History Book Club with Kapka Kassabova’s Street Without a Name: Childhood and Other Misadventures in Bulgaria
Emily Boland
History classes are often labeled as boring and repetitive by students. This begs the question of how to engage students to quell this historical boredom. Educational theory suggests students become more involved the more they are engaged and care about what they are learning. That being said, to engage students, I suggest History teachers can implement a history book club that allows students to pick books that they want to read and can relate to history.
In this article, I will suggest using Kapka Kassabova’s book Street Without a Name: Childhood and Other Misadventures in Bulgaria to be included in the proposed history book club as an example of a book that both captures the interest of students and serve as a link to learning about a country like Bulgaria which is rich with natural resources and long history. The culture and history of Bulgaria can be encapsulated through Kassabova’s writing is significant as her individual experience can illuminate students on life in communist Bulgaria. Also, the individual experience and the feelings Kassbova has throughout her childhood and later return to post-communist Bulgaria. Therefore, a history book club centered around Kapka Kassabaova’s book Street Without a Name: Childhood and Other Misadventures in Bulgaria, would explore the struggle for identity and belonging as he reflects on her past and present self, which, could lead to more knowledge about Bulgaria as a springboard to learn the about other countries as well.
The architecture of communist Bulgaria is easily identified, and the uniformity of the architecture contributes to Kassabova’s struggle for identity and belonging. The impact of the communist bloc housing can be seen through Kassabova’s childhood recollection of her home. Kassabova recalls waiting for an apartment and finally getting placed in an apartment that was small and on a nameless street. The lack of a street name distorted Kassabova’s sense of home, and is affirmed by a school project where she had to write about her home and the address. The solution to the nameless status of her street was solved by her mother’s suggestion of writing about her ideal home on Strawberry Street. However, the teacher returned the assignment with a red pen written on the paper, chiding young Kapka for not facing the reality of life as most lived in block-style apartments.[1] Through this experience, Kassbova learned to conform to communist standards of education that included unity under the communist identity, as a result, individualism was not valued. The role of housing and architecture in communist regimes in Europe in the late to middle twentieth century is explained by Michael Kelleher’s journal article “Bulgaria’s Communist-Era Landscape.” Through this journal article, Kelleher defines the landscape of Bulgaria after residing in Bulgaria for a number of years. Through exploring the rigidity and uniformity, Kelleher claims Bulgaria utilized the Soviet Union’s model for architecture and design to better show the legacy and impact of the communist identity within a non-Soviet nation, Bulgaria.[2]
This opens another interesting line of historical inquiry, using the architecture of a country as the hook to investigate the different historical styles of architecture and the corresponding connection to important periods of history.
This perspective adds to and validates Kassabova’s childhood account of the housing in Bulgaria being drab and uniform. Moreover, the connection between Kelleher’s article and Kassabova’s writing shows the influence of housing on one’s identity and how the uniform structure voided individuality through the definitive architecture which promoted communist ideals and upheld a common communist identity. Overall, showing one aspect of Kassabova’s struggle with identity in communist Bulgaria and the importance of uniformity and realism under communism.
Furthermore, Kassabova’s identity was challenged by governmental upheaval and the fall of communism in Bulgaria. Through Street Without a Name, the reader can experience the turmoil and tumultuous end to the People’s Republic of Bulgaria. The brewing of change is addressed by Kassabova as well as the uneasy atmosphere within her school and home as rumors of a murdered journalist and a bloodless governmental coup were looming. The stress of the uniformity that consumed Kassabova’s identity was threatened and with the “televised execution of Nicolae and Elena Ceausescu by a three-man fighting squad” the fate of the Bulgaria Kapka knew was in shambles.[3] Kapka referred to the end of the People’s Republic of Bulgaria as the last act of a forty-five-year-long theater” which indicates the manufactured identity of communism was gone, leaving her to reconstruct herself and her identity and belonging within the world. However, this experience while individual to Kassabova was a collective memory for citizens of Bulgaria. Therefore, this memory can be viewed through the idea of collective and intergenerational memory, as her experience was of a child being told by her parents. This can be used to discuss the ongoing turmoil in the modern world, as well to investigate other historical examples of government upheaval.
The significance of collective and intergenerational memory is highlighted in Paul Thompson’s journal article “Community and Individual Memory: An Introduction.” Thompson addresses the impact of collective memory that is passed down from generation to generation on the testimony of historical accounts.[4] This can be applied to Kassabova’s account as she is informed of the political upheaval by her parents not through her direct self, which shows the use of collective memory within Kassabova’s book. Thus, displaying the transformation and destruction of Kapka’s communist identity with the fall of the Bulgarian communist regime. This information can be used to bridge discussions and lead to further explorations of other former communist governments since the fall of the Soviet Union.
Moreover, emigrating from Bulgaria resulted in a massive shift in Kassabova’s sense of identity and belonging. Kapka throughout her book glimpses toward her present self as her book splits between her past in Bulgaria and revisiting Bulgaria as an adult. However, the process of leaving and immigrating removed Kassabova’s Bulgarian past as she writes about her fascination for other countries except for Bulgaria “rids herself of two things. One, her Bulgarian past” and the question of “where are you from?”[5]This indicates an internal struggle for belonging and identity, as Kassabova feels nationless and represses her past as she separates herself from her childhood under the Bulgarian Communist regime. The act of immigrating distorts one’s life as they uproot themselves from their daily life. Also, within the context of Bulgaria, Anna Krasteva’s journal article, “post-communist discovery of immigration: the case of Bulgaria” fills in the missing information on migration patterns within communist and post-communist Bulgaria. Krasteva explains why emigration was uncommon in communist Bulgaria, as the state was closed, meaning no one left.[6] Subsequently, the collapse of communism in Bulgaria resulted in newfound freedom of emigration. This assertion of Krasteva relates to Kassbaova, as her family took advantage of the release of emigration. This could lead to a fuller discussion of social culture and the ramifications of various emigrations in history.
However, the impact of immigration on Kassabova’s fragile identity resulted in an aimlessness and loss of belonging overall. This is observable in the second half of her book as she revisits Bulgaria and writes she is “a ghost from the past, but it isn’t their past.”[7]This indicates a disconnect of self and a fragmented identity that Kassabova, as she is haunted by her past life in Bulgaria. Moreover, this idea of change and disconnect of identity is addressed in Gabriele Linke’s journal article “‘Belonging’ in Post-Communist Europe: Strategies of Representations in Kapka Kassabova’s Street without a Name.” Linke connects sociologist and philosopher Zygmunt Bauman’s concept of liquid modernity to apply to the fragmentation of Kassabova’s life as written in her book. Linke claims the constant shift and difference to her Bulgarian past is the result of liquid modernity changing her view of her past self and the relationship she had with her Bulgarian and communist identity.[8] Moreover, this creates a disconnect regarding her identity, as she cannot fully acknowledge her past and how her past impacts her present sense of belonging and identity. Once again, this profound writing can serve to link the many stories of people like her to build an understanding of the long-term impact of history now generations past.
However, Kassabova’s work, while insightful, is not flawless and is subject to review and criticism. One such review comes from the Harvard Review, which reviews the book from the perspective of an average reader. The reviewer is Carmen Bugan, and she explains the concept of Kassabova’s book is interesting and important to learn about. The criticism of the book is in the structure, Bugan as she claims the book reads as a travel guide as opposed to a memoir. However, she appreciated the themes of restlessness and the struggle for identity within the book, as well as the quality of the writing.[9]Moreover, the analysis published by Claudia Duppé is titled “Tourist in Her Native Country: Kapka Kassabova’s Street without a Name.” This review differs, as Duppé focuses on the aimlessness and tourist-like status of Kassabova during her visit to Bulgaria. This review takes an academic and thematic approach to Kassabova’s memoir and explores the role of immigration on her identity shifts throughout the book.[10]Overall, the reviews of Street Without a Name are positive and cite the impedance of reading to better understand life during and after communism. It is always historically important to present a full picture of history, both good and bad, in addressing the criticism, students themselves can hopefully make informed judgments about the importance and validity of her claims.
To conclude, Kapka Kassabova in her memoir Street Without a Name: Childhood and Other Misadventures in Bulgaria is a powerful individual account of life under communism and after. Also, Kassabova through her own struggle for identity and belonging explains to the reader the mindset and reality of those who grew up under communism. This is shown through the separation of the book into childhood and revisiting Bulgaria, as this shows the time Kassabova took to heal and feel ready to face her past. Moreover, the rigidity and uniformity under communism definitively impact a person’s identity, as Kassabova struggled to adjust to the Western world’s looser restrictions. Overall, Street Without a Name: Childhood and Other Misadventures in Bulgaria is an important read to gain perspective and understanding of life under the iron curtain and after the fall of the iron curtain. The use of books like Street Without a Name: Childhood and Other Misadventures in Bulgaria can be used to make connections to social, political, and geography as a means to hook the students with real-world insights provided by individuals who actually lived the history that is being covered in various classes. Perhaps, using primary sources like Street Without a Name: Childhood and Other Misadventures in Bulgaria can break the notion of boring history and bring events of the past to life today!
References
Bell, John D. “‘Post-Communist’ Bulgaria.” Current History 89, no. 551 (1990): 417–29. http://www.jstor.org/stable/45316442.
Bugan, Carmen. “Street without a Name: Childhood and Other Misadventures in Bulgaria.” Harvard Review, September 18, 2020. https://harvardreview.org/book-review/street-without-a-name-childhood-and-other-misadventures-in-bulgaria/.
Duppé, Claudia. “Tourist in Her Native Country: Kapka Kassabova’s Street without a Name.” Facing the East in the West 138 (2010): 423–36. https://doi.org/10.1163/9789042030503_030.
Kassabova, Kapka. Street Without a Name: Childhood and Other Misadventures in Bulgaria. New York, NY: Skyhorse, 2009.
Kelleher, Michael. “Bulgaria’s Communist-Era Landscape.” The Public Historian 31, no. 3 (2009): 39–72. https://doi.org/10.1525/tph.2009.31.3.39.
Krasteva, Anna. “Post-Communist Discovery of Immigration: The Case of Bulgaria.” SEER: Journal for Labour and Social Affairs in Eastern Europe 9, no. 2 (2006): 25–34. http://www.jstor.org/stable/43293155.
Linke, Gabriele M. “‘Belonging’ in Post-Communist Europe: Strategies of Representations in Kapka Kassabova’s Street without a Name.” European Journal of Life Writing, 2 (2013). https://doi.org/10.5463/ejlw.2.46.
Thompson, Paul. “Community and Individual Memory: An Introduction.” The Oral History Review 36, no. 2 (2009): i–v. http://www.jstor.org/stable/20628065
[1] Kassabova, Kapka. Street Without a Name: Childhood and Other Misadventures in Bulgaria. New York, NY: Skyhorse, 2009.
[2] Kelleher, Michael. “Bulgaria’s Communist-Era Landscape.” The Public Historian 31, no. 3
(2009): 39–72. https://doi.org/10.1525/tph.2009.31.3.39.
[3] Kassabova, 120-2.
[4] Thompson, Paul. “Community and Individual Memory: An Introduction.” The Oral History
Review 36, no. 2 (2009): i–v. http://www.jstor.org/stable/20628065.
[5] Kassabova, 2.
[6] Krasteva, Anna. “Post-Communist Discovery of Immigration: The Case of Bulgaria.”
SEER: Journal for Labour and Social Affairs in Eastern Europe 9, no. 2 (2006): 25–34. http://www.jstor.org/stable/43293155.
[7] Kassabova, 280.
[8] Linke, Gabriele M. “‘Belonging’ in Post-Communist Europe: Strategies of Representations
in Kapka Kassabova’s Street without a Name.” European Journal of Life Writing, 2 (2013).
https://doi.org/10.5463/ejlw.2.46.
[9] Bugan, Carmen. “Street without a Name: Childhood and Other Misadventures in Bulgaria.”
Harvard Review, September 18, 2020.
https://harvardreview.org/book-review/street-without-a-name-childhood-and-other-misadventures-in-bulgaria/.
[10] Duppé, Claudia. “Tourist in Her Native Country: Kapka Kassabova’s Street without a
Name.” Facing the East in the West 138 (2010): 423–36.
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