, the Wilmot Proviso, and the Compromise of 1850.

On May 23, 1844, Miller delivered a speech in the Senate opposing the annexation of Texas because it would give an advantage to the slave states. He also saw a danger in the Mexican War arguing that President Polk’s…” conquered peace in Mexico will become the fierce spirit of discord at home.” Following the end of the war in 1846, he supported the Wilmont Proviso that would have prohibited slavery in the territory acquired from Mexico. This proposal never passed into law.

In 1850, Henry Clay attempted to seek a compromise and avert a crisis between North and South on the issue of slavery. Senator Miller opposed the combination of Clay’s recommendations into a single Omnibus bill, but he did support several of these measures when split into separate bills. His speeches on these matters reveals the complex nature of his views on slavery and emancipation reflecting the fact that many anti-slavery advocates opposed the western expansion of slavery, but had little interest in the fate of enslaved people in the South. Miller voted to admit California as a free state, abolish slavery in the District of Columbia, and prohibit slavery in Utah and New Mexico. The results were mixed. California was admitted, Utah and New Mexico could be organized with no restrictions on slavery, and in the District of Columbia slavery was permitted, but the slave trade was outlawed.

In the vote on the Fugitive Slave Act, Miller abstained. However, in the debates he revealed what many of his fellow New Jerseyans thought about the plight of the runaways by stating:

Macculloch Hall Historical Museum’s Historic Archives contain materials from five generations of the descendants of George (1775-1858) and Louisa (1785-1863) Macculloch, United States Senator Jacob Welch Miller (1800-1862), political cartoonist and illustrator Thomas Nast (1840-1902), and museum founder W. Parsons Todd (1877-1976). Garden highlights include the wisteria trellised along the rear porch, given to the Maccullochs by Commodore Matthew Perry in 1857; the sundial on the upper lawn installed in 1876; the sassafras tree at the far end of the lawn, believed to be the second oldest and largest sassafras tree in New Jersey; and many varieties of heirloom roses, meaning their cultivars date to before 1920. Mrs. Macculloch paid Francis Cook $1.00 to plant the first roses in 1810.

Using Stories in History and Social Studies Courses

Teachers often find that stories are a good way to engage students in their U.S. history and social studies courses.  Stories illustrate historical themes, bring historical events and characters to life, and leave a lasting impression. People can sometimes remember a particular story from history years later even if they cannot recall all of the context. There are many stories from New York history that may be of interest to teachers in Grades 4 (local and state history), 7-8 (New York and U.S. history). Lots of them are also useful in Grade 11 (U.S. history) because, while the history-makers were New Yorkers, the stories also illustrate national themes and developments as well.

The historical episodes cited below are all good examples of engaging stories. Each one centers around an event or events, illustrates what led up to the event, and also shows the consequences of it. They all fit into and illustrate broader themes in state and local history. Perhaps best of all, they all have exciting people at their core. In several cases, in fact, the story is best told by the people themselves, through first-hand accounts that students can access and use.

The stories included here – and others — are all covered in my three new books, cited at the end of this article. The first privacy law is included in The Crucible of Public Policy, the others in The Spirit of New York and there is also a Glenn Curtiss document in Progressive New York. But the stories are also covered in many other sources. I have tried to cite some of the most helpful for each story.

Two good starting points for any New York history topic are Peter Eisenstadt, ed., The Encyclopedia of New York State (2005) and Kenneth T. Jackson, The Encyclopedia of New York City (2010). Two sites where you can follow developments in New York history and find out about news books are the Office of State History in the State Museum (https://www.nysm.nysed.gov/research-collections/state-history) and New York Almanack (https://www.newyorkalmanack.com). The journal New York History (https://www.cornellpress.cornell.edu/new-york-history) carries articles and book reviews.

New York State’s “Birthday,” April 20, 1777: The upcoming 250th anniversary of the American Revolution is a great time to examine New York’s experiences and its role in the war. At the beginning of 1777, “New York State” did not actually exist yet. A convention elected to draft a constitution worked in Kingston to complete the document on April 20, 1777, in effect New York’s “birthday.” That document laid out state government and powers. The first governor and legislature were elected in the summer and got to work in the fall. Before the end of 1777, New York would survive British onslaughts, including the burning of its temporary capital, Kingston, and invasions from the north, west, and east. 1777 might be called New York’s “miracle year,” an exciting time when the state got started.

William A. Polf’s booklet 1777: The Political Revolution and New York’s First Constitution (1977)is available at https://babel.hathitrust.org/cgi/pt?id=osu.32437123007011&seq=3

A copy of the first state constitution is available on the State Archives website, https://digitalcollections.archives.nysed.gov/index.php/Detail/objects/10485; the text is at https://avalon.law.yale.edu/18th_century/ny01.asp. The Archives Partnership Trust has made available the chapter on the first constitution from my book, The Spirit of New York: https://considerthesource.s3.amazonaws.com/3917/2556/5316/Dearstyne_Constitution_Chapter.pdf

“Anti-Rent Wars,” 1839-ca. 1880: New York tenant farmers in the Hudson valley waged one of the largest tenant rebellions in history in these years. They were fighting for the right to purchase and own the farms; where as tenants they had to pay exorbitant rents. They kicked it off with a declaration against the tyranny of landlords on July 4, 1839. The intrepid farmers’ struggle was waged in the courts, the state legislature, a state constitutional convention, and sometimes through armed resistance to sheriffs who tried to evict them for non-payment of rents. By 1880, most owned their farms, but their struggle had been a heroic and exciting one. Henry Christman, Tin Horns and Calico (1945); Charles McCurdy, The Anti-Rent Era in New York Law and Politics (2001).

Elizabeth Cady Stanton led the campaign for women’s rights. This is really two stories in one – the famous 1848 Seneca Falls women’s rights convention, which demanded the right to vote for women, with Stanton as the chief organizer; and Stanton’s long career as an advocate for woman suffrage and women’s rights generally at the state and federal level (she kept working until the time of her death,1902).

Elisabeth Griffith, In Her Own Right: The Life of Elizabeth Cady Stanton (1984); Lori D. Ginsberg, Elizabeth Cady Stanton: An American Life (2009); Elizabeth Cady Stanton, Eighty Years and More: Reminiscences, 1815-1897 1898; reprint, 1993). Women’s Rights National Historical Park. https://www.nps.gov/wori/index.htm

Syracuse citizens rescued a fugitive slave, 1851. On October 3, 1851, a mob of over 2,000 citizens broke down the doors of a Syracuse police station to liberate William “Jerry” Henry, a fugitive slave, who had been arrested by a Deputy U.S. Marshal under the federal Fugitive Slave Law. That law provided for arrest and return of slaves fleeing the oppression of slavery in the south. New York was an important part of the “underground railroad” which helped escaping slaves find new homes in the North (where slavery was illegal) or Canada (which had also abolished it.). The “Jerry Rescue” was one of the most dramatic events in New York’s growing opposition to slavery. Fergus M. Bordewich, Bound for Canaan: The Epic Story of the Underground Railroad, America’s First Civil Rights Movement (2006); Monique Patenaude Roach, “The Rescue of William ‘Jerry’ Henry: Antislavery and Racism in the Burned-Over District, New York History (2001); Gerald Sorin, The New York Abolitionists: A Case Study of Political Radicalism (1970). “Jerry Rescue” historic marker: https://www.hmdb.org/m.asp?m=138797

New York’s – and the nation’s– first personal privacy law, 1903. In the late 19th and early 20th centuries, advertisers widely used the photos of women in ads for their products, without the women’s consent. There was no law against it. That changed when a seventeen-year old Rochester girl, whose photo was being used in ads for flour, went to court to stop it. The Court of Appeals ruled against her in 1902, but, under pressure from the public, the legislature took up the cause and passed a personal privacy law in 1903, the first in the nation. The main provisions of that law are still on the statute books. New York State Archives Partnership Trust, “Who Owns a Photo of Your Face? The Right of Privacy and the Courts,” (Podcast, October 18, 2022. https://www.nysarchivestrust.org/events/recorded-events); Sarah E. Igo, The Known Citizen: A History of Privacy in Modern America (2018); Jessica Lake, The Face That Launched a Thousand Lawsuits: The American Women Who Forged the Right to Privacy (2016).

Hammondsport aviation pioneer Glenn Curtiss made aviation history. Most students probably have heard of the Wright Brothers and their famous flight at Kitty Hawk, NC in 1903. But the story of their contemporary and rival, Glenn Curtiss, is almost equally important and unknown to post[HB1]  people. Curtiss developed essential airplane designs and controls, including ailerons – adjustable wing flaps on the trailing edges of wings, essential for take offs and landings — still in use today. He made the first pre-announced, publicly witnessed, professionally certified airplane flight (July 4, 1908), and the first flight from Albany to New York City, May 29, 1910). He made the first amphibious flight and convinced the Navy to buy airplanes and train pilots, earning him the title “The Father of Naval Aviation.” This is a story of invention, daring, and doing what has never been done before. Lawrence Goldstone, Birdmen: The Wright Brothers, Glenn Curtiss, and the Battle to Control the Skies (2915); Seth Shulman, Unlocking the Sky: Glenn Hammond Curtiss and the Race to Invent the Airplane (2002); Glenn H. Curtiss Museum, Hammondsport. https://glennhcurtissmuseum.org 

Jackie Robinson broke the color barrier in major league baseball, April 15, 1947. Major league baseball was a whites-only sport until the day in 1947 when Jackie Robinson debuted as the first Black player for a major league team, the Brooklyn Dodgers. Robinson proved to be a stellar player, and his pioneering role paved the way for other Blacks who followed. He also helped undermine racial prejudice and discrimination and was an early example of what would be called the Civil Rights movement. Jackie Robinson and Alfred Duckett, I Never Had it Made: The Autobiography of Jackie Robinson (2003); Carl T. Rowan with Jackie Robinson, Wait Till Next Year: The Life Story of Jackie Robinson (1960); Jules Tygiel, Baseball’s Great Experiment: Jackie Robinson and His Legacy (1983)

Hamilton: An American Musical debuted in New York City. Feb. 17, 2015. The hit musical Hamilton presented the life and achievements of New Yorker Alexander Hamilton, Revolutionary war patriot leader and the first U.S. Secretary of the Treasury, in the form of a lively musical. The play features a multi-ethnic cast, superb acting, smart dialog, humor, and rap and hip-hop musical scores. It recasts Revolutionary era history in the language of today; it is about “America then, as told by America now,” as its writer and lead actor, Lin-Manuel Miranda put it.  This is an exciting way to explore history. Students can study the history behind the musical, watch the musical itself, and compare and contrast the two. Sources: Ron Chernow, Alexander Hamilton (2004); Edward Delman, “How Lin-Manuel Miranda Shapes History,” Atlantic September 29, 2015; Lin-Manuel Miranda and Jeremy McCarter, Hamilton the Revolution. Being the Complete Libretto of the Broadway Musical and a True Account of its Creation (2016)


Governed by Despots: John Swanson Jacobs Chronicles Enslavement and Resistance

The University of Chicago Press recently published a unique account of an escape from enslavement in North Carolina decades before the Civil War. The United States Governed by Six Hundred Thousand Despots (2024) by John Swanson Jacobs tells of his escape from enslavement by North Carolina plantation owner and Congressional Representative Samuel Sawyer in 1838 while he and the slaveholder were in transit through the City of New York. Jacobs eventually made it to Australia where his story was published serially in 1855 by the Sydney Empire. It was later republished in 1861 in London, UK under the title “A True Tale of Slavery” by The Leisure Hour: A Family Journal of Instruction and Recreation. The 1861 version of Jacob’s story is available online at the website Documenting the American South.

John Swanson Jacobs was born in 1815 in Edenton, North Carolina, the younger brother of his better-known sister Harriet Jacobs, author of Incidents in the Life of a Slave Girl (1861). Harriet Jacobs originally published her book under the pseudonym Linda Brent, possibly to protect those who remained enslaved at home. In the book she referred to her brother John as “William” and Samuel Sawyer, the white father of her two children who “owned” both them and John, as “Mr. Sands.” John Swanson Jacobs, safely in Australia, published under his own name.

In 1838, Sawyer traveled north because he and his fiancé planned to be married in Chicago, Illinois where she had family. He was able to bring an enslaved John Swanson Jacobs with him to New York State because although slavery had been abolished there in 1828, state law permitted enslavers visiting or residing in New York part-time to maintain slaves within their households for up to nine months. This statute was not repealed until 1841.

The following is an excerpt from chapter 5 of A TRUE TALE OF SLAVERY that was published in The Leisure Hour: A Family Journal of Instruction and Recreation (No. 478–February 21, 1861). In this excerpt, Jahn Swanson Jacobs describes his escape from slavery while in New York City.

“THE latter end of the third year after I was sold, my master was elected Member of Congress. I was ordered to get ready for Washington . . .  After my master had been there a short time, he went to board with Mrs. P—-, who had two young nieces here, to one of whom he was soon engaged to be married. As good luck would have it, this young lady had a sister living in Chicago, and no place would suit her like that to get married in . . . Everything was ready, and the hoped-for time came. He took his intended, and off we started for the West. When we were taking the boat at Baltimore for Philadelphia, he came up to me and said, “Call me Mr. Sawyer; and if anybody asks you who you are, and where you are going, tell them that you are a free man, and hired by me.”

We stopped two or three days at the Niagara Falls; from thence we went to Buffalo, and took the boat for Chicago; Mr. Sawyer had been here but a few days before he was taken sick. In five weeks from the time of his arrival here, he was married and ready to leave for home. On our return, we went into Canada. Here I wanted to leave him, but there was my sister and a friend of mine at home in slavery . . . I tried to get a seaman’s protection from the English Custom-house, but could not without swearing to a lie, which I did not feel disposed to do.

We left here for New York, where we stopped three or four days. I went to see some of my old friends from home, who I knew were living there. I told them that I wanted their advice. They knew me, they knew my master, and they knew my friends also. “Now tell me my duty,” said I. The answer was a very natural one, “Look out for yourself first.” I weighed the matter in my mind, and found the balance in favour of stopping. If I returned along with my master, I could do my sister no good, and could see no further chance of my own escape. I then set myself to work to get my clothes out of the Astor House Hotel, where we were stopping; I brought them out in small parcels, as if to be washed. This job being done, the next thing was to get my trunk to put them in. I went to Mr. Johnson’s shop, which was in sight of the Astor House Hotel, and told him that I wanted to get my trunk repaired.

The next morning I took my trunk in my hand with me: when I went down, whom should I see at the foot of the steps but Mr. Sawyer? I walked up to him, and showed him a rip in the top of the trunk, opening it at the same time that he might see that I was not running off. He told me that I could change it, or get a new one if I liked. I thanked him, and told him we were very near home now, and with a little repair the old one would do. At this we parted. I got a friend to call and get my trunk, and pack up my things for me, that I might be able to get them at any minute. Mr. Sawyer told me to get everything of his in, and be ready to leave for home the next day. I went to all the places where I had carried anything of his, and where they were not done, I got their cards and left word for them to be ready by the next morning. What I had got were packed in his trunk; what I had not been able to get, there were the cards for them in his room.

They dine at the Astor at three o’clock; they leave the room at four o’clock; at half-past four o’clock I was to be on board the boat for Providence. Being unable to write myself at that time, and unwilling to leave him in suspense, I got a friend to write as follows: — “Sir–I have left you, not to return; when I have got settled, I will give you further satisfaction. No longer yours, JOHN S. JACOB.”


This note was to be put into the post-office in time for him to get it the next morning. I waited on him and his wife at dinner. As the town clock struck four, I left the room. I then went through to New Bedford, where I stopped for a few months . . . The lawyer I have quite a friendly feeling for, and would be pleased to meet him as a countryman and a brother, but not as a master.”

Once free, John Swanson Jacobs moved to New England where he became an active abolitionist. His efforts took him to Rochester, New York and vicinity on a number of occasions and to New York City at least three times, in May 1849, October 1850, and July 1862. On May 11, 1849, the New York Herald printed an account of a speech by Jacobs at an American Anti-Slavery Society meeting where he called on attendees to make it “disreputable” for people who claimed to be Christians to hold other people in bondage. According to North Star on October 24, 1850, Jacobs spoke in New York City calling for active resistance to fugitive slave laws following the seizure of James “Hamlet” Hamilton by slavecatchers and on July 28, 1862, New York Independent reported on an interview with Jacobs where he recounted his experience as a cook on a British ship, with the support of British authorities in the Bahamas, that was attempting to enter the port of Charleston, South Carolina in violation of the federal blockade of Southern ports (252-258). Excerpts from these articles follow.

American Anti-Slavery Society (New York Herald, May 11, 1849)

Meeting of the Colored Citizens of New York (North Star, October 24, 1850)

Running the Blockade (New York Independent, July 28, 1862)

“[A] very intelligent colored man, formerly a slave in North Carolina, but recently for several years a resident of England, called at our office the other day, and related facts showing that British vessels are stilled engaged in running our blockade, and that the British officials in the Bahamas are, if possible, more inimical to our Union than are the same class of people at home . . . He shipped as a cook on board the steamship Lloyds, at London . . . ‘for Havana and any of the West Indies Islands’ . . . the captain (Smith) announced to the crew that he designed to run the blockade before Charleston, and offered three months pay extra to such as would remain with the ship . . . Jacobs refused to go to Charleston at any price whatever, and demanded, what was his undoubted right, that he be sent home to London. After various efforts on the part of Capt. Smith to indure (sic) Jacobs to either go to Charleston or to settle and sign a satisfaction, he attempted coercion. He had Jacobs taken before a police magistrate to answer the charge of having deserted the ship . . . The law was all on the side of Jacobs, but the public sentiment of Nassau was so strongly against him, and in favor of the unlawful and contraband trade with the Rebels” (257-258).

Teaching the APâ African American Studies Course

By Imani Hinson

Each year I start my students off with a week of lessons to understand why we study history in the first place and to get students specifically to understand why varied viewpoints are so important. This year I had my students reflect on a quote from Maya Angelou and asked them why they thought some political leaders across the United States did not think African American history was important and why they thought this history was considered controversial.

My students responded with the understanding that by learning history we can hope to not repeat it but also that learning this history does not aim to make individuals feel bad for the deeds done but rather understand the historical situations in which our country was founded and the continued history that is shaping the way our country is moving forward today. Despite the pain and suffering lived by many in this country, especially African Americans, it is important to uncover truths about our shared history. The APâ African American Studies curriculum provides students with a chance to do just that; tackle tough questions, tough realities, glean an understanding of the world that they live in today, and it gives them a chance to acknowledge a history that many of them have not learned before.

The APâ curriculum has a fantastic starting with the African Kingdoms of Mali, Songhai, the Hausa States, and much more. Students are able to do a deep dive into the history of Africa that many of them had never been taught about before. A question I get often from my students is “Ms. Hinson why are we not taught this in world history or any other history class?” The truth is that a lot of this history was unknown or kept secret for many years. In my classroom, we delve into the nuances of this history so that students understand how it differs from the traditional documents and writings they usually learn about in Eurocentric history classes. I introduce them to griots and students learn that different cultures pass down history in different ways. Much of the early history we know from African civilizations was passed down orally making it much harder for historians to uncover truths about these societies.  My students learned that Christianity was in Africa before European arrival when they study about places such as Lalibela. They learn about trade starting in the 8th century along the East Coast of Africa that connect places with the Mediterranean region and Central and East Asia. Students uncover truths about the Great Zimbabwe and amazing structures, built not by Greeks or aliens, but by the local Zimbabwean people who garnered their wealth from the Indian Ocean trade routes. Timbuktu is not a fictional place, but a nation where trade, advanced institutions of knowledge, and wealth resided.

Before being exposed to this curriculum, my students were taught that Africa was backward, a continent ripe for exploitation. They saw Africa, not as the birthplace of humanity with rich cultures, but rather a place that Europeans conquered and a continent that continues to have issues to this day.

Challenging misleading notions continues as students learn about the African diaspora. Before being exposed to this curriculum, they believed African Americans had no culture and were only brought to the Americas for harsh work and enslavement because of the color of their skin. I overheard an exchange in my classroom in which one student of color was poking fun at another. A West African student asked another Black student, “Hey, where are you from?” The student responded, “Oh well, I am just Black.” The West African student laughed and said “Oh, I’m so sorry y’all don’t have any culture.” That was an eye-opening exchange. I joined the conversation and asked, “What do you mean by that?” The student explained that they never heard of any African American culture and that Black people did not know where they came from. The conversation continued:

“Well why do you think that African Americans don’t know where they come from?”

“Well, I am not sure I guess slavery.”

“Correct, but do you know about all that Black people had to do to overcome of the obstacles of enslavement? Do you know the years of oppression that then followed enslavement that African Americans continued to make strides towards crafting a new identity?”

“The music you listen to is African American culture, some of the pieces of clothing or slang that you use are African American culture. The food that you eat, a lot of is African American culture.”

“Wow I never thought about that.”

“You should take the APâ African American studies course so you can learn more about Black culture!”

The sad reality is that so many of our students think this way. They believe that Black people are a people without history and this misleading notion really stems from the fact that we have not done a good job as a society to unpack these misconceptions. In some states they still teach that slavery was a benevolent work system where the enslaved learned important skills, sugarcoating the reality of what enslavement was. Why don’t students learn that there was slavery in New York and in other northern localities? Why don’t students learn that Free Blacks and people who escaped from slavery played a crucial role in the abolitionist movement and that African Americans have fought in every war in the United States even before its inception, that 200,000 Black soldiers and sailors fought in the Civil War to end slavery and the right to be full citizens of the nation of their birth?

The hardest part about teaching APâ African American studies course is getting students to relearn the history that was taught to them over and over again since they entered school. Black people were slaves, the Civil War happened, Lincoln signed the Emancipation Proclamation, Reconstruction took place, African Americans got some rights, then skip to the Civil Rights Movement, and that’s Black history. But there is so much more to African American history. Students truly do not understand that African Americans as a people continuously strove to be accepted as valuable contributors to this great nation. Even when they were told to “go back to Africa,” they stayed and fought for equality. It is hard to teach history in a society that try to erase the African American past by making it seem Un-American to shed light on the contributions of Black people to this county.

As a society we have prevented students of color from learning the truth about their heritage and culture and permitted all students to believe in a factionalized past. As a corrective, APâ African American studies is not just a class for students of color. Ideally, African and African American history should be interwoven into World history and United States history classes, not just relegated to an elective.  Black history truly is both World and U.S. history.

It is challenging for many young people to see the correlation between history and the world that we live in today. I started a lesson on sugar being the driver for enslavement in the Americas showing students newspaper headlines discussing chocolate companies using child slave labor and asked students would they still eat chocolate knowing where it came from. Many of the students had to think long and hard about it, but eventually most of them confessed that “yes, they would still eat it.” After a gallery walk showing various documents about the correlation between sugar and enslavement and economics, we came back together to have a discussion. I asked my students how the legacies of sugar plantations and slavery continue to impact economic disparities and race relations today? A student raised her hand and said, “what we see is that enslaved people were working for free and that their enslavers were making loads of money because of their hard work.” I asked, “What does that mean for the Black community today?” Another student responded, “Well this means that many Black communities don’t have the same amount of money as white people because they got rich while we didn’t get anything.” Another student added, “Well that is the reason why so many Black people have struggled to make generational wealth. It is almost as if we started at a different place” and then another explained “they basically had a 300-year start.” This is the reality that people who criticize the APâ African American studies curriculum are afraid of students uncovering; uncovering how this history continues to play out in America today.

Some people fear the acquisition of knowledge because they know that with knowledge can come change. The APâ African American studies course should not be labeled controversial or Un-American; in fact, it is the exact opposite. African Americans fought to be a part of this country and continue to fight for the country to stand true to its democratic values of all people having the right to life, liberty, and pursuit of happiness. The course does not blame students for the past, but rather brings them into the conversation about how we can continue to hold America to its promise by including the history of all of the people who helped to build this great nation. Thank you.

Interdisciplinary Teaching and Teacher Education by Dr. Jiwon Kim and Dr. Sandra Zak

Reviewed by Hank Bitten, NJCSS Executive Director and contributing author.

I am writing to you as a contributing author to Interdisciplinary Teaching and Teacher Education rather than as a reviewer. Through this blog post I am hoping to expand your classroom experience, ask you to begin talking about classroom instruction with your colleagues, and challenge you to develop partnerships or connection groups within and outside of your school. I have the perspective of an educator with more than a half-century of experience as a teacher in elementary, middle, high school, and college classrooms and five school districts.

Public education took a step forward in 1852 when Massachusetts became the first state to pass an Act Concerning the Attendance of Children at School. This was a monumental change because every village and city in Massachusetts was required to have a primary school to teach math and grammar. Students were required to be in school for three months with six weeks or more of continued instruction. Parents who did not send their children between age 8 to 14 to school were fined $20, a little more than a week’s wage for a factory worker. Lessons were passive and based on memory and practice.

Fifty years later in the beginning years of the 20th century, John Dewey dramatically shifted the focus to inquiry and problem-solving. Dewey’s instructional philosophy included brainstorming for solutions, testing hypothesis, experiential learning, and models of student government. His model was revolutionary, emphasized an understanding of the big ideas rather than simplistic true and false or multiple choice answers.

William James, a psychologist, understood the influences of the media on children. Children were exposed to advertising and pictures in newspapers and magazines. The media in the beginning of the 20th century was perhaps just as powerful as today’s social media digital platforms as publications overwhelmed the mailbox of the home instead of the inbox on the phone. James understood motivation, the importance of emotional engagement in learning, and the importance of the educational environment on the character and behavior of students.

My college instruction in the 1960s was influenced by Jerome Bruner.  The emphasis was on cognitive growth and a constructivist model of learning. We were taught concepts and how to use relevant experiences to bring meaning to the content in the curriculum. One of the lessons I applied from Jerome Bruner to the teaching of social studies was the influence of culture on how students learn. 

My education as a teacher was influenced by the sociologist James Coleman.  I developed simulations for understanding the big ideas of revolution, social classes, perspectives, and historical changes. I applied my college experiences of debate, Model United Nations, Model Congress, and Mock Trial to simulations of battles, problems in society, and decisions of presidents.  My graduate studies focused on the French Revolution and the insights of The Anatomy of a Revolution by Crane Brinton.

It is in the context of my simulation game, France, 1789, that interdisciplinary instruction became the focus of my teaching of world history, United States History, and African American History. I integrated literature, art, film, and music into my lessons. The engagement of my students was visible and they were applying knowledge and memory to their experiences.

Dr. Jiwon Kim and Dr. Sandra Zak provide a practical guide with explicit examples of how interdisciplinary models in classrooms and school are essential to learning in a Tik Tok culture and why teachers in departments, faculty in smaller schools, and professors of education need to have discussions about the effectiveness of teaching and the extent that students are learning.

The main concern of social studies teachers is that their students cannot write. We observe  children asking Google for answers, completing assignment worksheets in Google Classroom, and engaging with short videos on BrainPOP and YouTube.  My response to teachers who share with me their observations about how their students are learning in middle school and high school is that they need to be taught how to think before they can write. They need to be asked open-ended questions before they can express what they are thinking.  They need to build memory through interdisciplinary learning experiences.

Interdisciplinary education and interdisciplinary instruction are similar and yet very different experiences for students.  In Chapter 3, Christine Grabowski presents graphic models for planning and practical examples of interdisciplinary connections between social studies, math, reading, and art.  Below are examples relating to civic engagement and spatial recognition.

In Chapter 4, I provide explicit examples for teaching climate, U.S. History, Civics, and world history. Intradisciplinary models with integration of geography, economics, and culture provide students with both relevance and engagement. Below is an example of the diverse contributions of people from New Jersey who have impacted the lives of ordinary people.

In Chapter 5, Dr. Mark Pearcy and I present explanations on why interdisciplinary learning is necessary, models for including this in the education of pre-service teachers, and an example of a school district in New Jersey that has multiple opportunities for high school students.  Below is an example of curriculum connections in a World History course.

Perhaps the most important contribution of the collaborative efforts of Jiwon Kim and Sandra Zak are the prompts suggested for discussions between teachers and curriculum directors.  The importance of shared instruction, differentiated learning, and partnerships with local and academic institutions is a good beginning. I hope you enjoy Interdisciplinary Teaching and Teacher Education as much as I enjoyed contributing to it!

Using Rivers as a Contextual Bridge to Connect K-8 Students to Their Communities

Using Rivers as a Contextual Bridge to Connect K-8 Students to Their Communities

November 1, 2024 Heather Fenyk

For K-12 students, there is only one New Jersey Student Learning Standard (NJSLS) on rivers: “Use maps to identify physical features (e.g., continents, oceans, rivers, lakes, mountains).” On Monday October 20, Lower Raritan Watershed Partnership Board Members Missy Holzer and Heather Fenyk joined K-12 educators attending the New Jersey Council for the Social Studies annual conference to lead what we hope was the first of many workshops to support educators and students in using maps and rivers to learn about, and connect to, their communities. We now invite K-12 educators from all disciplines to explore curricular materials we shared at our NJCSS2024 session, titled “Using Rivers as a Contextual Bridge to Connect K-8 Students to Their Communities: A First Nations Perspective.” A curriculum guide and all workshop materials, including the powerpoint, bibliography, and detailed teacher and student case study guides, are available at: https://tinyurl.com/LRWP24NJCSS.

This LRWP workshop for social studies teachers emerged from our own place-based, problem-based teaching orientation, and built specifically on our Spring 2024 volunteer eel monitoring program. We centered the lesson around a special case study: “The Mystery of the Missing American Glass Eels,” and also worked to support educator comfort with using maps, particularly topographic maps, as tools for student understanding of change to their local landscape over time. Our aim, as always, is to help educators use local waterways to connect students to their backyards, while developing our next generation of local stewards.

While it may seem unusual for an environmental non-profit to engage with K-12 social studies educators, the LRWP sees great potential to connect with multiple disciplines, including social studies, science, math and art. From the past to the present, and into the future, New Jersey’s waterways were and are vital to our existence. Besides being a continual source of water, our rivers, streams, and canals have implicitly and explicitly shaped our presence in the state. Drinking water, food, transportation (people and goods), industry, energy, and recreation are a few of the services our waterways have contributed to life in New Jersey.

Viewing our waterways from a watershed perspective that includes all the tributaries, rivers, and wetlands within a drainage area, connects communities to each other as much as they connect the flow of water from the headwaters of a river to the sea. Our Lower Raritan Watershed, its lands, streams, and the Raritan River, offer a host of case-based, problem-based, and place-based approaches to formal and informal investigation of these connections from the past, present, and future. The LRWP invites formal and informal educators to connect with us to discuss opportunities to partner for classroom or field based approaches to learning and inquiry.

The First World War and New York City

On April 6, 1917, President Woodrow Wilson declared America’s entrance into the First World War and initiated a nation wide drive to strengthen the armed forces. It was decided that the commemorations of Patriots’ Day on April 19 should coincide with a “Wake up America Day” of
recruitment. Every city hosted its own parties and spectacles.

In New York City, festivities were organized with decorated floats, patriotic banners and a grand vaudeville at Carnegie Hall starring Will Rogers, Ethel Barrymore, and others. James Montgomery Flagg designed the posters announcing the event. Fifth Avenue hosted a parade, whilst Army and Navy planes dropped pamphlets encouraging the crowd to summon the “Spirit of 1776.”

The manifestation started with a parade that re-enacted Paul Revere’s legendary “Midnight Ride” in April 1775 to warn the colonial militia of approaching British forces. At midnight the bells at
Trinity Church rang whilst, dressed as a Continental soldier, a young feminist named Jean Earle Moehle rode on horseback through Manhattan beckoning both men and women to “wake up” to the fight.

Despite America’s initial neutrality, the conflict was a headache for New York’s authorities. After recent mass arrivals, the city was largely populated by first- or second-generation European immigrants.

With their former homelands at war, residents responded by either declaring allegiance to the “motherland” or by identifying with their adopted nation and engaging in debates regarding the morality of global war.

The arguments were taken outdoors. The fighting front may have been far away, but the battle raged on the streets of the city. The war sharpened the focus on issues of American and civic identity.

A City of foreign villages? New York had grown rapidly with different immigrant nationalities living in a network of small communities. By 1900, the metropolis consisted of multiple foreign “villages” with a population that included 300,000 Germans; 275,000 Irish; 155,000 Russians; 145,000 Italians; 117,000 Austro Hungarians; 90,000 British; 30,000 Polish people and many other smaller groupings.

One of the most extensive communities was Little Germany (Klein Deutschland) in the Lower East Side where German banks, businesses, breweries and newspapers flourished. Little Italy (Piccola Italia) on Mulberry Street was likened to an insular Neapolitan village with its own language, customs, and institutions.

By 1900 there were many other ethnic enclaves dotted around the city. Little Syria was centered on Washington and Rector streets. Its name derived from some 95,000 Arabs who had arrived from Ottoman controlled Greater Syria (covering what is now Syria, Lebanon, Palestine and Jordan) in the Great Migration between 1880 and the early 1920s. In 1892, the first American-Arabic language newspaper Kawkab America (Planet of America) was printed there.

Throughout the nineteenth century New York served as a financial hub for industrial growth and became the nation’s de facto cultural capital. It created a divided city. While Fifth Avenue and the Central Park district were monopolized by the elite, part of Manhattan’s Lower East Side was stricken by poverty. New York’s political landscape became shaped by migration issues in which the Democratic Party and Tammany Hall dominated municipal government.

The loyalty of immigrants to the Democratic Party was born out of the perception that the city’s wealth was not shared, causing stark levels of inequality. The rule of oligarchs also caused the emergence of anarchist groups. It was against this background of social unrest and militancy that New York City was drawn into the war in Europe.

The United States initially decided on neutrality for a number of reasons. It was generally expected that the “distant” war would not last long. Politicians agreed that the fragile status quo between communities with ancestral ties to either the Allied or the Central Powers should not be endangered as the war was bringing conflicting ties and allegiances to the fore.

The German-language New Yorker Staats-Zeitung extolled the virtues of the German Kaiser; the Yiddish socialist Forverts(Forward) explained the murder of Austria’s Archduke Franz Ferdinand in Sarajevo as a consequence of social repression; and the Gaelic American complained that Britain’s colonial rule forced Ireland into entering the war. Large crowds with divided loyalties gathered
around newspaper offices in Times Square and Herald Square to learn the latest news from the battlefields.

Consulates encouraged patriotic support. Schemes were set up to raise money for war widows and orphans. German-American residents paraded down Fifth Avenue and queued to sign up. City authorities became increasingly concerned that New York’s diverse population could prove to be a tinderbox of a conflict that was ripping Europe apart. Demonstrations of sympathy towards any of the combatants were soon forbidden.

In spite of internal tensions, Woodrow Wilson’s decision not to get involved was shared by many. That consensus changed when both Germany and Britain started targeting enemy supply lines on the high seas. The British North Sea blockade annoyed politicians, but the German move towards “total” submarine warfare became intolerable once American ships were attacked and lives lost at sea. Outrage was expressed after a German U Boat torpedoed the British liner Lusitania off the coast of Ireland on May 7, 1915, killing 1,198 civilians, 128 Americans among them.

Parades for and against military participation were held around the nation. Woodrow Wilson remained determined not to take sides. Why would a President who was of Ulster-Scottish descent and the son of a Presbyterian minister commit himself to a morally abhorrent conflict that might spill over into the streets of American cities? Why imperil an emerging economy that was heavily dependent on trade with the United Kingdom in particular, closely followed by Germany?

Former President Theodore Roosevelt by contrast advocated expanding the military in anticipation of a widening of hostilities, especially since Wilson’s appeals for peace talks and offers of mediation were ignored.

One effect of growing public anger was unease about New York City’s “American” identity. Addressing an audience at Carnegie Hall in October 1915, Roosevelt stated that “hyphenated
Americanism” was no longer tolerable. His words instigated a period of chauvinistic jingoism, accompanied by a campaign of orchestrated propaganda that permeated the city.

With the formation of the Preparedness Movement in August 1915 and the concurrent rise of the National Security League (NSL: a quasi-paramilitary organization which campaigned for the assertion of “American” values), New York’s streets were closely observed by municipal and national authorities. The call for Americanization had a belligerent undertone intended to ensure law and order amongst a split population.

Americans started to doubt Wilson’s policy of “armed neutrality” and were getting ready for intervention. On May 13, 1916, a Preparedness Parade along Fifth Avenue was attended by an estimated 130,000 marchers who joined ranks behind a banner that proclaimed, “Absolute and
Unqualified Loyalty to our Country.” The manifestation inspired Childe Hassam’s painting “Flags, Fifth Avenue.” An anti-German Francophile, the artist passionately backed the Allied cause.

Isolated incidents intensified the city’s febrile atmosphere. The Black Tom Island Explosion in New York Harbor on July 30, 1916, which destroyed a large ammunition depot, damaging the Statue of Liberty and buildings in downtown Manhattan, heightened the suspicion that German saboteurs were active in the city (although arrests were made, the culprits were never identified).

Responding to recent news of the February Revolution in Russia, New York’s 95th Mayor John Purroy Mitchel stated in an address of March 1917 to a gathering of Russian-Americans that the
city’s citizens should be divided in two classes: “Americans and traitors.”

In April 1917, Wilson went before Congress to ask for a declaration of war. He cited Germany’s resumption of submarine warfare, its sabotage, and the revelation of the “Zimmermann Telegram” (an attempt by the German Foreign Office to recruit Mexico to attack the United States) as evidence of the nation’s hostile intent. It was a pivotal moment. For the first time in the nation’s history, America joined a coalition to fight a war not on its own soil or of its own making. The decision transformed life in New York City. All foreign-language publications were monitored; socialist and anarchist newspapers were censored or restricted.

Vigilantes attacked people identified as “pro-German”; schools sacked German teachers; butchers no longer sold Frankfurters; orchestras stopped playing German masterpieces; the German American Bank was re-introduced as the Continental Bank of New York; and countless German-Americans changed their names to demonstrate their loyalty.

Six weeks after formally entering the war, Congress passed the Selective Service Act which authorized the government to impose conscription. Men between the ages of twenty-one and forty
five were required to register for military service. The move was widely resisted. As the spectre of the 1863 Draft Riots haunted politicians, the process in New York (and elsewhere) was enforced by a heavy police presence, backed up by NSL volunteers. Patriotism was tightly policed.

Speaking out against the war meant risking prosecution, while posters whipped up emotions and encouraged subjects to enlist, conserve food, buy liberty bonds and keep on the lookout for foreign spies. The (intimidating) calls for loyalty raised the issue of citizenship, especially amongst African-Americans.

By supporting the government’s call many black leaders hoped to gain full citizenship, but others suspected that the war would lead to more injustice. In response to racist perpetrating the East St
Louis Massacre, the National Association for the Advancement of Colored People (NAACP) and African-American Churches in Harlem conducted a Silent Parade on July 28, 1917, in which about 10,000 participants marched along Fifth Avenue.

Protesters carried banners and placards that alluded to a draft that demanded African-Americans to fight for freedom and democracy in Europe, whilst they themselves were not only deprived of representation and equal rights, but in danger of being assaulted or lynched.


Through conscription, the army grew in a relatively brief period from a constabulary force of some 300,000 troops to an American Expeditionary Force (AEF) of more than four million soldiers. These
forces reflected the population’s ethnic and racial diversity.

The slogan “Americans All!” promoted wartime service as a unifying experience that rendered differences in language, culture and religion irrelevant – but race still mattered. The army-at-war
remained rigidly segregated.

When American forces arrived in Europe, they quickly turned the tide in favor of Britain and France, leading to an Allied victory in November 1918. They had been engaged in six months of fighting at
the cost of 53,000 lives. In addition, nearly 63,000 men died of disease, primarily from influenza (misnamed “the Spanish flu”), and 200,000 veterans returned home wounded.

The number of casualties weighed on Wilson’s conscience. It motivated him to support the creation of an international body based on collective security. Even though joining the League of Nations would require the United States to sacrifice a measure of sovereignty, the President was prepared to pay the price for the sake of peace.

His opponents declared it foolish to relinquish America’s newfound stature as a military superpower. The toxic discussion on what later became known as “America First” has divided opinion ever since.

The marking of the Armistice in November 1918 was a moment that New Yorkers came together to celebrate their collective identity. Whereas in 1914, German-Americans had paraded down Fifth Avenue proclaiming their attachment both to the Fatherland and to the United States, now mobs of cheering citizens kicked effigies of the Kaiser through the city. The war had turned New Yorkers into “real” Americans.

History, Now and Then: Teaching Historiography with the American History Textbook Project at Ramapo College

Rationale

One of the foremost challenges in social studies education is overcoming the danger of a single narrative. High school history classes that are structured around a textbook are particularly prone to this inhibition. History is not one set of facts — it is an argument. Relying too much on one secondary text to guide instruction fails to establish this key principle for understanding what history is, how it is done, and how it is significant to the present. The challenge of textbooks is that as tertiary sources, they vary widely in quality, and tend to offer overly simplistic narratives of the past that leave little room for debate or acknowledgement of tension over what really happened and why.

While textbooks are a necessary tool for establishing a basic set of facts for history instruction, as well as providing primary source resources and activities to support effective social studies pedagogy, they greatly undermine students’ understanding of history as a discipline with its own distinct theories and skills. It should be acknowledged that authors and publishers have generally made progress including diverse primary sources in their products, thought it has come to be widely accepted that the editorial choices made by textbook companies are often driven by politics, and
textbooks that are outdated will ultimately fail to expose students to the changing narratives of the past that are continually being written and debated. And, as with any piece of historical writing, textbook narratives are ultimately shaped by the times in which they are written.

These limitations present secondary social studies teachers with an obligation as well as an opportunity to introduce students to the theory behind how historical narratives are crafted and why history is constantly changing. How could history instruction be improved if students were exposed to different interpretations of the past and an evolution of historical narratives over time? In 2020, the authors’ utilized the American History Textbook Project (AHTP) at Ramapo College of NJ to develop and implement a lesson that introduced seventy high school juniors to the basics of historiography. Two years later, a cohort of sixteen students was invited to use the collection at Ramapo College for the purposes of developing historiographical thinking through text analysis.

While many history teachers may take issue with introducing secondary students to historiography, it is hardly a new idea or practice. Both Hoefferle (2007) and Zucker (2016) define the benefits of and
propose strategies for bringing historiography into the social studies classroom. Caroline Hoefferle realized that, while her undergraduate students knew how to analyze primary documents, they “had
never before thought critically about the histories that they read” (pg. 40). One of the chief benefits of bringing historiography into the social studies classroom, therefore, is that it both supports content acquisition as well as the development of critical thinking skills. Hoefferle writes that, upon being
introduced to historiography, many of her students “wished that they had been exposed to the course in high school. . . so that they knew beforehand how to read history and how to make sense of it all” (pg. 40). In this sense, exposing younger students to historiographical thinking compliments and reinforces the work that they regularly do with primary sources. Students are frequently asked to analyze, synthesize, and develop conclusions or arguments. This same thinking should be encouraged with textbook use.

How frequently do social studies teachers present students with the opportunity to understand that history is not just a “set of facts” but an ongoing debate? Professional scholars are continually offering new perspectives and interpretations that are in turn influenced by factors such as contemporary events or personal experiences and philosophies. History classes that are structured around a single textbook minimize the need for students to think critically, and undermine their understanding of why history is always changing. In Hoefferle’s words,

“Historiography not only enlightens students as to the inside story of the historical profession, but it also makes history more alive and interesting to them. It helps them to understand that everything is not already known and agreed upon, that there is a place for them in the profession, that in the future
they can contribute to the ongoing historical debates about the past. This takes them away from being simply passive receivers of the truth, to active pursuers of the truth” (pg. 41).

Similarly, AP US History teacher James Zucker (2016) takes issue with the current approach to teaching students history which relies primarily on primary source analysis. This often assumes that students are at the same level as professional historians and often forces them to analyze sources without proper contact. Rather, Zucker moves his students’ historical thinking beyond “fact gathering” through a multi-tier approach to teaching the American Revolution. First, students read
and analyze academic articles by prominent historians, such as T.H. Breen and Gary Nash. They find thesis statements, assess the supporting evidence, and discuss the validity of the arguments in a Socratic seminar. Only after students have come to the realization that there are multiple narratives of the American Revolution do they engage in primary source-based research for deeper historical context. Finally, the class circles back, assessing the relationship between the primary sources and the scholarly articles they first analyzed. Zucker expects his students to be able to engage with questions such as: “In what ways do these sources support or refute the arguments put forth by the likes of Breen and Nash? How do the interpretations reflect their own historical time period and point of view?” This is historical thinking at its finest.

In the words of Michael J. Swogger, D.Ed, writing for the National Council of the Social Studies blog “Pardon the Interruption!” in 2017: “Where historiography takes the study of history further is by asking the students to examine the evolution of how a particular history has been told over time. . . . . [S]tudying a historical topic through a historiographical lens helps students to better understand the elasticity of history itself” (Swogger, 2017). While it seems reasonable to believe that advanced high school students should be able and expected to do this type of work, there are those who advocate for the fostering of historiographical thinking skills among much younger students. In Teaching What Really Happened, James Loewen argues that social studies teachers can make historiography approachable for children as young as 10 years old, noting that “if they can learn supercalifragilisticexpialidocious, they can handle historiography.” In theory and practice, this may be as simple as having students critically analyze the narrative put forward in their history textbook, with an eye towards the flaws of a text: “Students find it intriguing to think about what topics textbooks handle especially badly” (Loewen, 76). While it may be common knowledge to history educators that the course textbook and supplemental materials often present a singular narrative with the aim of simplicity and consensus building, challenging students to question and challenge what their textbook delivers as the “correct” understanding of the past can be a powerful approach. The realization that not everything they read in a textbook is “agreed upon” may be one of the more empowering lessons that emerges from a social studies education. Together, we may take Loewen,
Hofferle, and Swogger, and Zucker to conclude the following:

These conclusions led us to develop a program, using the American History Textbook Project at Ramapo College of New Jersey, to introduce historiographical thinking to a cohort of high school students. Several characteristics of the American History Textbook Project make it an ideal
vehicle for such an undertaking.

The American History Textbook Project (AHTP) at Ramapo College began as a student-led project, under the supervision of an American Studies professor. Students researched materials to purchase before offering them to the college’s library as a special collection (Connor and Rice, 2012).
The majority of the collection consists of high school-level materials, but there are also some intended for elementary and middle school-age, as well as special editions for religious schools and state editions. Since 2009, the collection has grown to over 300 volumes, spanning almost 200 years (1825 to 2016); the collection continues to grow through grants and donations. In Spring 2020, when the college moved to remote operations due to COVID-19, a digital edition of the collection was created in order to meet the high demand of use while the physical collection was inaccessible
(https://libguides.ramapo.edu/digitalAHTP).

For a special collection, AHTP materials have a high level of use. At Ramapo, historiography is a key learning outcome not only in the History and American Studies programs, but also within the College’s General Education (GE) Program. As a result, undergraduates, often in their first year, who are enrolled in courses associated with this student learning outcome are exposed to historiographical
concepts, even if they are not history majors. This inclusion came as a result of a major recent revision to the GE Program that required professors develop courses that asked students to learn not only historical content (events, processes, trends, people) but also to place that learning in historical
context and to think critically about causation, connections to the present, and cultural bias. Students use the collection not as the books were intended – as tertiary sources – but rather as primary sources or artifacts to a time period. Professors found using the AHTP collection beneficial because students commented that using textbooks to understand complex historiographical concepts was more
manageable because information was presented in a less intimidating structure. In addition, professors appreciated that the textbooks covered so many topics – activism, industrialization, social issues, etc. – that using them allowed for maximum flexibility for courses.

Interest in the collection has grown outside of the College, especially among high school educators. When teachers contact the Library for a tour of collections, AHTP is often a featured discussion for
visiting groups. In the summer of 2023, a senior high school student volunteered to work with the collection and noted that working with the books, especially when seeing doodles and notes written by past students, brought a human element to his work research. Interacting with the AHTP collection allows students, even at the secondary level, to see these materials beyond static, neutral vessels of information, but as time capsules for both those who wrote the materials and those who used them. This adds an important new dimension of engagement with historical concepts.

In October, 2022, sixteen students from Ramsey High School participated in the program. The group of students consisted of five sophomores, nine juniors, and two seniors. All students had volunteered to participate and were not pre selected based upon any academic or personal criteria. Three quarters of the students had been or were currently enrolled in an honors or Advanced Placement history course. In a pre-assessment survey sent to the group, fifty percent of the students claimed that they frequently or regularly used a textbook in their history class, while more than forty percent said sometimes, rarely, or never. This was asked to gauge students’ familiarity with the components
and use of a history textbook. Among those who had utilized a history textbook recently, ten of the students indicated that they had read the book to answer specific questions or to study for a written assessment.


The session


For convenient access to the textbooks, the two-hour session was conducted in the special collections reading room of the George T. Potter Library at Ramapo College. Students were placed into groups of four based upon expressed interest in and general familiarity with one of four topics: the women’s suffrage movement, slavery and the American Civil War, U.S. immigration and immigrant groups, and the history of Native Americans during the Jacksonian Era. Students were seated with their groups at large tables. The session was run by Christina Connor, Ramapo College Assessment and Instruction Librarian and curator of the AHTP collection, and Daniel Willever, social studies teacher at Ramsey High School. To begin the session, brief introductory remarks were delivered by
Stephen Rice, Professor of American Studies at Ramapo College. Professor Rice originated the AHTP collection before it was donated to the library and taken over by Ms. Connor.

The work session was organized into four major activities followed by time for a post-assessment survey. In addition, students were given free time to interact with a small subset of textbooks that Ms. Connor selected for display due to their unique characteristics. As an activating strategy, each student was given one textbook from the collection to freely explore. During this time, many students made note of the cover art, the title, and the year of publication (which ranged as far back as the 1890s, though nearly all books were from the mid twentieth century). A few students turned to
the table of contents to see how the book was structured, and others took note of markings which indicated where the book had been used or by whom. Students were then asked to answer the question: “How does this text begin the story of American history?” The intention behind this question was twofold: first, for students to orient themselves to how the narrative of American
history was going to be told in the book they selected; second, for them to notice significant differences between the four books in their group regarding how the authors chose to begin the story. Answers varied, with some books beginning with the Columbian exchange, some with the
populating of the Americas during the last ice age, and others going back to the foundations of ancient civilizations.

Students then shared out to the whole group their perspective on why the starting point of their book may have been chosen by the authors and what its significance was. They were also free to ask questions or make general observations about the textbook they had selected. Some students use their phones to look up information about the author(s) of the book.

Following this orientation, students were distributed a copy of the session handout, designed to serve as a note catcher. This one page document, an adaptation of the resource used with undergraduate students at the college, was designed with ease-of-use in mind, for students to distillate core
understandings about the text into a simple framework which could be used for later thinking. At the top, students indicated basic identifying characteristics, such as title, author, and publication date of their book.

Below this, a matrix posed four essential questions for students to think about and answer using their book:

In the second activity, students conducted topical research using their textbook. At any time during the session, students were welcome to read together or to exchange books, although they were to
primarily focus their attention on the one book they selected at the start of the activity.

Following this independent reading and writing time — about twenty minutes, in total — students came together for a group collaboration session. This time was reserved for them to converse about their observations and annotations. Within each topic group, students were to begin the process of comparing and contrasting how each textbook approached, organized, conveyed and conveyed the subject matter.

Each group received a large sheet of poster paper and markers to produce a graphic organizer which expressed how the telling of their historical topic had changed over time, as noted through comparison of the four textbooks. The two hour session concluded with the final activity, in which time was allotted for presentations to the whole cohort, with additional general discussion of key takeaways and questions.


Observations and data


During the session, students were observed to be highly engaged and in regular conversation, sharing the information they were finding both for the activity sheets as well as other observations made while analyzing the textbooks. Rarely did the instructors need to intervene without students first asking a question. It was often noticed that if students were using their phones, it was to look something up for the activity, not as a distraction from the session. For two hours students were
actively participating and did not need to be reminded to focus on the lesson and discussion.

The conversation was extraordinarily organic within each group, as students huddled looking from book to book, comparing text, and making notations. Most students provided a great deal of detail in their worksheets, citing a variety of examples for each question. When asked to provide words or phrases used to describe their topics, students took the time to quote excerpts from books, not just produce a simple vocabulary list. When describing how much space is devoted to their subject,
students often provided significant detail, describing both the specific space allocated for topics (e.g., sentences, paragraphs, pages), but also reflecting if the language used was simple as well as if the topic was discussed in passing or within the context of another topic.

Reading through comments on the last two questions (to describe what is emphasized/deemphasized and how the narrative could influence a reader), it was observed that students were making the
connection that how a narrative was framed could impact perspectives on a topic. For example, if a book praised the Jacksonian policy of Native American relocation because it led to expanding U.S. territories, yet minimized or failed to mention the struggles felt by native populations, students noted how a reader could come to believe Native Americans were treated fairly and the U.S. acted justly.

In other cases, students included knowledge from their own classroom lessons to assist in their analysis of materials. For example, a student reviewing women’s suffrage noted passages in her book that downplayed the struggle, and did not discuss how long and hard a process suffrage was for women as well as the violence experienced by many suffragettes. She also noted that her book failed to mention public opposition to women’s suffrage. Since this information was absent from her materials, it was clear she was pulling in outside information in order to discuss what aspects of suffrage were under represented. The amount of detail provided by students in their observations showcased how engaged they were with the materials and that their reflections developed from a
close reading.

In addition to individual worksheets, groups were also asked to create a timeline poster with all the books, which they would use when presenting out at the end of the session. This was an important piece to the discussion because it allowed students to see that while some topics improved in coverage over time, others surprisingly were more biased in later years. It gave the students the opportunity to consider if possible outside societal or political influences may have led to how a topic evolved over time.

One group used their poster session to make interesting observations regarding how the topic of slavery was treated in chapters on the American Civil War. Student K.H., for example, observed that in A History of the United States by William A. Mowry and Arthur May Mowry, published 1896, the issue of slavery was deemphasized as a cause of the war. His peer, student G.P. noted similar language in a 1950s textbook, which did not address the harsh treatment of enslaved people and downplayed slavery as a cause of the war. Another member of this group noted that a 1979 textbook by John Garrity went into greater detail of slavery as an economic and social institution with severely harmful consequences for enslaved people. The last member of the group, in assessing the 2005 textbook The Americans by McDougal Littell, observed that this textbook explicitly described the southern states’ desire to protect slavery as what caused the war. Four students utilized four texts spanning nearly 110 years of history to arrive at the conclusion that the narratives surrounding American slavery evolved significantly over time, were reflective of issues and events contemporary to the authors, and had a significant impact on how Americans viewed the past and present of their country. The group reflected on these observations in their timeline poster and presentation to the rest of the cohort.

The post-survey completed at the end of the session yielded interesting remarks from participants. Thirteen of 14 students who completed the exit survey said that the activity somewhat (8) or significantly (5) changed their understanding of how history is written and understood. In elaborating upon how the experience reformed their understanding of history as a discipline and how narratives of history evolve over time, students often revisited the topic of their textbook exploration. Said one
student: “While I understood that history textbooks change throughout history, I’ve
never looked at examples of this or investigated what this means. I learned about Jackson and Native Americans and the connotations and views of these events in multiple times [sic] periods, but specifically during the 1920s. During this time many people wanted to hide America’s past flaws
and promote nationalism after World War I and in case there was another war in the future.” This student demonstrated the importance of contextualizing a source as a
product of the time period in which it was published.

Another common insight shared by students was the search for objectivity and validity in historical writing. While some students saw the older textbooks as “more biased” or “misleading,” still others
wondered the degree to which they needed to think critically about the narratives in their own history textbooks: The ability for students to make connections between these historical texts and what they are being taught today was a significant development, as is exemplified in one reflection: “It was very interesting to see what was being taught to Americans based on what was going on at the time, and if this information they were getting was accurate. I wonder if the same thing is happening to the textbooks we are learning from today.” Similarly, another student commented that “Getting a
sense of what previous generations were taught was intriguing, especially when placed into historical context. Seeing how the textbooks develop into a more accurate depiction was pretty cool.” A third student sought to juxtapose their critical thinking vis a vis the textbook with the narratives of history delivered by their history teacher in class: “I have always thought that a textbook is more reliable than a teacher because teachers can be opinionated and books can’t.

After today I am left thinking If my previous thought is true. A book can have so many
biases that I have never considered.” The significant impact of the exercise was perhaps best expressed by another student: “. . .for someone who has never thought about how the telling of history has evolved this would be really eye opening.”

Conclusion

This project provided the authors with insight as to how secondary and tertiary sources, such as textbooks, may be used to expose high school students to a basic understanding of historiography.
Furthermore, such a strategy can lead to significant development of students’ historical thinking skills and their understanding of “history” as a discipline, as opposed to just a timeline of people, dates, and events. History professionals understand that history “wars” are nothing new;
conflicts over how the story of the past is told have been ongoing for some time and
will continue, because, as George Orwell rightly noted, “who controls the past controls the future.” However, the consequences of these debates and the motivations behind them are most likely
foreign to high school students. While school-age children may see media coverage over the removal of Confederate monuments or criticism over a “liberal” influence in the classroom, seeing the evolution of curricular materials may help provide insight as to why history debates are often heated.

All-in-all, it was clear that students valued the time spent working with the textbooks and many of them said they would enjoy doing so again in the future with different topics of exploration. It was
rewarding to see students use prior classroom knowledge and make connections to their current or former history courses. Seeing these observations helps underscore the point that high school-level students are capable of engaging with historiographical concepts and their reactions further highlight why it is necessary to do so. The moments of epiphany to which we bore witness during the textbook session were heartening and motivating.

Further exploration of this strategy for teaching historiography may focus on the degree to which students bring their new historiographical thinking skills back to their history classroom for use in an academic setting. Overall, it was encouraging to see that students were thoroughly engaged for
nearly two hours of work time and were observed to be consistently thinking out loud, organically collaborating, analytically reading texts, and utilizing advanced historical thinking skills. If additional endeavors to promote an understanding of historiography among pre-college learners prove to be as fulfilling and successful, the future of history is a promising one.


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    Hoefferle, C. (2007). Teaching Historiography to High School and Undergraduate Students. OAH Magazine of History, 21(2), 40–44. http://www.jstor.org/stable/25162115

    Loewen, J.W. (2009). Teaching What Really Happened: How to Avoid the Tyranny of Textbooks and Get Students Excited About Doing History (Multicultural Education Series edition). Teachers College Press.

    Swogger, M. (2017, March 29). Embracing Historiography in the Classroom. Pardon the Interruption! from the National Council of the Social Studies. http://connected.socialstudies.org/blogs/michael-swogger/2017/03/29/embracinghistoriography-in-the-classroom.

    Zucker J. (2016, January 13). Teaching Historiography to High School Students. Process: a blog for American history. https://www.processhistory.org/jameszucker-teaching-historiography-in-highschool/.